Software Reviews

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John Brandon  |  Sep 01, 2010  |  0 comments

Aperture 3 is an amazingly powerful workflow aid for any photographer. An improved interface that promotes a “work the way you want” aesthetic makes it easy to learn and use.

Steve Bedell  |  Jun 21, 2013  |  First Published: May 01, 2013  |  2 comments

The job of auto-retouching software is to retouch faces quickly, easily, and with as little human intervention as possible. Most require you to either set or confirm where the major points of the face are, like the eyes, ears, and lips. After you’ve identified those areas, the software then goes about its business of transforming little Pamela into little Princess.

John Brandon  |  Sep 01, 2009  |  0 comments

PhotoStudio 6 is a feature-rich application in its own right; for instance, you can create layers for image editing, paint on the image with a variety of brushes, and apply artistic effects.

Steve Bedell  |  Jun 18, 2013  |  First Published: May 01, 2013  |  1 comments

As more photos are made on more types of devices, there’s a need for resultant images that aren’t just “OK” but as good as they can be. And part of the need, it would seem, is that some folks don’t want to spend a lot of time learning complex programs to get the image results they want. Companies like Athentech Imaging aim to make it a one-click affair.

Howard Millard  |  Apr 15, 2016  |  0 comments

HDR, as most photographers know, stands for High Dynamic Range, allowing you to capture a wider range of highlight and shadow detail than you could in a single frame. You create an HDR image by shooting several identically framed shots of the same scene at different exposures, often with three brackets such as -2, 0, and +2 EV. The newest kid on the HDR block is Aurora HDR Pro from Macphun, currently for Mac only, but with a Windows version in the works.

Anthony L. Celeste  |  Jun 03, 2014  |  First Published: May 01, 2014  |  0 comments

I first looked at Auto FX Software’s DreamSuite Series One in the January, 2006, issue of Shutterbug. Since then, Auto FX has gone on to create DreamSuite Series Two and DreamSuite Gel. Now, Auto FX has released upgraded versions of all of these filter sets, plus an additional 12 new filters in a collection it calls DreamSuite Ultimate.

Anthony L. Celeste  |  Oct 13, 2011  |  First Published: Sep 01, 2011  |  1 comments

Photo/Graphic Edges (PGE) from Auto FX Software has been with us for many years and the company recently released their latest version, 7.0, Platinum Edition ($249, stand-alone and plug-in; $129, upgrade for owners of Version 5 or 6). The interface is identical to that used by all Auto FX Photoshop plug-ins. If you already use another Auto FX plug-in, such as Mystical Lighting or Mystical Focus, learning to use PGE should be easy. Even if you’re not familiar with Auto FX products, you’ll likely find the interface to be very straightforward and uncluttered, with plenty of room to work on your images.

Anthony L. Celeste  |  Oct 01, 2010  |  1 comments

Mystical Focus builds on the success of the Auto FX “Mystical” series of plug-ins, which includes Mystical Lighting and Mystical Tint, Tone, and Color.

Howard Millard  |  Mar 01, 2010  |  0 comments

Whether you shoot people, products, or landscapes and nature, Mystical Tint Tone and Color 2.0 offers a cornucopia of 60 filters to add subtle to striking effects to enliven and enrich your photos.

Jon Sienkiewicz  |  Oct 17, 2019  |  0 comments

Guaranteed, you will be amazed how quickly and easily you can colorize old black and white snapshots, add life to classic public domain images, convert color infrared images into amazing works of art and more – automatically – with Photoshop Elements 2020. Here are step-by-step directions plus several examples to…

Jack Neubart  |  Jun 07, 2011  |  First Published: May 01, 2011  |  0 comments

We’re all familiar with image-editing software, but we may be a stranger to asset management, that is, organizing and managing your stock photo library so that image files are readily accessible. Bibble 5 Pro’s asset management begins with pooling data from all the images you’ve shot on any given day, occasion, event, trip, or job into individual databases that Bibble defines as “catalogs.” The process also entails assigning keywords and labels, which along with other criteria, can be used to search through all of Bibble’s catalogs, whether the images or the catalogs are stored on your computer’s hard drive or on external drives.

George Schaub  |  Jul 05, 2011  |  0 comments

For the past few months I have been slowly cataloging prints I’ve made over the past years. This entails signing, dating and numbering the prints and then making an Index. I decided the easiest way to maintain and expand the list as I continued cataloging would be a blog. That was only the beginning of the project, it turns out.

Jon Sienkiewicz  |  Jan 22, 2021  |  0 comments

Boris FX Optics 2021 is a gourmet buffet of creative effects Photoshop plug-ins that span the entire spectrum from caviar to corndogs, from ketchup meatloaf to filet mignon with shaved truffles. In other words, these dynamic, fast-operating filters do the normal mundane operations like color correction—and also do highly imaginative manipulations that will dazzle you. There are 160 plug-in filters and each has dozens of presets—and more importantly, each preset has dozens of adjustable parameters. Additionally, Boris FX Optics 2021 can be used as a standalone special effects editor. All at an amazing price, too.

Jack Neubart  |  Feb 15, 2018  |  0 comments

Capture One Pro is a top-echelon Raw image processor and editor, courtesy of the people behind Phase One cameras and backs. For this software review, I tried Capture One Pro, which is now on Version 11, on images shot with various cameras, ranging from Nikon to Canon to Phase One.

Jack Neubart  |  Sep 10, 2013  |  First Published: Aug 01, 2013  |  5 comments

Capture One Pro stands as the Raw converter and digital asset manager of choice among many pro photographers, notably those using Phase One backs. But this software also supports many, many other cameras, with profiles for over 250 models plus a wide range of lenses. Version 7 (V7) has some new features of note, so I checked it out to see if an upgrade from 6 is advisable, and if it might tempt users of Adobe Lightroom/ACR. For this test I ran Capture One Pro 7 on a 27” iMac under OS X 10.8 Mountain Lion, with 8GB of RAM.

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