The exclamatory headline was in an e-mail sent to me by Dr. Alan Sloyer when I asked him to forward the high-res file for this image, which he took in Amsterdam, the Netherlands, on a family vacation in 2017.
Carol Freeman began the Endangered Species Photography Project 15 years ago. Her aim was to photograph all the endangered species in her home state of Illinois, in the hope that awareness would foster protection for the threatened species and their habitats.
Steve Vaccariello had an advantage when he took this photograph of actor Alan Cumming for Aventura magazine. Well, actually three advantages. The first was that he’d photographed Cumming before. The second, they were friends.
Stephen Wilkes carried the idea of day-to-night images for a long time. The seed was planted when he photographed the cast and crew of Baz Luhrmann’s Romeo + Juliet for Life magazine.
Albert Normandin has photographed in Myanmar on 13 visits over 12 years. He estimates he’s spent over 600 days in the country. He won’t guess at how many photos he’s taken. This one, though, has somewhat special significance.
That’s Carlos Correa, Houston Astros shortstop, in February, 2016, on a secluded beach on the south coast of Puerto Rico, training for the upcoming season. He’d been named American League Rookie of the Year for 2015, but no achievement was going to make this driven professional let up in his efforts to stay ahead of the game.
You’re on Meols Beach, on the Irish Sea, looking east across the River Mersey; those lights are Liverpool. The beach is the place where imaging happens for Ray Mcbride when time and tide are just right.
There was something about the lights, the wet streets, and the look of the café that Bill Durrence and his wife, Barbara, passed on their way back to the hotel that rainy night in Paris last September. He took this picture to capture the feeling of that moment, but the scene’s mixed lighting and his camera’s white balance weren’t in sync with his intent.
The Killer is Jerry Lee Lewis—if you want the origin story of his nickname, it’s searchable—and on that night in 1975 he was past his rockabilly and rock-and-roll days and into his country music career. Photographer Henry Horenstein was at the Ramada Inn in East Boston on assignment for Country Music magazine to photograph Lewis between sets.