George Schaub

George Schaub  |  Dec 04, 2018

Integral zoom lens cameras are often referred to as “bridge” cameras: the idea being that they bridge the gap between compact and DSLR models. If there’s a bridge connection here it’s in the rather incredible zoom range of the Sony Cyber-shot RX10 IV ($1,700, retail price) that spans the far shores of 24-600mm equivalency.

George Schaub  |  Jun 26, 2018

While the main body of my work has been with lenses such as the 24mm fixed, wide angles, and mainly my trusty 16-35mm zoom, I have often found myself wanting a long zoom for the scenes that present themselves along the way. It’s not that I am unwilling or just plain lazy to get closer—a long zoom, like the recently released Tamron 100-400mm, simply changes the way I see and helps me explore other visual options.

George Schaub  |  Jun 21, 2018

When teamed together properly, your image files, monitor, image-processing software, and printer can produce prints that you will be justly proud to show. My aim here is to provide tips that will give your prints that extra touch so you can produce wall-worthy work that displays the characteristics of color, tone, and contrast that fully expresses your vision.

George Schaub  |  May 30, 2018

Aimed at advanced and enthusiast photographers, the Fujifilm X-H1 ($1899, body only) has a 24MP APS-C  sensor with 5-axis (5.5EV) image stabilization. We take a closer look at this mirrorless camera in this review.

George Schaub  |  Apr 24, 2018

I was heartened to see the new Fujifilm X-E3 being promoted by the company as being “built from the essence of minimalism.” In art and design, minimalism is paring down to bare essentials, a kind of “less is more and more is less” approach. In a modern digital camera it should mean a design and layout that might well appeal to those who, in ye olde film days, chose a manual interchangeable lens rangefinder over a multifunctional SLR.

George Schaub  |  Mar 15, 2018

The Olympus OM-D E-M10 Mark III is the latest iteration of a long and storied lineage that began in the early 1970s with the introduction of the then-revolutionary OM-1 35mm SLR film camera. As is with the new digital Mark III, the analogue OM-1 was a lightweight and portable camera that posed a viable alternative to the comparatively bulky SLRs of the day.

George Schaub  |  Jan 24, 2018

Shutterbug, a member of the Technical Image Press Association (TIPA), once again joined forces with 30 other member magazines from around the world to choose the winners of the annual TIPA Awards for the best photo/imaging products in 40 different categories. The award process began in early 2017 with an initial selection of a wide range of products conducted by TIPA’s Technical Committee, on which Shutterbug’s Editor-at-Large George Schaub serves. 

George Schaub  |  Jan 17, 2018

When I checked Canon’s website to verify the specs on the EOS 6D Mark II ($1,999, body only; $3,099, for the test camera supplied with the EF 24-105mm f/4L IS USM “kit” lens) I was a bit surprised to see it termed a “gateway” for enthusiasts to step up to a full-frame DSLR. That’s a new one to me, but that indeed is what this camera is. 

George Schaub  |  Dec 07, 2017

While image stabilization in camera bodies and lenses has stretched the bounds of slow shutter speed usage, there’s nothing that can take the place of a good tripod in terms of image sharpness and the ability to take advantage of today’s camera technology. Working with HDR, with very long exposure times, and the ability to shoot at virtually any aperture and shutter speed without resorting to excessive ISOs are obvious benefits. 

George Schaub  |  Nov 09, 2017

I have been using Epson’s Advanced B&W Photo printing mode for many years in a series of the company’s desktop printers but always wished the print software offered a way to see my image adjustments in real time. So, when Epson announced their new Print Layout software, which offers a “live preview” (among other controls) in Advanced B&W Photo mode, I contacted them to give it a whirl. 

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