Lens Reviews

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Steve Bedell  |  Jun 01, 2007  |  0 comments

I 've been shooting most of my portrait work with a 28-75mm zoom, but always felt I could use something longer. And I'm about at the point where fixed focal length lenses just won't do; once you get used to the flexibility of a zoom, you're spoiled. I also like a fast lens with a relatively wide maximum aperture, as I like to get way out-of-focus...

Steve Bedell  |  Jun 01, 2007  |  1 comments

Technical Specifications

 

Lens Construction: 18 Elements in 14 Groups
Angle of View: 27.9 ° - 9.5 °
Number of Diaphragm Blades: 9 Blades
Minimum Aperture: F22
Minimum Focusing Distance: 100cm / 39.4 inches
Maximum Magnification:...

Peter K. Burian  |  Nov 01, 2006  |  0 comments

One of the favorite lenses among news photographers, a 70-200mm f/2.8 or 80-200mm f/2.8 zoom also appeals to many serious photo enthusiasts. Although large and heavy, lenses of this type offer several benefits. Their very wide maximum aperture allows for faster shutter speeds than the more typical f/4.5-5.6 zooms, great for low-light or action photography at lower ISOs (film or...

Steve Bedell  |  Dec 01, 2006  |  0 comments

While searching for a new portrait lens I saw Sigma's APO MACRO 150mm f/2.8 on their website. But wait, you say, this is a macro lens, not a portrait lens! Here's my thinking: Any portrait photographer out there worth his light meter will gladly extol the virtues of a long, fast lens for portraiture. The reasons are simple--limited angle of view to get rid of...

George Schaub  |  Aug 01, 2008  |  0 comments

If you ever want a unique point of view try a "fisheye" lens. Like looking through a door peephole (which in fact is a "fisheye" type) this order of lens sacrifices linear correction in favor of a very wide angle of view. Originally made for creating "full sky" images when pointed straight up, they had long ago been adopted by photographers for...

Robert E. Mayer  |  Mar 01, 2010  |  0 comments

If, like many Shutterbug readers, you have a film SLR camera plus several interchangeable lenses, you might be wondering if you can use those lenses with your new D-SLR camera of the same, or even different, brand.

Dan Havlik  |  Jul 09, 2019  |  0 comments

Sony just launched its latest prime lens for its mirrorless cameras: the new Sony FE 35mm F1.8 lens. We got our hands on this new Sony FE lens prior to this morning's launch and had a chance to shoot with it for a few hours. Included in this story are eight of our full resolution test images captured with the Sony FE 35mm F1.8 lens.

Joe Farace  |  Feb 26, 2016  |  0 comments

Here are some tips I discovered when researching this month’s column. One was from my wife who uses this technique all the time—smile! And you know what, people smile back, making you appear friendly and non-threatening. The other was from Michael Archambault, who suggests you “acknowledge that street photography is not perfect.” Or as my grandfather once told me, “If you spend your whole life looking for happiness, it’ll make you miserable.”

Joe Farace  |  Mar 25, 2016  |  0 comments

Every company that makes lenses usually designs a few that are ideal for portraiture. The trend these days for studio and boudoir portraits is toward fast prime lenses, while zooms remain popular for location and wedding photography. Wide-angle lenses may get you closer to the subject but perspective distortion exaggerates a subject’s nose and ears.

George Schaub  |  Jun 26, 2018  |  0 comments

While the main body of my work has been with lenses such as the 24mm fixed, wide angles, and mainly my trusty 16-35mm zoom, I have often found myself wanting a long zoom for the scenes that present themselves along the way. It’s not that I am unwilling or just plain lazy to get closer—a long zoom, like the recently released Tamron 100-400mm, simply changes the way I see and helps me explore other visual options.

Joe Farace  |  Dec 30, 2014  |  0 comments

Tamron’s 14-150mm Di III is the company’s first lens designed for the mirrorless Micro Four Thirds camera system. When originally announced, this lens was supposed to feature built-in VC (Vibration Compensation) image stabilization but over the course of its development—there’s lots of in-body stabilization in this format—this feature was removed.

Shutterbug Staff  |  Apr 22, 2019  |  0 comments

The Sony FE 24-70mm F2.8 GM and Tamron 28-75mm f/2.8 Di III RXD lenses share a similar focal length, and both can be used with Sony's full frame mirrorless E-mount cameras. But they differ dramatically in price.

Joe Farace  |  Jul 23, 2019  |  0 comments

Tamron has a long history of producing versatile, do-everything lenses and the Tamron 35-150mm F/2.8-4 Di VC OSD (Model A043) continues with that heritage. I received the Canon EF-mount version of the lens for testing, but a Nikon F-mount version is also available at the same price. While designed for Canon’s full-frame EF-mount cameras, the Tamron 35-150mm lens can also be used with their APS-C models where it produces a field-of-view equivalent to 56-240mm.

Jon Sienkiewicz  |  Aug 16, 2018  |  0 comments

There is nothing more invigorating for a zealous photographer than putting a brand new lens on a familiar, reliable DSLR body. The world looks different through a new lens, and the tableau of photo opportunities hits the reset button, refreshing all of the possibilities. My experience with Tamron’s new Tamron 70-210mm F/4 Di VC USD tele zoom brought this realization into focus, no pun intended.

Joe Farace  |  Jun 01, 2011  |  17 comments

Tamron has always been a pioneer in the do-everything zoom lens category and their new AF18-270mm F/3.5-6.3 Di II VC PZD lens is no exception. Don’t be intimidated by those initials—it’s all good stuff—and I’ll get to them shortly. The 18-270mm F/3.5-6.3 is part of Tamron’s Di II family of lenses that are engineered specifically for digital SLRs with image sensors measuring 24x16mm, typically referred to as APS-C. The sensor size of the Canon EOS 50D I tested the lens with measures 22.3x14.9mm so I guess that’s close enough. The 15x zoom range of the lens provides a 35mm focal length equivalency of 28.8-432mm with the Canon EOS 50D’s 1.6x multiplication factor, but that will be slightly different for the Nikon and Sony versions that are also available. Shooting full frame? Check out Tamron’s Di lens series for 35mm film cameras or digital SLRs featuring larger (24x36mm) sensors.

 

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