Lens Reviews

Sort By: Post DateTitle Publish Date
Henry Anderson  |  Jul 21, 2021  |  0 comments

What is the best prime lens for photography? According to photographer and YouTube star Peter McKinnon, it's the Canon RF 50mm f/1.2L USM and in the below video he tells you why.

Jon Sienkiewicz  |  Nov 26, 2021  |  0 comments

Time to hit the Reset Button and put your notions of Image Quality on Pause. In our everyday lives as photographers we prize sharpness, saturation, acutance and absence of aberration when we idealize the images we want to capture. Now it’s time to recognize that images that are blurred, smeared, warped and otherwise traumatized can be beautiful.

Lensbaby lenses produce images that are intentionally unsharp, because optical aberrations can be beautiful. In a word, a Lensbaby turns blur into bliss.

Jon Sienkiewicz  |  Jun 20, 2019  |  0 comments

Laowa’s newly introduced 100mm macro lens offers 2:1 reproduction ratio and a fast f/2.8 aperture. The specifications for this manual focus lens are impressive—but does it deliver, and does it deserve its $449 price tag? We put a sample (in Nikon mount) through the paces and made a couple interesting discoveries.

Jon Sienkiewicz  |  Feb 06, 2020  |  0 comments

Laowa just released a 4mm f/2.8 circular fisheye lens in four mirrorless mounts and we’ve put one to the test. Here’s our hands-on review of this $199 fast prime.

Jon Sienkiewicz  |  Jun 16, 2023  |  0 comments

Tamron just introduced the 11-20mm f/2.8 Di III-A RXD fast-aperture, ultra-wideangle zoom lens for the Fujifilm X-Mount, and Shutterbug was able to take it for an extended spin. Although it covers more than 105° at the 11mm focal length, it features close-focusing down to 5.9 inches, prompting us to propose that it enables a wholly new type of photographic composition: Ultra-Wide Closeup.

Jon Sienkiewicz  |  Jun 19, 2014  |  0 comments

If a visitor from another planet arrived on Earth and asked to see the perfect specimen of what a digital camera and lens should look like, this combination might be the best choice. In terms of design and construction, fit and feel, the Leica M with 50mm APO Summicron is nearly perfect.

Jon Sienkiewicz  |  Jun 25, 2014  |  0 comments

Beauty is as beauty does. A Leica M with a 50mm APO Summicron attached is the iconic archetype of modern digital cameras with retro design. Using it is a prodigious experience comparable to, let’s say, playing a concert Steinway grand piano, or maybe setting the hands on a Patek Philippe timepiece. I’m only guessing here, ‘cause I’ve done neither. But I did use a Leica M and 50mm APO Summicron for a week. Did they perform? Read on…

Jon Sienkiewicz  |  Jun 10, 2016  |  0 comments

The big news about the Leica M-D (Typ 262) is what it doesn’t have. It does not have autofocus. It does not provide through-the-lens viewing. And it’s not compatible with any zoom lens. 

Joe Farace  |  Dec 01, 2009  |  0 comments

In my heart I know that few readers can afford these kinds of expensive lenses, but there are always those who can and for the rest of us, it’s something to dream about.

Roger W. Hicks  |  Oct 01, 2005  |  0 comments

What do you want from a 75mm f/2 lens? Whatever it is, the new APO-Summicron-M Aspheric almost certainly delivers it--except, it must be said, low cost. Perfection, or as close as modern lens design can come to it, doesn't come cheap.

For reportage, it is superb: fast, compact, and convenient. Of course, you don't normally need or expect ultimate...

Roger W. Hicks & Frances E. Schultz  |  Nov 01, 2008  |  0 comments

If you own and use an M-series Leica, a Zeiss Ikon, or a bayonet-mount Voigtländer Bessa, Leica’s 16-18-21mm Tri-Elmar is so staggeringly desirable that it is almost easier to list the reasons for not buying one than to list its advantages—though these are easy enough to list, too. It is compact, sweet handling, sharp, contrasty, rangefinder-coupled, unbelievably convenient, and...

Henry Anderson  |  Jul 01, 2021  |  0 comments

Last month, portrait photographer Anita Sadowska conducted a lens shootout pitting the Canon 35mm F/1.4 vs the Sigma 35mm F/1.4 vs the Tamron 35mm F/1.4. The comparison test went down to the wire with the Tamron doing well considering its affordable price and the Canon succeeding for overall image quality.

Joe Farace  |  Mar 14, 2017  |  0 comments

The late Mr. Newton was certainly onto something. I believe the overwhelming desire of most portrait photographers is to please the client, with seduction, amusement, and entertainment far from their minds. Let me submit this idea: shoot what the client says they want and then shoot something challenging their assumptions. Most wedding clients tend to be traditional but even introducing black and white or infrared images can increase sales and show clients you’re thinking outside the veil.

Jon Sienkiewicz  |  Jun 27, 2019  |  0 comments

In the late 1980s Canon introduced a 135mm f/2.8 autofocus lens that featured selectable softfocus. In addition to delivering dreamy out-of-focus images on demand, it’s also tack-sharp and extrapolates up to the equivalent of a 216mm f/2.8 when used on a crop-frame Canon.

Joe Farace  |  Dec 03, 2014  |  0 comments

Tamron is a pioneer in all-in-one, do-everything lenses. Their new 28-300mm f/3.5-6.3 Di PZD lens is designed for Canon, Nikon and Sony shooters and I tested the Canon EF version using an EOS 5D Mark I and an EOS 50D, which changes the lens’ angle-of-view to that of a 45-480mm lens.

Pages

X