Tripod News

By definition, backpacks are worn—on the back usually—although sometimes they’re just slung over one shoulder or carried by the haul handle. Right? Well, forget that thinking for a moment and let’s explore the Viato photo backpack from Belgian sport optics brand Kite Optics. You wear it, yes, but so does your tripod. Let me explain.

These days anyone can shoot videos with their smartphone. But can anyone stand to watch them? Too many spontaneously spawned vids shake like a belly dancer on uppers. Here are three surefire ways to hit the brakes on the shakes and improve the quality of your personal small-format movies.

Tripods come in many sizes, from tabletop models to heavy-duty camera stands designed for studio use. Because of the variety of types, styles, and even colors, there’s rarely a one-size-fits-all tripod for most photographers. And, like eating potato chips, you can’t have just one.

There is only one photo accessory that improves 100% of your images: the tripod. However, traveling with an extra set of legs can be cantankerous. Ask any centipede. Our friends across the pond have a couple new products that eliminate the temptation to leave the tripod at home.

Shutterbug, a member of the Technical Image Press Association (TIPA), once again joined forces with 30 other member magazines from around the world to choose the winners of the annual TIPA Awards for the best photo/imaging products in 40 different categories. The award process began in early 2017 with an initial selection of a wide range of products conducted by TIPA’s Technical Committee, on which Shutterbug’s Editor-at-Large George Schaub serves. 

While image stabilization in camera bodies and lenses has stretched the bounds of slow shutter speed usage, there’s nothing that can take the place of a good tripod in terms of image sharpness and the ability to take advantage of today’s camera technology. Working with HDR, with very long exposure times, and the ability to shoot at virtually any aperture and shutter speed without resorting to excessive ISOs are obvious benefits. 

“I think all art is about control—the encounter between control and the uncontrollable.”—Richard Avedon