Tripod News

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Joe Farace  |  Sep 19, 2014  |  0 comments

Like most photographers I occasionally become equipment obsessed, but sometimes even the smallest tool, something as simple and useful as a new LensPen, can make creating new images a little easier. I’ve often said that the most important piece of equipment is the one between a photographer’s ears, but creating images also requires tools. Choosing the right tool or accessory may not make the difference between a good photograph and a bad one, but may make the difference in whether or not you even try to capture it.

George Schaub  |  Aug 29, 2014  |  0 comments

The Technical Image Press Association (TIPA) member magazines recently convened for their General Assembly to vote for the best photo and imaging products launched by the industry in the last 12 months. The voting took place during the General Assembly that was held in spring, 2014, in Vancouver, Canada.

Cynthia Boylan  |  Aug 26, 2014  |  0 comments

Manfrotto is just added two new models to their popular tripod lineup: the 535 Single Leg tripod (MVT535AQ) and the Hi-Hat tripod (MVT535HH). The Hi-Hat tripod was designed for low-level or ground shooting, slider support and tabletop applications. Crafted from strong, durable aluminum, both models are easy to use and ideal for videographers. 

Cynthia Boylan  |  Aug 25, 2014  |  0 comments

This kit was created with the (studio or location) strobist photographer in mind and it features a Manfrotto Nanopole stand, a Snap Tilthead and a convenient carrying case. The Nanopole is a two-in-one device—built to be stable, lightweight and strong.

George Schaub  |  Dec 24, 2013  |  First Published: Nov 01, 2013  |  0 comments

The Vanguard ABEO Pro Kit starts out as a solid carbon-fiber tripod but then adds features and functions like a removable and rotatable (vertical or horizontal) center column, a pistol grip with built-in trigger release with cable attachments for many cameras, bubble levels, 80-degree leg spread, three “feet” supports (pads, spikes, and rubber), a quick-release base plate and mechanism, and etched degree settings on the center column for those who want to do precise panoramas.

C.A. Boylan  |  Nov 05, 2013  |  First Published: Oct 01, 2013  |  0 comments

The new Blackmagic Pocket Cinema Camera is compact, lightweight, and easy to hold in your hand. It has an industry standard Super 16 size sensor that is perfect when using Super 16 cine lenses via MFT adapters and the 13 stops of dynamic range look is almost identical to shooting with a pro Super 16 film camera. The Micro Four Thirds lenses are compatible with mount adapters such as PL mounts for large lenses and pro motion picture film rigs.

Edited by George Schaub  |  Sep 13, 2013  |  First Published: Aug 01, 2013  |  0 comments

Every year member magazines from the Technical Image Press Association (TIPA) gather to consider and vote on the top products of the year in 40 categories, ranging from cameras to tripods to software and printers. This year’s selections represent technological sophistication along with features and functionality that make them leaders in their respective categories.

Frances E. Schultz  |  Mar 19, 2013  |  First Published: Feb 01, 2013  |  1 comments

It’s a truism that the best tripod is the one you carry with you, because it’s the only one you can use. But equally, it has to be the right tripod: the one that holds the equipment you use at the height you want and that locks it firmly, without “creep.” It also needs to be quick and easy to use, and durable. With that in mind here are some of the many tripods at photokina that caught my eye.

Jack Neubart  |  Dec 28, 2012  |  First Published: Nov 01, 2012  |  3 comments

Gitzo turned the tripod world upside down—literally—when the company first introduced the Traveler, a true travel tripod. This lightweight carbon-fiber support was unusual for its inverted, contortionist-like design, where the legs fold back 180 degrees on themselves and the leg tips hug the ball head, making it more compact.

Jack Neubart  |  Jun 19, 2012  |  First Published: May 01, 2012  |  0 comments

The trend in tripods is toward more compact and lighter-weight tripods, with an increasing number of entries in carbon fiber. Is carbon fiber the ultimate lightweight tripod? The jury is still out, although everyone seems to want one. And along with tripods, various ball heads grabbed our attention. We even found a portable copy stand.

Jack Neubart, Editor  |  Jun 18, 2012  |  First Published: May 01, 2012  |  1 comments

Every year manufacturers and distributors unveil new products at trade show events. They see these shows as the best venues to garner the attention of the gathered members of their industries and to show them their latest wares. In the photo industry this has traditionally been the annual Photo Marketing Association (PMA) Show, which we have always covered. This year that event was subsumed into the larger Consumer Electronics Show (CES) in Las Vegas.

Jay Miller  |  Apr 26, 2012  |  First Published: Mar 01, 2012  |  0 comments

It was with considerable dismay that I discovered, after my story on gimbal mounts appeared in a recent issue of Shutterbug, that Really Right Stuff (RRS) manufactures a gimbal mount as well; in fact, some might argue it is one of the best conventional gimbal mounts currently being offered among top-tier gimbal mount manufacturers.

 

Built primarily of CNC-machined black anodized aircraft-grade aluminum stock, RRS’s gimbal is one tough mount. And it’s also beautiful, to boot. Manufacturing quality is as good as it gets—and the postproduction finish and fit are impeccable. The custom knurled pitch lock knob for the articulated arm is solid aluminum. The custom pan knob is solid aluminum as well, but additionally has a rubber grip to facilitate rotation. Importantly, both knobs are located on the same side of the gimbal, thus facilitating access and allowing the user to release or tighten both with just one hand.

Jack Neubart  |  Mar 02, 2012  |  First Published: Jan 01, 2012  |  0 comments

Just as interchangeable lenses on an SLR each have a specific purpose or meet a certain need, the same applies to tripod heads. Even if a head comes as part of the tripod kit, you soon realize you may need to replace or supplement it. In this buyer’s guide to tripod heads we’ll look at some of the factors to consider, including budget, load considerations, applications, and matching heads to “sticks.” We’ll also look at the various types of heads available and how each can be used for very specific shooting needs.

Jack Neubart  |  Feb 16, 2012  |  First Published: Jan 01, 2012  |  0 comments

My impression of a tabletop tripod was probably like yours—a squat, three-legged support that collapsed down to handily fit inside a camera bag. After unpacking the 17 camera supports that arrived, I had to modify my definition of the genre to include designs that mushroom to roughly 2 feet when fully open—and some with considerable girth and heft. That also meant extending my thinking to models with a center column and multiple leg sections, which might be more correctly termed “mini” tripods. Either way, in contrast to a standard tripod at its full height, the tripods under discussion, when fully open, have a small footprint and should effortlessly fit in tight spaces.

Jay Miller  |  Feb 10, 2012  |  First Published: Jan 01, 2012  |  0 comments

I’ve been a dedicated gimbal head user for a long time. If you shoot with seriously long lenses, no other head comes close to offering a gimbal’s stability, articulation, and flexibility. Forget ball heads and anything else designed to attach long telephotos to a tripod. If you’re a big lens user and you photograph things that move, a gimbal is the only way to go.

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