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There’s a new tabletop tripod in the JOBY stable, the slim, sleek PodZilla. Perfect for cell phone photography, it includes a cleverly designed rotating smartphone grip. Here we compare it a longtime favorite, the JOBY GorillaPod 3K Kit.

Nailing exposure is often a challenge with all forms of outdoor photography because of ever-changing light, complicated scenes, and a variety of tones from foreground to background. With wildlife subjects this task may require even more thought and precision.

If the term “lens compression” sounds familiar and you know it’s a thing, but you’re not sure what it does, how it works, and why it can be beneficial, the video below is for you. We’re going to clear up all the above and more in this episode of “Booray Explains.”

This video may be controversial because lenses with maximum apertures of f/2.8 or faster tend to get all the love. That’s because they typically fall into the “premium” or pro category and are so useful for shooting in low light. But slower lenses with f/4 maximum apertures have a few significant benefits too.

Let’s say you’re photographing landscapes on a foggy day, expecting to capture images full of drama. Instead what you get are boring, disappointing photos. Rather than dumping these uninteresting shots to the trash, why not transform them into something special with the simple edit below?

Shutterbug readers tend to be a gear-happy lot, with a variety of cameras for different purposes. In addition to a DSLR or mirrorless camera (or both) with an arsenal of lenses, there may be a pocket-size compact with a large sensor, a lightweight super-zoom model, and perhaps a film camera or two. Despite all this equipment, we all shoot with our smartphones on occasion (whether we admit it or not).

Exert your full creative powers when applying these two popular Photoshop Neural Filters. Try it once and you’ll never use the Presets again.