Lens Reviews

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The Editors  |  Jan 05, 2018  |  2 comments

Another year has come and gone, which means it’s time for Shutterbug to once again pick our favorite cameras and lenses of the past 12 months. With so much great photo gear to choose from in 2017, it was a difficult task. The below list though is a good summation of the cameras and lenses Shutterbug’s editors and writers most enjoyed shooting with last year.

Dan Havlik  |  Dec 20, 2017  |  1 comments

Shutterbug photographer Jordan Matter is back with another photography how-to video, offering tips on getting the most out of your 50mm lens. 

Joe Farace  |  Oct 31, 2017  |  0 comments

Sigma’s 100-400mm f/5-6.3 DG OS HSM lens ($799) is part of their Contemporary series that the company says blends “refined optical design” with “compact and lightweight construction.” The lens is available for Canon, Nikon, or Sony DSLRs. Although as a DG lens it is designed for full-frame DSLRs, it can also be used with APS-C sensor cameras, where it produces an equivalent field of view of 150-600mm.

Ron Leach  |  Sep 25, 2017  |  0 comments

Today’s computer-designed lenses are a joy to use and typically deliver high resolution and great sharpness, contrast, and color rendition. But modern premium glass isn’t always needed to make beautiful images, as you can see in the quick video below.

Dan Havlik  |  Sep 12, 2017  |  0 comments

Nikon launched an intriguing new lens this summer though you might have missed it. For whatever reason, the AF-P Nikkor 70-300mm F/4.5-5.6E ED VR, which was announced the second week of July, slipped under most photographers’ radar and that’s a shame. I recently had a chance to test out this surprisingly lightweight and compact wide-ranging zoom lens from Nikon while shooting with it from the field level press area at a Major League Baseball game and came away impressed.

Ron Leach  |  Sep 05, 2017  |  0 comments

We often turn to Weird Lens Guru Mathieu Stern for interesting tips on bargain vintage lenses that that can be adapted for use with today’s modern mirrorless digital cameras. Best yet, you can often pick up some awesome glass for chump change and the adapters are very inexpensive.

Jon Sienkiewicz  |  Aug 17, 2017  |  0 comments

The Lensbaby Twist 60 is a very modern rendition of a 175-year-old optical design, and true to the designer, Joseph Petzval. But does it satisfy our creative expectations when used in the field?

Zach Sutton - Lensrentals  |  Aug 15, 2017  |  2 comments

There is no denying that zoom lenses have far more versatility than prime lenses, and with faster-apertured zoom lenses becoming more and more common in the photography world, I figured it was time to truly give them the spotlight they deserve.

Joe Farace  |  Jul 27, 2017  |  0 comments

“Show me a home where the buffalo roam…and I’ll show you a really messy house.” —Anonymous

Ron Leach  |  Jun 14, 2017  |  0 comments

One lens that should be in the arsenal of every photographer is a moderate telephoto zoom like a 70-200mm. Lenses in this category offer a great compromise between power, mobility, and versatility. They enable you to get in tight on nearby subjects, and unlike longer telephoto zooms, moderate telephotos are relatively lightweight, compact, and easy to carry.

Jon Sienkiewicz  |  Jun 01, 2017  |  0 comments

Tired of standing across the street to get your entire family into the shot? This may be the lens for you. But it comes with a couple of caveats. 

Ron Leach  |  May 26, 2017  |  1 comments

One of the few things we didn’t try in our in our recent review of Sony’s small and sophisticated A6500 mirrorless camera was to try shooting with a cheap 500mm f/8 preset lens and a 2x teleconverter. But that’s exactly what photographer Christopher Burress did in the video below, and his results are pretty interesting.

George Schaub  |  May 11, 2017  |  0 comments

When Sigma introduced their new super-wide zoom in late 2016 I was eager to give it a try. Among their Art lens offerings, the Sigma 12-24mm f/4 DG HSM lens ($1,599, MSRP) serves as an upgrade to their 12-24mm f/4.5-5.6 (still available at an MSRP of $949) with a constant f/4 aperture; a nine-bladed diaphragm; FLD glass elements; an updated HSM (Hyper Sonic Motor) that uses 1.3x the torque for fast and smooth autofocus operation; 16 elements in 11 groups construction; and what Sigma claims is “the largest aspherical element in the industry” to minimize distortion, ghosting, and flare. The angle of view ranges from 84 to 122 degrees, with mount compatibility for Canon, Nikon, and Sigma DSLRs.

Jon Sienkiewicz  |  Apr 06, 2017  |  0 comments

Does a 5mm scratch in the center of the front element ruin a lens? We gouged a brand new, straight-from-the-box, $499 Tamron 28-75mm f/2.8 zoom to find out. Then we shot some test subjects. Was the defect visible in the images? See for yourself…

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