Lens Reviews

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Jason Schneider  |  Feb 28, 2019  | 

It’s now widely appreciated that many great old lenses of the analog era can capture images that have that elusive quality known as character. Writers of the early 20th    century tried to express these qualities by describing them as “rounded” “luminous” or “plastic” rendition, but later writers and scientists dismissed such terms as imprecise and speculative, turning to resolution and later MTF testing to quantify lens performance parameters.

Jon Sienkiewicz  |  Feb 14, 2019  | 

Admit it. You’ve always wanted a 70-200mm f/2.8 zoom lens. For many professional and enthusiastic amateur photographers, it’s the backbone of their lens arsenal. Here’s a great candidate if you’re ready to take the plunge.

The Editors  |  Jan 31, 2019  | 

Yes, we’re posting our annual favorite cameras and lenses awards of 2018 with only a day left in January 2019, but that just means determining the best photo gear for last year was harder than usual. And it was, especially with the raft of exciting new full frame mirrorless cameras that hit the market in the second half of last year.

Stan Trzoniec  |  Jan 29, 2019  | 

Creating photo books on American railroads are a good part of my workload, so telephoto lenses are what I often turn to for my train photography. Extremely heavy and often dangerous, locomotives and rolling stock require a wide berth for safety’s sake. Furthermore, in the wake of the September 11th attacks, security has tightened around railroad property, demanding more distance between the photographer and subject. 

Jon Sienkiewicz  |  Dec 20, 2018  | 

Sigma’s new 60-600mm f/4.5-6.3 DG OS HSM Sports zoom lens delivers in a big way. Among all lenses that reach 600mm it has the greatest zoom range at 10X. This potent professional tool has a few surprise features, too.

Joe Farace  |  Dec 11, 2018  | 

Tamron’s new SP 15-30mm f/2.8 Di VC USD G2 lens ($1299) continues a trend that many camera and lens manufacturers have embraced in recent years. This new Tamron 15-30mm lens is fast, big, expensive and designed for photographers who expect optical excellence. As part of Tamron’s Di lens series, the SP 15-30mm f/2.8 Di VC USD G2 is available for Canon and Nikon full-frame DSLRs and APS-C cameras where it produces a 24-48mm equivalent focal length range.

Shutterbug Staff  |  Oct 19, 2018  | 

Travel photographer Pierre T. Lambert has been traveling the world for the past year so, naturally, he needs to keep his gear choices minimal to not get weighed down. In terms of lenses, he’s narrowed it down to two main choices: the Sony 16-35mm f/2.8 G Master lens and the Sony FE 70-200mm f/2.8 G Master lens.

Jon Sienkiewicz  |  Aug 30, 2018  | 

Attention wideangle prime lens fanatics! The new 9mm f/2.8 Zero-D lens from Venus Optics Laowa for Fujifilm X, Sony E and Canon EOS-M cameras has arrived.

Jon Sienkiewicz  |  Aug 16, 2018  | 

There is nothing more invigorating for a zealous photographer than putting a brand new lens on a familiar, reliable DSLR body. The world looks different through a new lens, and the tableau of photo opportunities hits the reset button, refreshing all of the possibilities. My experience with Tamron’s new Tamron 70-210mm F/4 Di VC USD tele zoom brought this realization into focus, no pun intended.

Jason Schneider  |  Aug 15, 2018  | 

Using a vintage SLR lens on a DSLR can be a fun and, occasionally, frustrating experience. (Not all the inexpensive glass you dig up on eBay is going to suit your needs.) To help you find that perfect analog match for your high-tech digital SLR, we’ve picked our ten favorite classic SLR lenses that will get you shooting timeless images with your DSLR right away.

Shutterbug Staff  |  Jul 02, 2018  | 

What do you get when you compare three classic prime lenses: the Canon 85mm F/1.2, 85mm F/1.4, and F/1.8? Photographer David Flores found out when he recently put the Canon EF 85mm f/1.8 USM, Canon EF 85mm f/1.4L IS USM, and Canon EF 85mm f/1.2L II USM lenses through their paces in a portrait shootout on New York City’s Coney Island.

George Schaub  |  Jun 26, 2018  | 

While the main body of my work has been with lenses such as the 24mm fixed, wide angles, and mainly my trusty 16-35mm zoom, I have often found myself wanting a long zoom for the scenes that present themselves along the way. It’s not that I am unwilling or just plain lazy to get closer—a long zoom, like the recently released Tamron 100-400mm, simply changes the way I see and helps me explore other visual options.

Joe Farace  |  Jun 19, 2018  | 

The classic definition of macro photography is that the image projected onto the digital sensor (or film plane) should be the same size as the subject. With a 1:1 ratio, a DSLR with a full-frame chip should be able to produce life-size magnification and focus on an area as small as 24x36mm.

Jon Sienkiewicz  |  Jun 14, 2018  | 

The specifications are impressive, but can a super-wideangle zoom with a super-fast f/2.8 aperture deliver the results pros and ardent amateurs demand?

Shutterbug Staff  |  May 22, 2018  | 

We recently shared a video where photographer and YouTube personality Matt Granger picked his 9 favorite Nikon F-mount lenses. Well, another popular YouTuber has gotten into the act and chosen what he calls “the 5 best Nikon lenses for full frame” DSLRs.

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