Lens Reviews

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Henry Anderson  |  Jul 01, 2021  | 

Last month, portrait photographer Anita Sadowska conducted a lens shootout pitting the Canon 35mm F/1.4 vs the Sigma 35mm F/1.4 vs the Tamron 35mm F/1.4. The comparison test went down to the wire with the Tamron doing well considering its affordable price and the Canon succeeding for overall image quality.

Jon Sienkiewicz  |  Jul 01, 2021  | 

Tamron just released their new 150-500mm f/5-6.7 zoom and we received one of the first samples for review. Where would you take such a lens? We went to the NJ Audubon Center, a Somerset Patriots baseball game (they’re the NY Yankees’ Double-A minor league farm team), a nearby nature preserve and the patch of bee-attractant flowers in my back yard. Here’s our review and lots of pictures from these four venues.

Henry Anderson  |  Jun 01, 2021  | 

Camera lens shootouts are always fun especially when comparing a popular focal length and aperture. It's even more fun when they're led by swimsuit photographer Anita Sadowska and she's photographing a beautiful model on the beach.

Henry Anderson  |  May 12, 2021  | 

The Canon RF 50mm F/1.2L USM lens retails for about $2200 while the RF 50mm F/1.8 STM lens sells for just $200. So, what's the difference between these two 50mm lenses aside from about $2K? A lot, according to Jay P Morgan of the Slanted Lens who pits the two optics against each other in a head-to-head shootout in the video below.

Ron Leach  |  Apr 26, 2021  | 

More and more photographers are using vintage glass on modern digital cameras and saving a lot of money in the process. That’s because there are inexpensive adapters available that permit you to mount 35mm lenses on just about any mirrorless camera you own.

Jon Sienkiewicz  |  Apr 25, 2021  | 

Hands on with a Hasselblad X1D II 50C medium format mirrorless camera, Hasselblad 24mm f/4.8 HCD wideangle lens and the enigmatic Hasselblad XH Converter 0,8. Does this change our attitude toward converter lenses? Continue reading to find out.  

Jon Sienkiewicz  |  Apr 02, 2021  | 

7Artisans just released the updated Mark II version of their popular 7.5mm f/2.8 Fisheye lens and it’s about the most fun a photographer can have for $139. We borrowed an early sample in Fujifilm X mount and here’s what we discovered.

Jon Sienkiewicz  |  Mar 19, 2021  | 

Tamron just announced the world’s first f/2.8 lens in the 17-70mm zoom range for Sony mirrorless cameras. Focusing as close as 7.5 inches and measuring just 4.7-inches long, the new zoom features advanced image stabilization that is AI-enhanced when shooting video. We tested the Tamron 17-70mm f/2.8 on Sony cameras with APS-C sensors and with Full Frame sensors. Here is what we found.

Stan Trzoniec  |  Mar 05, 2021  | 

After shooting with Nikon’s extraordinary AF-S Nikkor 180-400mm f/4E TC1.4 FL ED VR lens last year I wondered what their next telephoto zoom lens would be. We didn’t have to wait long, because hiding in the wings was the fast and powerful Nikkor AF-S 120-300mm f/2.8E FL ED SR VR.

Henry Anderson  |  Jan 28, 2021  | 

One of the most common questions we get from beginner photographers is: What's the best lens to get started in portrait photography? Of course, there's no right answer to this question. Some beginner portrait photographers are fine with the basic kit zoom lens that came with their camera. Others want to try something higher quality.

Jason Schneider  |  Dec 24, 2020  | 

When Sigma decided to extend its esteemed Contemporary line of broad-spectrum lenses to include a full-frame 100-400mm long-range telephoto zoom, they handed their optical engineers a tough assignment: come up with a really long 4x zoom that delivers outstanding imaging performance and enhanced shooting flexibility in a compact, well-balanced, lightweight package optimized for handheld shooting. In other words, they wanted a lens that would expand the long tele zoom market by appealing to travelers, nature, wildlife, and street photographers, hikers, sports shooters and others daunted by the prospect of toting and hefting a ponderous telephoto zoom lens. 

Jon Sienkiewicz  |  Nov 20, 2020  | 

Sigma recently introduced the 105mm f/2.8 DG DN macro lens for L mount and Sony FE mount mirrorless cameras. It focuses continuously down to life-size (1:1 reproduction ratio) at the minimum focusing distance of 11.6 inches and offers considerable versatility beyond macro applications. We took a thorough look at the Sigma 105mm f/2.8 DG DN macro lens in a Sony mount for this hands-on review.

Jon Sienkiewicz  |  Nov 05, 2020  | 

Few things are as exciting as using a brand new lens for the first time. To photographers, a new lens is like an empty canvas to an artist, or a fresh storyline to a novelist. Fortunately, despite the unsettled tenor of the world situation, 2020 has witnessed an outstanding and diverse collection of exceptional lenses.

Shutterbug once again worked with EISA, the world’s largest independent collection of magazines and websites focusing on consumer electronics, to select the ten best lenses of 2020. Here are our choices. As a voting member of EISA, Shutterbug helped choose these outstanding lenses, which we feel are the best you can buy right now.

Our choices for the ten best lenses you can buy in 2020 run the gamut from super wideangle to super telephoto, and one thing is certain: not one of them will disappoint you. So, take a look at our choices for the ten best lenses of 2020 below (with links to where you can purchase them) and find something amazing to start shooting with today.

Jason Schneider  |  Nov 03, 2020  | 

At first glance, the Sigma 45mm f/2.8 DG DN seems to be a run-of-the-mill, reasonably fast normal lens designed to cover the full frame format. In fact, its 45mm focal length is closer to normal than the classic 50mm, as determined by the diagonal of 24 x 36mm frame, which measures 43.26mm.

Jon Sienkiewicz  |  Oct 29, 2020  | 

Just introduced, the compact Tamron 70-300mm f/4.5-6.3 Di III RXD zoom for Sony full-frame mirrorless cameras has an affordable ($549) price tag. It’s eighth in the series of Tamron lenses made specifically for Sony E-Mount cameras, and it’s the world's smallest and lightest telezoom in its class.

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