Lens Reviews

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Edited by George Schaub  |  Sep 18, 2012  |  First Published: Aug 01, 2012  |  4 comments

Every year the Technical Image Press Association (TIPA), a worldwide association of photo and imaging magazine editors, meets to pick the Best of Class in a wide range of photo categories. As the sole US member of the association, Shutterbug joins editors from Europe, Asia, and Africa in the nominating, judging, and selection process. One of the most exciting aspects of photography today is the constant advancement of technology and design, and this year’s Top Products reflect that spirit and those accomplishments, including new categories of Video D-SLR and Mobile App. Editor George Schaub joins all fellow TIPA members in congratulating those selected to receive the prestigious TIPA award. (To learn more about TIPA, please visit the website at: www.tipa.com.)

Edited by George Schaub  |  Sep 13, 2013  |  First Published: Aug 01, 2013  |  0 comments

Every year member magazines from the Technical Image Press Association (TIPA) gather to consider and vote on the top products of the year in 40 categories, ranging from cameras to tripods to software and printers. This year’s selections represent technological sophistication along with features and functionality that make them leaders in their respective categories.

Ron Leach  |  Sep 25, 2017  |  0 comments

Today’s computer-designed lenses are a joy to use and typically deliver high resolution and great sharpness, contrast, and color rendition. But modern premium glass isn’t always needed to make beautiful images, as you can see in the quick video below.

Steve Meltzer  |  May 05, 2016  |  0 comments

The decisive moment had decisively passed and I missed another great shot: While framing and reframing my zoom lens the scene changed, the sun slid behind a cloud, and people in the shot moved. I finally realized I was missing shots because I had too much gear. 

Dan Havlik  |  Dec 20, 2017  |  1 comments

Shutterbug photographer Jordan Matter is back with another photography how-to video, offering tips on getting the most out of your 50mm lens. 

Jason Schneider  |  Sep 01, 2006  |  1 comments

In the first noteworthy change to the Leica M mount since its introduction back in 1954, all Leica M lenses delivered to dealers starting on July 1, 2006, will have a 6-bit digital black and white code applied to the bayonet ring. The physical dimensions and mechanical specs of the venerable M mount will remain exactly the same, so both coded and non-coded lenses can be used on...

George Schaub  |  Feb 21, 2014  |  First Published: Jan 01, 2014  |  0 comments

A tilt-shift lens can be thought of as a flexible visual tool in the many ways it allows you to image the world. Unlike a standard lens, even a zoom, with a set point of view enforced by stance, elevation, focal length, and, within certain limits, depth of field, the tilt-shift lens opens visual doors a “fixed” lens will not. By tilting the lens within the mount you can enhance or greatly diminish depth of field beyond the “normal” abilities of the focal length and aperture setting. By shifting the lens you can “fix” perspective distortion or exaggerate it for “trick” effects.

Peter K. Burian  |  Dec 01, 2006  |  0 comments

Because of the increasing popularity of digital SLR cameras, Tamron has been upgrading their line of lenses to the "Digitally integrated" (Di) standard, employing methods discussed in our Technology sidebar. Some of the new products (Di II series) were designed exclusively for digital cameras with the typical APS-size sensor, while others (Di) are multi-platform...

Jon Sienkiewicz  |  Apr 01, 2008  |  0 comments

Now that you've mastered the standard zoom lens that came with your D-SLR, you have to be asking yourself "what's next?" You bought a D-SLR instead of a compact camera so that you could change lenses. The question is: which lens to buy first? The answer is easy, but it all depends on what kind of pictures you like to take.

 

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Jon Sienkiewicz  |  Aug 01, 2010  |  0 comments

Back in the day when prime lenses ruled supreme and snooty purists decried zooms for lack of absolute sharpness, Tele-Converters (TCs) were popular accessories. Photographers wanted to bring distant subjects closer, and TCs provided a means to that end. Also known as tele-extenders, these thick slabs of metal and glass increase the focal length of a given lens while also decreasing the f/stop.

Stan Trzoniec  |  Jun 06, 2012  |  First Published: May 01, 2012  |  2 comments

Out of all the telephoto focal lengths, the 400mm is my favorite, so I looked forward to Canon’s updated 400mm f/2.8L. At about $11,499 list price (slightly less on searched street prices) it’s for those who absolutely need a fast, fixed focal length lens in their still and/or video work, and that’s work that pays well.

Stan Trzoniec  |  Jun 03, 2016  |  0 comments

For Canon lens fans, the wait finally ended when the company took the wraps off the new EF 100-400mm f/4.5-5.6L IS II USM, a relatively compact super-telephoto zoom that has been hotly anticipated and frequently rumored about for years.

Joe Farace  |  Jun 19, 2018  |  0 comments

The classic definition of macro photography is that the image projected onto the digital sensor (or film plane) should be the same size as the subject. With a 1:1 ratio, a DSLR with a full-frame chip should be able to produce life-size magnification and focus on an area as small as 24x36mm.

Jack Neubart  |  May 20, 2015  |  0 comments

There was a time when I’d avoid a zoom lens as much as I’d avoid a swarm of midges. But in the digital age, the zoom lens has taken on new purpose, at least for me. Midges, however, are still a pest that is best avoided—especially when you’re changing lenses. And if you’re out in a marsh shooting spectacular scenic views, the Canon EF 11-24mm f/4L USM lens gives you the needed range of focal lengths so you can reign supreme over any landscape, as you avoid changing lenses while sidestepping concern that those midges will infiltrate your camera.

Stan Trzoniec  |  Aug 12, 2015  |  1 comments

A lens aficionado once told me, “the more reach you have, the more you want.” This remark, of course, was directed at the wide array of telephoto lenses available today for outdoor photographers and their obsession with getting up close and personal with wildlife.

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