Mirrorless Camera Reviews

Sort By: Post Date | Title | Publish Date
Edited by George Schaub Posted: Apr 28, 2017 0 comments

The Sony A6500 is the flagship model for Sony’s APS-C sensor-based mirrorless camera line and features an E-lens mount. The Sony A6500 was brought out only 8 months after the forerunner A6300 was shipped, which begs the question as to what changes and differences would justify a new model so soon. Indeed, there are some changes.

Edited by George Schaub Posted: Apr 25, 2017 0 comments

The sd Quattro H is Sigma’s second mirrorless camera based on a Foveon sensor that uses lenses with an SA mount. Compared to the first sd Quattro, which was introduced in summer 2016, the new camera offers a larger sensor, a more rugged yet still compact DSLR-style camera build, and a host of new features.

DL Byron Posted: Apr 12, 2017 0 comments

The Fujifilm X-T2 is a compact but serious mirrorless camera you can bring anywhere. It hovers between the enthusiast and pro product categories with a feature set and performance levels previously only available in DSLRs. Or in other words, the photographic power that 12 pounds of gear used to deliver is now offered in a camera less than half the weight with all the image quality. Highlights of the Fujifilm X-T2 include an APS-C-sized 24.3-megapixel X-Trans CMOS III sensor with no low-pass filter, and the ability to shoot 4K video.

Ron Leach Posted: Apr 06, 2017 0 comments

When the invitation arrived to join Sony and a group of editors and writers in Austin, Texas, for a couple days of shooting with the new A6500 APS-C mirrorless camera, my response was swift and unequivocal: “When do I leave?” Austin is a fun town known for superb cuisine, great music, friendly folks, and an abundance of shooting opportunities, and I’ve been eager to get my hands on the compact powerhouse A6500 ever since it was announced last October.

Edited by George Schaub Posted: Feb 24, 2017 0 comments

The retro-styled Fujifilm X-A3 is the latest in the company’s X-A Series mirrorless cameras. The Fuji X-A3 is a more affordable option for those interested in a mirrorless interchangeable lens system camera that also includes some features found in the company’s premium product lines.

Dan Havlik Posted: Jan 18, 2017 0 comments

Leica is going back to the future (again) with its newest digital rangefinder, the full frame, 24-megapixel M10. With this new model, which is the follow-up to the Leica M (Typ 240), Leica has trimmed the size of the M10, making it 4mm (1/8-inch) thinner than its predecessor. Part of that size reduction is due to the fact that Leica has gotten rid of the 1080p HD movie capture mode that was available on the previous model.

The Editors Posted: Jan 05, 2017 1 comments

Now that 2016 is done and dusted, we’ve had a chance to look back at all the cameras and lenses we reviewed this past year and have chosen ten of our absolute favorites. 

Edited by George Schaub Posted: Jan 03, 2017 0 comments

The new Canon EOS M5 is Canon’s first M-system with an integrated EVF. The new EVF of the EOS M5 is based on OLED technology and offers a bright and brilliant image. With a frame rate of 120 Hertz it can refresh rapidly enough to cover even very fast moving objects. The resolution of 2.36 million RGB dots corresponds to the viewfinder resolution of professional mirrorless cameras like the Sony A7R II. The new Canon also offers helpful EVF functions for manual focusing like “focus peaking” and “magnifier” function.

Ron Leach Posted: Dec 28, 2016 0 comments

Fujifilm created quite a buzz in Cologne, Germany at the recent Photokina exposition with the introduction of the distinctive GFX 50S medium format camera, boasting a compact mirrorless design, 51.4MP resolution and attractive retro styling. In the videos below, four top pros discuss what all the fanfare is about.

Edited by George Schaub Posted: Dec 23, 2016 0 comments

The X-T2 is Fujifilm’s second mirrorless camera with the new “X-Trans CMOS III” sensor, first seen in the company’s top-of-the-line X-Pro2 model. The X-T2 offers 24 megapixels of resolution and is Fujifilm’s first X-series camera that is able to record video in 4K resolution.

Edited by George Schaub Posted: Nov 11, 2016 0 comments

The new Olympus E-PL8 is the latest model of the PEN series. PEN cameras are stylish and compact systems based on Micro Four/Thirds sensors and lens mounts. The camera is available in different colors, as are the numerous accessories that can be matched to the initial color choice. The camera looks like an analog rangefinder camera, but the Olympus E-PL8 doesn’t come with a viewfinder. The photographer has to use the 3-inch LCD on the back, which also serves as the visual control center for menus and image parameters. Olympus does offers an EVF system that can be mounted on the hot shoe of the E-PL8.

Dan Havlik Posted: Nov 01, 2016 0 comments

The new Olympus OM-D E-M1 Mark II is designed to hold up to inclement weather and boy did we put it to the test! During a press trip to Iceland last week, we adhered to the mailman’s creed while using Olympus’ new flagship mirrorless camera, shooting with it in rain, hail, sleet, snow and gloom of night (along with some sunshine) in this rugged but beautiful Nordic island country.

Edited by George Schaub Posted: Oct 28, 2016 0 comments

The new Panasonic G85 is based on a Micro Four Thirds 16MP. The camera offers a brilliant electronic viewfinder based on OLED technology. This viewfinder is very large (0.74x; equivalent to a 35mm film camera with a 50mm lens) and offers a high resolution of 2.36 million RGB dots. The EVF has an eye sensor, which means the view switches automatically to the EVF when the photographer looks into the viewfinder: alternately, the user can toggle view manually by pressing the “Fn5” button on the back. This function button is one of five user-definable “Fn” buttons on the top and on the back: the G85 also has five “virtual Fn” buttons on the LCD screen. The screen is touch sensitive and fully integrated into camera operation.

Jon Sienkiewicz Posted: Oct 06, 2016 0 comments

The monochrome mode on most digital cameras is a convenience that is best avoided. Conventional wisdom says that it’s far, far better to shoot Raw and convert to monochrome—or at least to start with a color JPEG. But Fujifilm suggests that their ACROS film simulation mode might even top the best Raw converters. Does it? 

George Schaub Posted: Aug 23, 2016 1 comments

The Technical Image Press Association (TIPA) member magazines recently convened for their General Assembly to vote for the best photo and imaging products launched by the industry in the last 12 months. The voting took place during the General Assembly that was held in spring 2016 in San Francisco, California.

Pages