There are numerous reasons for poorly exposed photos when shooting in the field under difficult lighting conditions, including harsh light, dark foregrounds, and bright washed-out skies to name a few. When you're faced with challenges like these, photos often turn out to be a compete mess.
Leica just introduced the Leica Q3, the third generation Q, and Shutterbug was able to spend a fortnight with a production sample. Compared to its predecessor, nearly every major specification and feature has been enhanced—significantly. Not to tip our hand, but the Leica Q3 appears to be…
Many photographers set their camera for Auto White Balance and never modify the setting regardless of the subject at hand. If that sounds like you it may explain why the colors in your photos don't accurately convey the colors in a scene.
Let's say you've tried all the conventional advice for capturing sharp photos, and some of your images are still soft. You use a tripod, choose the right aperture, shutter speed, and focus area, yet nothing seems to work.
Today’s quick tutorial is a throwback to the days before electronic cameras, without autofocus, built-in meters, and other modern conveniences. The Sunny 16 method for determining proper exposure was one of the easiest “rules” back then, and it can bail you out of a jam today when using a full-featured camera.
Perhaps we’ve raised a few eyebrows with the headline above, since we constantly preach the importance of slowing down and taking a thoughtful approach when shooting in the field. But hold on for a moment, because the valuable advice you’ll learn in the tutorial below isn’t really a contradiction at all.
Leica just announced the Leica M11 Monochrom, the B&W-only version of their M11 flagship digital rangefinder camera, and Shutterbug had the opportunity to test run a production sample early on in the release cycle. Our conclusions are not as simple as black and white.
Back in the early days of digital photography, a popular topic of discussion was the differences in image quality between film cameras and digital models. With that concern now settled, the issue of the day is an ongoing debate regarding the relative merits of full-frame vs. digital cameras.
The specifications of the Fujifilm X-T5 are extraordinarily similar to those of their X-H2. Pretending the price is the same (it isn’t) and you could have one or the other—but only one—which do you choose?
Most of the tutorials we post about macro photography concentrate on shooting techniques and the best type of gear to use. Today, we’re switching things up, with what one pro says are the best camera settings to use.
Whether your kiddos are heading off to college, high school or doggedly pursuing their doctoral thesis, help them document each semester as they develop into fine young men and women and define their lives. Here are three cameras that will serve them well, are quite affordable, and have enough features that they can continue using them for many years to come.
Photo manufacturers released some amazing new flagship cameras last year: the Nikon Z9, Sony A1 and Canon EOS R3. All three models feature top-of-the-line technology designed for serious photographers, which begs the question: which camera is best?
The camera equipment we recommend typically involves primary gear like cameras, lenses, or expensive accessories. Today’s list is much different, as deals with “cheap stuff” that one pro says every outdoor shooter should own.
Remember the early days of the mirrorless format, with the promise of tiny full-featured cameras and equally small lenses? The idea was to give mobile photographers an interchangeable-lens kit with an array of DSLR-like capabilities in a much smaller package.
Nikon introduced a compact mirrorless camera styled after the legendary Nikon FM2 film camera of yore. It packs a DX (APS-C size) sensor and comes bundled with a compact 16-50mm zoom at a very agreeable price. After several extended weeks of shooting, we offer this review.