Lens Reviews

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George Schaub  |  Aug 01, 2008  | 

If you ever want a unique point of view try a "fisheye" lens. Like looking through a door peephole (which in fact is a "fisheye" type) this order of lens sacrifices linear correction in favor of a very wide angle of view. Originally made for creating "full sky" images when pointed straight up, they had long ago been adopted by photographers for...

Robert E. Mayer  |  Mar 01, 2010  | 

If, like many Shutterbug readers, you have a film SLR camera plus several interchangeable lenses, you might be wondering if you can use those lenses with your new D-SLR camera of the same, or even different, brand.

Dan Havlik  |  Jul 09, 2019  | 

Sony just launched its latest prime lens for its mirrorless cameras: the new Sony FE 35mm F1.8 lens. We got our hands on this new Sony FE lens prior to this morning's launch and had a chance to shoot with it for a few hours. Included in this story are eight of our full resolution test images captured with the Sony FE 35mm F1.8 lens.

Joe Farace  |  Feb 26, 2016  | 

Here are some tips I discovered when researching this month’s column. One was from my wife who uses this technique all the time—smile! And you know what, people smile back, making you appear friendly and non-threatening. The other was from Michael Archambault, who suggests you “acknowledge that street photography is not perfect.” Or as my grandfather once told me, “If you spend your whole life looking for happiness, it’ll make you miserable.”

Joe Farace  |  Mar 25, 2016  | 

Every company that makes lenses usually designs a few that are ideal for portraiture. The trend these days for studio and boudoir portraits is toward fast prime lenses, while zooms remain popular for location and wedding photography. Wide-angle lenses may get you closer to the subject but perspective distortion exaggerates a subject’s nose and ears.

George Schaub  |  Jun 26, 2018  | 

While the main body of my work has been with lenses such as the 24mm fixed, wide angles, and mainly my trusty 16-35mm zoom, I have often found myself wanting a long zoom for the scenes that present themselves along the way. It’s not that I am unwilling or just plain lazy to get closer—a long zoom, like the recently released Tamron 100-400mm, simply changes the way I see and helps me explore other visual options.

Joe Farace  |  Dec 30, 2014  | 

Tamron’s 14-150mm Di III is the company’s first lens designed for the mirrorless Micro Four Thirds camera system. When originally announced, this lens was supposed to feature built-in VC (Vibration Compensation) image stabilization but over the course of its development—there’s lots of in-body stabilization in this format—this feature was removed.

Jon Sienkiewicz  |  Jul 01, 2021  | 

Tamron just released their new 150-500mm f/5-6.7 zoom and we received one of the first samples for review. Where would you take such a lens? We went to the NJ Audubon Center, a Somerset Patriots baseball game (they’re the NY Yankees’ Double-A minor league farm team), a nearby nature preserve and the patch of bee-attractant flowers in my back yard. Here’s our review and lots of pictures from these four venues.

Jon Sienkiewicz  |  Mar 19, 2021  | 

Tamron just announced the world’s first f/2.8 lens in the 17-70mm zoom range for Sony mirrorless cameras. Focusing as close as 7.5 inches and measuring just 4.7-inches long, the new zoom features advanced image stabilization that is AI-enhanced when shooting video. We tested the Tamron 17-70mm f/2.8 on Sony cameras with APS-C sensors and with Full Frame sensors. Here is what we found.

Jon Sienkiewicz  |  Jul 19, 2024  | 

The Tamron 18-300mm zoom has already made its bones in the Sony E (APS-C) mount. But how about the Fujifilm X version? Is it truly "Everything in one?" Here we test it on a Fujifilm X-T5.

Jon Sienkiewicz  |  Jul 24, 2020  | 

Tamron recently released a fast, super-compact 28-200mm f/2.8-5.6 zoom lens for Sony mirrorless full-frame E-mount cameras. Unique among all-in-one type zooms because the maximum aperture is f/2.8 (at the wideangle 28mm setting) the lens has other attractive features that we evaluate in this review.

Jon Sienkiewicz  |  Aug 30, 2024  | 

Tamron just released the 28-300mm f/4-7.1 super all-in-one zoom lens for Sony full-frame mirrorless cameras, and Shutterbug was allowed to field test one of the earliest samples. Expected to reach Authorized Dealers’ cabinets by the time you read this, the lens weighs just 21.5 ounces (610g) and focuses as close as 7.5 inches.

Shutterbug Staff  |  Apr 22, 2019  | 

The Sony FE 24-70mm F2.8 GM and Tamron 28-75mm f/2.8 Di III RXD lenses share a similar focal length, and both can be used with Sony's full frame mirrorless E-mount cameras. But they differ dramatically in price.

Joe Farace  |  Jul 23, 2019  | 

Tamron has a long history of producing versatile, do-everything lenses and the Tamron 35-150mm F/2.8-4 Di VC OSD (Model A043) continues with that heritage. I received the Canon EF-mount version of the lens for testing, but a Nikon F-mount version is also available at the same price. While designed for Canon’s full-frame EF-mount cameras, the Tamron 35-150mm lens can also be used with their APS-C models where it produces a field-of-view equivalent to 56-240mm.

Jon Sienkiewicz  |  Jul 10, 2020  | 

Tamron recently released a fast, compact 70-180mm f/2.8 zoom lens for Sony mirrorless full-frame E-mount cameras. It’s billed as the most compact and lightest f/2.8 telephoto zoom lens in its class. We had a chance to test this lens on a Sony Alpha a7RII camera. Here is what we found.

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