Lens News

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George Schaub  |  Aug 01, 2010  |  0 comments

When you talk about lenses these days you always have to bring in the multiplication factor, especially when you have a lens that fits comfortably on both so-called full-frame and APS-C sensor cameras. To know what angles of view you will have available you have to know: (a) that the lens is made for full-sized sensors (or not) so will work with the multiplication factor on smaller sized sensors...

Joe Farace  |  Aug 01, 2010  |  0 comments

When it comes to lenses, the name Carl Zeiss is synonymous with optical perfection or as they say around the Hallmark store, “when you care enough to shoot the very best.” Zeiss continues to expand its line of interchangeable lenses for Canon, Nikon, and Pentax cameras to include two new wide-angle lenses, the Distagon T* 18mm f/3.5 and Distagon T* 21mm f/2.8.

The...

C.A. Boylan  |  Aug 01, 2010  |  0 comments

Nikon’s AF-S Nikkor 200-400mm f/4G ED VR II Lens
The AF-S Nikkor 200-400mm f/4G ED VR II lens is constructed from die-cast magnesium and sealed to resist dust and moisture. It features meniscus glass to protect the front element, VR II image stabilization, Extra-low Dispersion (ED) glass elements, Silent Wave Motor technology, and three Focusing modes. The suggested...

Joe Farace  |  Jun 01, 2010  |  0 comments

“Of all of our inventions for mass communication, pictures still speak the most universally understood language.”—Walt Disney

 

It’s a photokina year and you know what that means; all of the camera manufacturers will be holding off their newest SLRs for launch at the big show in Germany this fall. While Canon was not at PMA, they officially launched the EOS-1D Mark IV...

Jack Neubart  |  Jun 01, 2010  |  0 comments

This year we’ve seen many fine lenses come onto the scene, many with new optical elements designed to enhance performance while making the lens lighter and more affordable.

Nikon announced two new lenses aimed primarily at FX-format shooters (but usable with DX format). The AF-S Nikkor 24mm f/1.4G ED ($2199) is a fast lens well suited to low-light landscapes or expansive...

Robert E. Mayer  |  Mar 01, 2010  |  0 comments

If, like many Shutterbug readers, you have a film SLR camera plus several interchangeable lenses, you might be wondering if you can use those lenses with your new D-SLR camera of the same, or even different, brand.

C.A. Boylan  |  Mar 01, 2010  |  0 comments

Pro-Optic’s Affordable Fisheye
Pro-Optic has announced the 8mm Pro-Optic Fish-Eye lens, featuring a breakthrough in optical design for the first affordable fisheye lens designed for D-SLRs that have APS-sized sensors. Most fisheye lenses are designed for cameras with 35mm-sized sensors and when placed on an APS sensor, the edges of the image are cut off. Not so...

George Schaub  |  Dec 01, 2009  |  0 comments

Long considered the focal-length sweet spot for macro work, the 60mm focal length of the new Tamron 60mm f/2 lens ($569 MSRP) converts out to 96mm for Canon and 90mm for Nikon APS-C D-SLRs.

Joe Farace  |  Dec 01, 2009  |  0 comments

In my heart I know that few readers can afford these kinds of expensive lenses, but there are always those who can and for the rest of us, it’s something to dream about.

Roger W. Hicks & Frances E. Schultz  |  Dec 01, 2009  |  0 comments

There are plenty of other good (but significantly slower) 21mm and 24/25mm lenses on the market, almost all cheaper, smaller, lighter, and exhibiting less distortion than the two under discussion here.

George Schaub  |  Dec 01, 2009  |  0 comments

We have seen new options from independent and camera maker manufacturers alike, each bringing the fun and creative options of these unique angles of view to ever more affordable price ranges.

George Schaub  |  Dec 01, 2009  |  0 comments

There is an underlying desire in every travel or street photographer to be able to carry one lens to cover all contingencies.

Jason Schneider  |  Aug 01, 2009  |  0 comments

Editor’s Note: Our intent in bringing you this interview is to give you a look inside the technical development of new products and laud the achievements of engineers, scientists, and designers who contribute to advances in photography and imaging. We look forward to publishing a series of these interviews from many different aspects of the photographic world in the future.

 

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Steve Bedell  |  Aug 01, 2009  |  0 comments

“Most pro lenses have much sturdier construction than their consumer counterparts.”

 

I’m a pro photographer and have been for about 30 years. I mostly shoot portraits and a few weddings. I’m not one of those guys who will be first in line for the latest 15-800mm f/1.2 lens. As a matter of fact, I’m pretty much an equipment minimalist. But when I need a lens, I...

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