Lens News

Sort By: Post Date | Title | Publish Date
Edited by George Schaub  |  Sep 18, 2012  |  First Published: Aug 01, 2012  |  4 comments

Every year the Technical Image Press Association (TIPA), a worldwide association of photo and imaging magazine editors, meets to pick the Best of Class in a wide range of photo categories. As the sole US member of the association, Shutterbug joins editors from Europe, Asia, and Africa in the nominating, judging, and selection process. One of the most exciting aspects of photography today is the constant advancement of technology and design, and this year’s Top Products reflect that spirit and those accomplishments, including new categories of Video D-SLR and Mobile App. Editor George Schaub joins all fellow TIPA members in congratulating those selected to receive the prestigious TIPA award. (To learn more about TIPA, please visit the website at: www.tipa.com.)

Edited by George Schaub  |  Sep 13, 2013  |  First Published: Aug 01, 2013  |  0 comments

Every year member magazines from the Technical Image Press Association (TIPA) gather to consider and vote on the top products of the year in 40 categories, ranging from cameras to tripods to software and printers. This year’s selections represent technological sophistication along with features and functionality that make them leaders in their respective categories.

Ron Leach  |  Sep 25, 2017  |  0 comments

Today’s computer-designed lenses are a joy to use and typically deliver high resolution and great sharpness, contrast, and color rendition. But modern premium glass isn’t always needed to make beautiful images, as you can see in the quick video below.

Steve Meltzer  |  May 05, 2016  |  0 comments

The decisive moment had decisively passed and I missed another great shot: While framing and reframing my zoom lens the scene changed, the sun slid behind a cloud, and people in the shot moved. I finally realized I was missing shots because I had too much gear. 

Dan Havlik  |  Dec 20, 2017  |  1 comments

Shutterbug photographer Jordan Matter is back with another photography how-to video, offering tips on getting the most out of your 50mm lens. 

The Editors  |  Aug 01, 2003  |  1 comments

Sun & Games Fun with the sun...and more

1. Sun Stars
Your wide-angle lens at its smallest aperture can turn the sun into a star in your photos—fitting, since the sun actually is a star. The effect occurs because the tiny aperture diffracts the incoming light rays a lot. This diffraction causes the star effect. You can include the sun as a compositional. Photo by...

Jason Schneider  |  Sep 01, 2006  |  1 comments

In the first noteworthy change to the Leica M mount since its introduction back in 1954, all Leica M lenses delivered to dealers starting on July 1, 2006, will have a 6-bit digital black and white code applied to the bayonet ring. The physical dimensions and mechanical specs of the venerable M mount will remain exactly the same, so both coded and non-coded lenses can be used on...

Ron Leach  |  Dec 28, 2017  |  0 comments

We’re all familiar with the notion that lenses in the 85-105mm range are the best choices for portrait photography, supposedly because of the “natural” way they render a subject’s facial features. But in the video below, you’ll see why one pro prefers to use a longer telephoto zoom for portraiture. 

George Schaub  |  Feb 21, 2014  |  First Published: Jan 01, 2014  |  0 comments

A tilt-shift lens can be thought of as a flexible visual tool in the many ways it allows you to image the world. Unlike a standard lens, even a zoom, with a set point of view enforced by stance, elevation, focal length, and, within certain limits, depth of field, the tilt-shift lens opens visual doors a “fixed” lens will not. By tilting the lens within the mount you can enhance or greatly diminish depth of field beyond the “normal” abilities of the focal length and aperture setting. By shifting the lens you can “fix” perspective distortion or exaggerate it for “trick” effects.

Peter K. Burian  |  Dec 01, 2006  |  0 comments

Because of the increasing popularity of digital SLR cameras, Tamron has been upgrading their line of lenses to the "Digitally integrated" (Di) standard, employing methods discussed in our Technology sidebar. Some of the new products (Di II series) were designed exclusively for digital cameras with the typical APS-size sensor, while others (Di) are multi-platform...

Jon Sienkiewicz  |  Apr 01, 2008  |  0 comments

Now that you've mastered the standard zoom lens that came with your D-SLR, you have to be asking yourself "what's next?" You bought a D-SLR instead of a compact camera so that you could change lenses. The question is: which lens to buy first? The answer is easy, but it all depends on what kind of pictures you like to take.

 

...

Ron Leach  |  Jan 12, 2017  |  0 comments

Optical technology has advanced dramatically since the early days of zoom lenses when the consensus among serious photographers was that prime lenses offered far greater sharpness, resolution, color rendition and contrast than zoom lenses. In the video below, Matt Granger discusses that “misconception” as it pertains today, as well as the notion that prime lenses encourage more compositional creativity by forcing you to “zoom with your feet.”

Ron Leach  |  Jun 22, 2017  |  0 comments

Dirty camera sensors are a common source of degraded image quality, resulting in tedious post-processing work to clean up the photograph. This problem is the bane of those who shoot outdoors in dusty conditions, and is particularly acute when using small aperture settings that tend to exaggerate imperfections.

Jon Sienkiewicz  |  May 04, 2017  |  0 comments

If the used camera lens you see online is packaged with a leash and a bone, odds are very good that it’s a dog. But in the absence of obvious evidence, how can you tell a bargain from a bagel? It’s impossible to physically examine the merchandise before purchase. And you can’t always trust what you see in the listing photos. However, you can conduct a thorough inspection upon receipt. Here are 10 things to check the minute the used lens is delivered. 

Ron Leach  |  Sep 19, 2016  |  0 comments

Fujifilm just created some major excitement at Photokina with the introduction of the 51.4-megapixel Fujifilm GFX medium format mirrorless camera and three lenses designed to handle future cameras with 100-megapixel resolution.

Pages

X