Lens News

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Dan Havlik  |  Apr 26, 2019  |  0 comments

When shooting street photography, you're supposed to be quiet, unobtrusive and discreet, right? So, naturally, you should use compact fast prime lenses that don't attract much attention. But what if you wanted to use a long zoom lens, such as a 70-200mm? Impossible?

Shutterbug Staff  |  Jul 11, 2019  |  0 comments

Should you get an F/1.4 lens or save a little money and settle for the F/1.8 model? That's the question that photographer Pierre T. Lambert tries to settle in the below video where he tests to see if you can actually tell the difference between an image shot at F/1.4 vs F/1.8.

Henry Anderson  |  Jun 01, 2021  |  0 comments

Camera lens shootouts are always fun especially when comparing a popular focal length and aperture. It's even more fun when they're led by swimsuit photographer Anita Sadowska and she's photographing a beautiful model on the beach.

Stan Trzoniec  |  Jun 06, 2012  |  First Published: May 01, 2012  |  0 comments

Out of all the telephoto focal lengths, the 400mm is my favorite, so I looked forward to Canon’s updated 400mm f/2.8L. At about $11,499 list price (slightly less on searched street prices) it’s for those who absolutely need a fast, fixed focal length lens in their still and/or video work, and that’s work that pays well.

Henry Anderson  |  Dec 17, 2019  |  0 comments

With more and more photographers considering switching from DSLRs to mirrorless cameras, one of the biggest factors in the decision-making process is lens choice. Are the new lenses designed for mirrorless cameras better than their DSLR-centric counterparts?

Shutterbug Staff  |  Feb 13, 2019  |  0 comments

Along with unveiling the new smaller and more affordable Canon RP mirrorless camera, Canon said today that it is developing six new RF lenses.

Shutterbug Staff  |  Feb 05, 2015  |  0 comments

Canon just debuted the new EF 11-24mm f/4L USM ultra wide-angle zoom lens designed to deliver high quality, minimally distorted images throughout the entire zoom range. Canon says the new lens features the widest angle of view (126º05’ diagonal) ever achieved for a rectilinear full-frame Digital SLR lens, along with a minimum focusing distance of 11 inches (at 24mm).

Shutterbug Staff  |  Sep 05, 2018  |  0 comments

Canon introduced two new super-telephoto lenses that the company says are some of the smallest and lightest on the market: the EF 400mm f/2.8L IS III USM and EF 600mm f/4L IS III USM.

Stan Trzoniec  |  Jun 03, 2016  |  0 comments

For Canon lens fans, the wait finally ended when the company took the wraps off the new EF 100-400mm f/4.5-5.6L IS II USM, a relatively compact super-telephoto zoom that has been hotly anticipated and frequently rumored about for years.

Joe Farace  |  Jun 19, 2018  |  0 comments

The classic definition of macro photography is that the image projected onto the digital sensor (or film plane) should be the same size as the subject. With a 1:1 ratio, a DSLR with a full-frame chip should be able to produce life-size magnification and focus on an area as small as 24x36mm.

Jack Neubart  |  May 20, 2015  |  0 comments

There was a time when I’d avoid a zoom lens as much as I’d avoid a swarm of midges. But in the digital age, the zoom lens has taken on new purpose, at least for me. Midges, however, are still a pest that is best avoided—especially when you’re changing lenses. And if you’re out in a marsh shooting spectacular scenic views, the Canon EF 11-24mm f/4L USM lens gives you the needed range of focal lengths so you can reign supreme over any landscape, as you avoid changing lenses while sidestepping concern that those midges will infiltrate your camera.

Stan Trzoniec  |  Aug 12, 2015  |  1 comments

A lens aficionado once told me, “the more reach you have, the more you want.” This remark, of course, was directed at the wide array of telephoto lenses available today for outdoor photographers and their obsession with getting up close and personal with wildlife.

Jack Neubart  |  Mar 08, 2016  |  0 comments

Back in the day when fixed-focal-length optics reigned supreme, the 35mm lens, along with its wider cousin, the 28mm, was known as the lens a portrait or wedding photographer would use for group or full-length portraits or, especially if it had a fast aperture, the photojournalist would use to grab street candids. Today, with our wide zooms we’re often happy enough with an f/4 maximum aperture and we tend to overlook what faster fixed-focal-length lenses could do to help our photography.

George Schaub  |  Jul 12, 2011  |  0 comments

Perhaps the most versatile of all moderate tele zoom focal lengths, the 70-200mm or thereabouts range is a hallmark and standard-bearer for many optical companies. Being a constant aperture (fast) zoom, this lens opens up numerous focusing, depth of field and perhaps as important low light shooting possibilities that make it a lens most Canon photographers aspire to own. Introduced last year, we got a chance to work with one and were so impressed we thought we’d revisit it with a quick review.

Joe Farace  |  Sep 08, 2011  |  First Published: Aug 01, 2011  |  24 comments

Canon offers five different 70-300mm zoom lenses in its product lineup. Why so many? They obviously think this is a popular and practical focal length range and I happen to agree. I even own one of them myself—the EF 70-300mm f/4-5.6 IS USM—but the EF 70-300mm f/4-5.6L IS USM tested is the mac daddy of ’em all. Part of the reason for its high price tag ($1599) is that it’s the only one of the five lenses that is resplendent in white paint (the better for TV cameras to see), making it part of the “L” series. (See “Just For The ‘L’ Of It.”) Canon’s L lenses typically have wide apertures fixed throughout the zoom range but in this case all five lenses in this focal length range have identical f/4-5.6 apertures.

 

The new Canon EF 70-300mm f/4-5.6L IS USM telephoto zoom lens features two Ultra Low Dispersion (UD) elements for improved image quality and reduced chromatic aberration. It incorporates a floating focusing mechanism for sharpness from close-up (3.9 feet) to infinity plus an Image Stabilization (IS) system that Canon claims increases usability by approximately four stops. The IS system includes a function that allows it to continue to operate even when the camera or the lens, the latter being a better idea, is mounted on a tripod. There’s an optional ($189.95) Canon Tripod Mount C for mounting on a tripod or monopod but I was unable to get one for testing. The lens is dust- and water-resistant and features a Fluorine coating that resists smears and fingerprints and significantly eases lens cleaning, but that doesn’t make me suggest less vigorous lens protection. More later.

 

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