Lens News

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Jack Neubart  |  May 01, 2008  |  0 comments

The expansive coverage of a 14mm lens may be more than you think you need. But you'd be surprised to discover that it reveals a world of possibilities that might otherwise escape you. While it certainly is ideal when shooting in open country, a super-wide lens can do wonders in tight quarters. To check out this lens, and along the way explore the potential of this focal...

Stan Trzoniec  |  May 01, 2009  |  0 comments

The arrival of the new Canon EF 800mm f/5.6L IS USM lens was a case of perfect timing as within a few days I’d be on the road for a couple of weeks photographing the abundance of wildlife at the Blackwater Refuge.

Joe Farace  |  Aug 01, 2006  |  0 comments

For some time now my favorite portrait lens has been Canon's EF 85mm f/1.8 USM, but now my new favorite is the Canon EF 85mm f/1.2L II USM. It replaces the EF 85mm f/1.2L USM and offers the widest aperture of any lens in Canon's EF family. All in all it provides a useful combination of focal length, depth-of-field control, and low-light performance. The superb optics...

Jack Neubart  |  Dec 01, 2005  |  0 comments

The Canon EF-S 10-22mm f/3.5-4.5 USM (16-35mm equivalent in 35mm parlance) was designed to cover the APS-C format, specifically the EOS 20D and both EOS Digital Rebels (plus future APS-C models). Canon's EF-S lenses (S = Short Back Focus) are physically matched to these cameras. This design also results in a smaller and lighter lens (3.5" long and less than 14 oz).

Jack Neubart  |  Apr 01, 2006  |  0 comments

If I could, I'd spend all my time hunting down bugs and lizards and any other critters small enough to fit inside a macro lens. Simply stated, I love macro. So I couldn't wait to put the new EF-S 60mm f/2.8 Macro lens through its paces on my Canon EOS 20D digital SLR.

 

As you may already know, EF-S is Canon's designation for APS-C-dedicated lenses...

Ron Leach  |  Jun 19, 2017  |  0 comments

There are plenty of rules about which focal length lens works best for different types of photography. For example, many of us were taught to reach for a 50mm or 85mm lens for portraiture and a 24mm ultra-wide for interiors, architecture and landscape shots.

Joe Farace  |  Aug 01, 2009  |  0 comments

There is no doubt that Carl Zeiss is one of the magical names in the world of optics and so the introduction of the Zeiss ZE lenses for analog and digital cameras is big news.

Joe Farace  |  Aug 01, 2010  |  0 comments

When it comes to lenses, the name Carl Zeiss is synonymous with optical perfection or as they say around the Hallmark store, “when you care enough to shoot the very best.” Zeiss continues to expand its line of interchangeable lenses for Canon, Nikon, and Pentax cameras to include two new wide-angle lenses, the Distagon T* 18mm f/3.5 and Distagon T* 21mm f/2.8.

The...

Ron Leach  |  Dec 05, 2017  |  0 comments

Let’s say you want to try your hand at close-up photography, but you can’t afford an expensive macro lens. Or maybe you’re not short of cash, but you don’t plan on doing enough macro work to justify the investment. 

Ron Leach  |  Nov 14, 2017  |  0 comments

Two of our favorite holidays, Thanksgiving and Black Friday, are right around the corner. And if you’d like to save some cash on photo gear, check out these great deals on Nikon cameras, lenses and accessories.

Dan Havlik  |  Jan 24, 2017  |  0 comments

The below gif is one of the cooler things we've seen on Reddit lately. It gives you a visual demonstration of how changing the focal length of your lens affects how a person's face appear in portraits. 

Dan Havlik  |  Nov 19, 2014  |  0 comments

The very rare and very large Nikkor 6mm F/2.8 Fisheye Lens surfaces every once in a while and when it does, people’s heads turn. That’s exactly what happened when someone attached this whale-sized Fisheye to a Nikon D4S and shot some eye-catching footage (below) on a street corner in Copenhagen, Denmark recently.

Mike Stensvold  |  Jun 01, 2002  |  0 comments

 

 

 

 

 

 

 

 

A great tool for creative photographers

You can't beat the 35mm SLR for its combination of features, price and performance. And one its best features is its ability to accept a wide range of interchangeable lenses. From superwide fisheye to supertelephoto, macro...

Mike Stensvold  |  Feb 01, 2004  |  1 comments

 

 

 

 

 

 

Next to your camera body, the lenses you use with it are your most important photographic purchases. While physically, a lens is just a collection of glass or plastic elements held precisely in position in a light-tight tube, with a camera mount on one end and some means of focusing, creatively it's your...

George Schaub  |  Oct 26, 2015  |  0 comments

One of the main tools we have for creating visual effects are lenses, the photographer’s eye on the world. Every choice of lens has implications about what you can and cannot include in the frame, how subjects within the frame relate to one another and how we use aperture settings and focal length to create a special point of view. In this chapter we’ll explore lens choice as well as lens controls that are essential to creative photography, including depth of field and focusing options.

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