Lens News

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Shutterbug Staff  |  Aug 16, 2016  |  0 comments

Nikon just announced the 24.2-megapixel D3400, an entry-level DSLR that adds Nikon’s SnapBridge wireless technology along with an updated Guide Mode feature offering in-camera tips for beginning photographers. 

Ron Leach  |  Aug 08, 2016  |  0 comments

Samyang has continued its ambitious barrage of summer lens introductions with this morning’s unveiling of the 20mm f/1.8 ED AS UMC lens—a fast, wide-angle for full-frame DSLRs. This comes on the heels of last week’s launch of their SP 35mm f/1.2 AS UMC CS lens for mirrorless cameras.

Ron Leach  |  Aug 03, 2016  |  0 comments

If you’re like most photographers, you’re a gear freak and love to see what makes things tick. In this fascinating teardown video you can peer inside the high-speed Sony FE 24-70mm f/2.8 G Master lens and do just that.

Staff  |  Aug 02, 2016  |  0 comments

The Goods spotlights the hottest premium photo gear out there. If you have a product you’d like considered for The Goods, e-mail images and info to editorial@shutterbug.com.

Ron Leach  |  Aug 01, 2016  |  0 comments

The new Samyang 35mm f/1.2 AS UMC CS is a relatively affordable high-speed lens designed for use with Sony E, MFT, Fujifilm X and Canon M mirrorless cameras. It’s scheduled to ship in September for around $500, and offers great versatility for low-light photography.

Ron Leach  |  Jul 28, 2016  |  0 comments

Nikon created quite a buzz Tuesday morning with the introduction of the high-speed AF-S Nikkor f/1.4E ED; a lens they say is the world’s fastest 105mm prime. And now, thanks to some great photographers and the folks at Nikon USA, we can show you the first sample images taken with this new tool for portrait and studio photography.

Dan Havlik  |  Jul 26, 2016  |  1 comments

Nikon announced what is being called the world’s fastest 105mm prime lens today: the AF-S Nikkor 105mm F/1.4E. Nikon’s launch of the 105mm f/1.4 lens is timed to commemorate a particular achievement for the company, 100 million Nikkor lens units produced worldwide.

Joe Farace  |  Jul 26, 2016  |  0 comments

We all know nature and wildlife photographers need long focal length lenses but they’re not the only ones who need a longer-than-normal lens. While the only wildlife I have photographed are the mule deer who treat my backyard like it’s their backyard, I’ve photographed a racing car from time to time and that’s when a telephoto or long zoom lens comes to the rescue.

Ron Leach  |  Jul 21, 2016  |  0 comments

The Olympus M.Zuiko ED 300mm f/4 IS Pro telephoto you see above wouldn’t be considered particularly big for a DSLR lens, but on a micro-four-thirds camera (with its 600mm 35mm equivalent) it’s an entirely different story. But what if you could get a 300-500mm f/2.8-4.0 zoom for your MFT system, with a whopping 600mm-1000mm equivalent in 35mm terms?

Ron Leach  |  Jul 20, 2016  |  0 comments

Last month we wrote about a patent filed by Canon for a “smaller and lighter” 1000mm f/5.6 DO super telephoto lens. Well, now they’re at it again—this time with a crazy EF 40-800mm f/4.5-5.6 wide-range zoom for full-frame cameras. 

Ron Leach  |  Jul 14, 2016  |  0 comments

The new Trimagon 95mm f/2.6 portrait lens from Meyer-Optik Goerlitz is aimed at discriminating photographers who value optimum image quality, distinctive bokeh and superb build quality. It’s available now on the company’s website in mounts for Canon, Nikon, Fuji X, Sony E, Leica M & MFT.

DL Byron  |  Jul 11, 2016  |  0 comments

“Date your cameras and marry your lenses,” a Sony staffer professed after I arrived in San Diego last week for the unveiling of two new lenses; the 50mm f/1.4 ZA prime and 70-200mm f/2.8 GM zoom. Our select group of journalists were repeatedly told, “Do not leak this launch.” Considering the leaks of cameras introductions from their competitors this summer, the firm request was understandable and we obliged.

Staff  |  Jul 05, 2016  |  0 comments

The Goods spotlights the hottest premium photo gear out there. If you have a product you’d like considered for The Goods, e-mail images and info to editorial@shutterbug.com.

Joe Farace  |  Jun 28, 2016  |  0 comments

When people asked legendary editor Herbert Keppler why he sometimes wrote about cameras costing more than the average photographer could afford, he told me it was because of the Maserati factor. “Most people,” he said, “can’t afford a Maserati but like reading about them.” And I get that. My personal dream car is a 1961 Maserati 3500 GT, which sells for north of $450,000. Fortunately, medium format cameras, while expensive, cost less than that.

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