Lens News

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C.A. Boylan  |  Oct 29, 2013  |  First Published: Sep 01, 2013  |  0 comments

The Photogenic ION Lithium-ion Pure Sine Wave Inverter is a compact, lightweight, and affordable AC power supply unit for use in the studio or on location. Weighing only 3.5 lbs and measuring 7.5x4.4x3.3”, it features two AC outlets for two monolights and gives you over 3500 flashes at 320 watt seconds. The built-in USB port allows you to power-up your phone or other electronic devices. The ION comes complete with the inverter, lithium-ion battery, charger, carry strap, and adjustable multi-clamp.

Edited by George Schaub  |  Sep 13, 2013  |  First Published: Aug 01, 2013  |  0 comments

Every year member magazines from the Technical Image Press Association (TIPA) gather to consider and vote on the top products of the year in 40 categories, ranging from cameras to tripods to software and printers. This year’s selections represent technological sophistication along with features and functionality that make them leaders in their respective categories.

Jack Neubart  |  Sep 03, 2013  |  First Published: Aug 01, 2013  |  1 comments

While the Sigma 150mm f/2.8 lens has been out for a good while we decided to take a closer look at one of the most interesting pro-oriented products in their lineup. One of the key selling points in this lens is built-in optical image stabilization (“OS” in Sigma-speak) to aid in achieving camera-shake-free, handheld exposures. Granted, image stabilization in a macro lens is not the be-all and end-all of successful close-ups, though it sure gives added insurance. And because the Sigma 150mm OS macro is optimized for full-frame D-SLRs, it allows for use at the stated focal length with such cameras and provides even greater effective focal length with APS-C-type SLRs.

Jack Neubart  |  Aug 16, 2013  |  0 comments

There are two types of fisheye: circular and diagonal. The Rokinon 8mm f/3.5 Aspherical Fisheye Lens is of the diagonal type, delivering a rectangular image with cropped-sensor lenses. The lens I worked with is designed for the Nikon DX (APS-C/cropped) sensor. The APS-C version provides a 180-degree field of view. Other versions are available for other “cropped-sensor” interchangeable-lens cameras, including Micro Four Thirds. My tests were conducted using the Nikon D300.

George Schaub  |  Aug 12, 2013  |  First Published: Jul 01, 2013  |  4 comments

There’s something about a fixed focal length lens that brings the photographer out in me. It forces me to move in and back from compositions without resorting to a zoom. Yes, there are times when a zoom is most appreciated—especially the fast constant aperture zooms now available—but a prime puts me in a mindset that a zoom has yet to match.

Jack Neubart  |  Aug 06, 2013  |  First Published: Jul 01, 2013  |  1 comments

There are a number of new lenses, including those for “full-frame,” Micro Four Thirds, and “mirrorless” compact system cameras debuting this year, listed in alphabetical order. Here’s a sampler, with a sprinkling of filters thrown in for good measure. We’ve shown prices when available at press time—if not, check the websites of the companies for updates.

Jack Neubart  |  May 06, 2013  |  First Published: Apr 01, 2013  |  3 comments

The difference between a “constant” aperture zoom and other standard zooms is that when you increase the focal length on the standard zoom the maximum aperture narrows. This might make the difference between being able to hand hold or not when zooming in, and may indeed force the use of higher ISOs. Known as “fast” lenses, constant aperture zooms are pricier and bulkier than their variable-aperture counterparts. And to sweeten the pot, we’ve seen more and more fast lenses with built-in image stabilization, which gets you even more low light and steady shot capability.

C.A. Boylan  |  Feb 07, 2013  |  First Published: Jan 01, 2013  |  0 comments

Lensbaby Spark
Created for young photo enthusiasts, the Lensbaby Spark is a fun and affordable lens that offers Lensbaby effects for just $80. Made for use with Canon and Nikon D-SLR cameras, this 50mm f/5.6 lens features a multi-coated glass doublet and a focusing range of 13” to infinity. This manual focus lens offers a sharp sweet spot surrounded by soft blur. The Spark is compatible with the Lensbaby Optic Swap System and all of the Lensbaby 37mm threaded accessory lenses.

CA Boylan  |  Dec 14, 2012  |  1 comments

The Sigma APO Macro 180mm F2.8 EX DG OS HSM lens boasts the company’s proprietary Optical Stabilizer (OS) technology and a wide f/2.8 aperture. The OS feature is said to allow the use of shutter speeds approximately four stops slower than would otherwise be possible, enabling handheld, close-up photography.

C.A. Boylan  |  Sep 24, 2012  |  First Published: Aug 01, 2012  |  0 comments

These fashionable, durable, and discreet Messenger bags are available in three sizes. Each features a wide main access compartment with a “dual mode” flap that offers security and a quiet working mode, a wide shoulder strap, stretch pockets, and a grab handle. The model 250 and 150 offer a padded laptop/tablet compartment. The model 250 is large enough to easily hold a pro D-SLR camera, three to four lenses, and an iPad or 13” laptop. The retail value is $79.99. The model 150 can hold a D-SLR camera, two to three lenses, and an iPad. The retail value is $69.99. The model 100 can hold a compact D-SLR or mirrorless camera with a lens attached. The retail value is $59.99.

Edited by George Schaub  |  Sep 18, 2012  |  First Published: Aug 01, 2012  |  3 comments

Every year the Technical Image Press Association (TIPA), a worldwide association of photo and imaging magazine editors, meets to pick the Best of Class in a wide range of photo categories. As the sole US member of the association, Shutterbug joins editors from Europe, Asia, and Africa in the nominating, judging, and selection process. One of the most exciting aspects of photography today is the constant advancement of technology and design, and this year’s Top Products reflect that spirit and those accomplishments, including new categories of Video D-SLR and Mobile App. Editor George Schaub joins all fellow TIPA members in congratulating those selected to receive the prestigious TIPA award. (To learn more about TIPA, please visit the website at: www.tipa.com.)

Steve Bedell  |  Aug 09, 2012  |  First Published: Jul 01, 2012  |  0 comments

The Sigma 85mm f/1.4 EX DG HSM lens (average price: $969 on various Internet sites) is designed for full-frame cameras; with an APS-C multiply by your usual factor. At about 25 oz, I’d describe the lens as substantial, but not hefty. One of the reasons for the weight is the build—11 elements in eight groups, including the use of SLD glass, Sigma speak for Special Low Dispersion. The big chunk of glass on the end requires a 77mm filter. As to handling, Sigma has gone from their black “crinkle” finish to a smooth black rubberized finish that feels great to the touch. It’s plastic, not metal, but based on my experience with previous Sigma lenses, I’ve found them to be built to professional standards and can take a lot of abuse.

Jack Neubart, Editor  |  Jun 18, 2012  |  First Published: May 01, 2012  |  0 comments

Every year manufacturers and distributors unveil new products at trade show events. They see these shows as the best venues to garner the attention of the gathered members of their industries and to show them their latest wares. In the photo industry this has traditionally been the annual Photo Marketing Association (PMA) Show, which we have always covered. This year that event was subsumed into the larger Consumer Electronics Show (CES) in Las Vegas.

George Schaub  |  Jun 15, 2012  |  First Published: May 01, 2012  |  0 comments

There are three main elements in depth of field—focal length, aperture, and distance to subject—and depth of field is a very important part of a 2D photograph. It’s how we judge scale (or are fooled by it), how we note the importance of certain subjects within the frame, and how we define content and context in the scene. With these three controls, and using various points of view, it seems we have infinite variations to choose from, and that’s part of the creative play of photography. Now you can add a fourth element to the mix—tilts that range from mild to extreme and that create “slices” of sharpness within the frame. The tool that helps us create that effect is the latest optic from Lensbaby, which they dub the Edge 80.

Stan Trzoniec  |  Jun 06, 2012  |  First Published: May 01, 2012  |  1 comments

Out of all the telephoto focal lengths, the 400mm is my favorite, so I looked forward to Canon’s updated 400mm f/2.8L. At about $11,499 list price (slightly less on searched street prices) it’s for those who absolutely need a fast, fixed focal length lens in their still and/or video work, and that’s work that pays well.

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