DSLR Reviews

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Edited by George Schaub  |  May 10, 2013  |  First Published: Apr 01, 2013  |  0 comments

The Nikon D600 is the smallest of the company’s full-format sensor cameras yet due to the same seals and protections as the Nikon D800 and its very robust body, it can be used outdoors under rugged and rainy weather conditions.

Edited by George Schaub  |  Apr 30, 2013  |  First Published: Apr 01, 2013  |  0 comments

Our initial report on the Canon EOS-1D X appeared in the Image Tech section of our homepage at www.shutterbug.com and was based on a preproduction model. This is our final report based on a factory-ship model.

Edited by George Schaub  |  Apr 30, 2013  |  0 comments

The EOS Rebel SL1 is an ultra-small SLR system; in fact it is smaller than many bridge cameras and even lighter than many other digital cameras.
Nevertheless it’s a real SLR system with Canon’s APS-C-sized image sensor, which is a little smaller than other APS-C-sized sensors made by Nikon, Sony and other manufacturers. Due to itsvery small body the grip on the right hand side is also is a bit smaller than usual and the handling of the camera is a bit tricky for photographers withlarge hands. The small body doesn’t allow for a status LCD on the top, so all information on image parameters and menu settings are shown on the LCD screen on the back.

Edited by George Schaub  |  Apr 18, 2013  |  First Published: Mar 01, 2013  |  0 comments

The Sony A37 is an SLT system with a fixed and translucent mirror. Because of this setup it is able to produce a Live View image even while recording still images or shooting video. At the same time, the camera is able to use its Phase Detection AF system because the mirror reflects the image onto the AF sensor. This allows the use of the AF system even in continuous shooting mode. The camera offers a high-speed burst mode of up to 7 frames per second, which is a very high result for an entry-level system.

Adam Block  |  Mar 05, 2013  |  First Published: Feb 01, 2013  |  0 comments
Steve Sint  |  Feb 07, 2013  |  First Published: Jan 01, 2013  |  1 comments

The Nikon D4 is a large sized, 16MP, lightning fast D-SLR, with high-definition video capability good enough to satisfy an independent film producer. At first, my thought was to see how the D4 worked when used for the more mundane subjects I shoot than what it was designed for, and to see how it compared to the APS-C sized cameras I prefer. But, by the time my experience with the camera ended, I had shot a tutorial video with it (www.setshoptutorials.com and then click on “Anatomy of a Still Life”), found its fast framing rate more helpful than I expected, and decided I especially liked Nikon’s D4, an FX camera, when shot in the DX (APS-C) mode. Although the primary difference between the D4 and the D3 is the D4’s increased resolution and its advanced video capability, I found the whole package that represents the D4’s feature set just as important, so let’s look at those.

Edited by George Schaub  |  Feb 07, 2013  |  First Published: Jan 01, 2013  |  0 comments

The new D4 is a typical Nikon professional system: it’s extremely massive, very heavy, and all function buttons, card slots, and any other notches are sealed to prevent the intrusion of dust or rain. The camera offers two high-speed modes and is able to record 10 or 11 images per second in full 16MP resolution. In our tests the camera was able to consistently achieve this high speed. The camera uses a new shutter system based on Kevlar fibers that allow up to 400,000 exposures. With its high speed, robust shutter system, and robust body, the Nikon D4 is a clearly aimed at photojournalists and sports photographers.

Edited by George Schaub  |  Jan 18, 2013  |  First Published: Dec 01, 2012  |  0 comments

The Sony (alpha) A57 is based on Sony’s SLT viewfinder system that uses a fixed and semi-translucent mirror. This enables viewing via a live preview on the LCD screen on the back or through the electronic viewfinder. In addition, the mirror reflects the image onto an AF sensor based on the classic phase detection system used by “normal” SLR cameras. The AF sensor works continuously because there is no moving mirror system to cover the sensor when the picture is taken. This aids in continuous shooting speed and when recording videos.

Joe Farace  |  Jan 11, 2013  |  First Published: Dec 01, 2012  |  2 comments

Just when you thought the megapixel wars were over—or at least subsided—along comes the Nikon D800 with a whopping 36.3-megapixel (7360x4912) full-frame CMOS sensor. It’s wrapped up in a pro-quality magnesium alloy body that’s sealed and gasketed for dirt and moisture resistance. That rugged body weighs almost 2 lbs and when attached to the 24-120mm f/4G ED-IF AF-S VR II Nikkor lens (23.6 oz) that I tested, the package tips the scales at 3.46 lbs. It’s big.

Edited by George Schaub  |  Jan 09, 2013  |  First Published: Dec 01, 2012  |  0 comments

The Canon EOS Rebel T4i offers the same sensor resolution of 18MP as its forerunner EOS T3i, but shows a lot of improvements in handling and functionality due to a new image sensor and a new image processor. The camera is Canon’s first D-SLR with a touchscreen. This screen is very large (3”) and has a very high resolution of 1,040,000 RGB dots. It is a swivel monitor that can be flipped up- and downward and tilted to the front (for self-portraits). Even though it is a touchscreen, the whole handling of the camera (menu structure, parameter setup) is still oriented on Canon’s SLR handling scenario. In contrast to many compact cameras with touchscreen-oriented operation, the touchscreen isn’t mandatory, but it’s still helpful.

Edited by George Schaub  |  Sep 18, 2012  |  First Published: Aug 01, 2012  |  4 comments

Every year the Technical Image Press Association (TIPA), a worldwide association of photo and imaging magazine editors, meets to pick the Best of Class in a wide range of photo categories. As the sole US member of the association, Shutterbug joins editors from Europe, Asia, and Africa in the nominating, judging, and selection process. One of the most exciting aspects of photography today is the constant advancement of technology and design, and this year’s Top Products reflect that spirit and those accomplishments, including new categories of Video D-SLR and Mobile App. Editor George Schaub joins all fellow TIPA members in congratulating those selected to receive the prestigious TIPA award. (To learn more about TIPA, please visit the website at: www.tipa.com.)

Edited by George Schaub  |  Aug 20, 2012  |  First Published: Jul 01, 2012  |  1 comments

The Nikon 36MP D800 has a “full-format” sensor with a resolution normally associated with digital backs, making it a competitor with medium format cameras made by companies such as Hasselblad or Phase One. The camera will be available in two versions: a standard version, which was used for this test, and an additional version dubbed the D800E, which does not have a low-pass filter. The conventional thinking on use of a low-pass filter is that it avoids color moiré, although inclusion of the filter can create a certain amount of softening of image details. To avoid this soft look many medium format cameras or digital backs do not use it. In those cameras with the filter the effect is reduced via digital filtering in their Raw converter software. (We will do another resolution test on the D800E when it becomes available.)

Edited by George Schaub  |  Jul 11, 2012  |  1 comments

The D3200 is Nikon’s new entry level SLR with an outstanding nominal resolution of 24MP. The camera uses an APS-C sized CMOS sensor 23.2 x 15.4mm in size, Nikon’s DX format.

The camera offers a lot of help to beginners; just like the forerunner D3100, the D3200 offers a special “Guide” mode. When using this mode and starting the D3200, it will ask the user whether he or she wants to shoot, to review or to setup the camera menu. If the choice is to shoot the camera“asks” whether the user is an absolute beginner and needs “easy operation” or an advanced user who wants “advanced operation.” If an absolute beginner, the D3200 presents short descriptions of some typical photographic situations and sets up all parameters accroding to how the photographer responds.

Jason Schneider  |  Jul 02, 2012  |  First Published: May 01, 2012  |  0 comments

As advanced electronics continue to supplant more and more elements of camera function and design, often displacing optical and mechanical systems, the camera of the future is being redefined. To give you a clearer picture of the emerging technologies that are destined to change the shape of cameras to come, let’s take a closer look at the implications of some of the emerging new tech found in the latest models.

Edited by George Schaub  |  Jun 22, 2012  |  First Published: May 01, 2012  |  3 comments

The Sony A65 is a feature-reduced version of the company’s A77 model. It offers a nominal resolution of 24MP (just like the A77). The A65 uses Sony’s SLT system, which combines a semi-translucent mirror system and an electronic viewfinder. The semi-translucent mirror reflects a part of the light to the Phase Detection AF sensor, which is located in the penta-prism bulge on the top of the body and allows for very fast focusing. At the same time, the image sensor is able to generate a digital live preview for the LCD on the back or on the mini LCD screen of the ELV. Both monitor systems use high-resolution LCDs. The large monitor on the back offers 921,600 RGB dots; the AMOLED ELV offers 2.3 million dots for a brilliant and crisp image.

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