DSLR Reviews

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Dan Havlik  |  Nov 13, 2014  |  0 comments

Technically speaking, the Nikon D750 is the follow-up to the Nikon D700, which was released six years ago. That’s a lifetime between digital camera models, and to say that the D750 is not nearly as groundbreaking as its predecessor from way back in 2008 is not a put-down of this new full-framer from Nikon. It just shows how far imaging technology has come and how much the D700 was ahead of its time.

Dan Havlik  |  Nov 10, 2014  |  0 comments

If you’re not so sure about DxO Mark’s much-discussed, negative review of the Canon 7D Mark II and you’ve got some free time on your hands (over 34 minutes, to be precise), you’ll want to check out the below video from photographer Tony Northrup. Titled “7D Mark II Image Quality: Is it as bad as DxO Mark Says,” the video breaks down DxO’s numbers and finds that Canon’s newest DSLR might be quite a bit better than that controversial review contends.

Dan Havlik  |  Nov 07, 2014  |  0 comments

Yesterday we shared a video demonstrating how well the new Canon 7D Mark II’s autofocus tracks plummeting skydivers. Now here’s another clip that shows what the DSLR’s AF does for locking in on dancers.

Dan Havlik  |  Nov 06, 2014  |  0 comments

Remember the Canon 7D Mark II? Well, we’re still waiting for a final production sample of that APS-C sensor-based DSLR to review but, in the mean time, you can enjoy this cool video clip (below) showing a photographer jumping out of a plane with a pre-production version of the 7D II.

Dan Havlik  |  Sep 15, 2014  |  0 comments

During a Canon event today before the start of the photokina show in Cologne, Germany tomorrow, we got some hands-on time with the long awaited Canon EOS 7D Mark II. Even though our time with the 7D II was brief — we were pretty much loaned the camera and allowed to shoot for a few minutes — we got a pretty good sense of how this APS-C-based digital SLR performs. In short, it’s feels like a mini machine gun.

Jack Neubart  |  Sep 14, 2014  |  0 comments

(Editor’s Note: Shutterbug contributor Jack Neubart has been testing the new Nikon D810 pro digital SLR. Here’s his hands-on “first look” at the camera. His full review of the D810 will appear in an upcoming issue of Shutterbug magazine.)

I became a Nikon convert back when the D300 was first introduced in 2007. I appreciated the camera’s handling, but mostly they got me with the Creative Lighting System, or CLS. Specifically, on the D300 it was the fully integrated wireless Commander mode via the built-in flash that grabbed my attention.

Edited by George Schaub  |  Aug 12, 2014  |  0 comments

The Nikon D4S is a professional SLR system for sports and action photography. It has a full-frame sensor (36x23.9mm) that Nikon calls the “FX” format. In combination with the new EXPEED 4 image processing system, the new sensor offers an extended ISO speed range: the “native” range is between ISO 100 and 25,600, with an additional high mode equivalent of ISO 409,600 (!). The noise results are impressive in the native ISO range, while images with ISO 102,400 and ISO 204,800 show nearly the same noise artifacts as APS-C cameras in the ISO 12,800 to ISO 25,600 range.

Edited by George Schaub  |  Jul 29, 2014  |  First Published: Jun 01, 2014  |  0 comments

Even though the new Pentax K-3 offers a very robust and massive body, it is quite compact; it’s only slightly larger than the ultra-compact Canon EOS Rebel SL1, although it’s almost double the weight. Using 92 O-rings and seals, the camera is splashproof and the covers that protect the card slots, interfaces, and battery look very robust and inspire confidence. The sealing doesn’t allow for use of the Pentax as an underwater camera, but it is certainly well protected for use even in a very hard rain.

Edited by George Schaub  |  Jul 22, 2014  |  First Published: Jun 01, 2014  |  0 comments

The Nikon Df is a retro-style SLR camera with a 16MP full-frame sensor. While other Nikon SLRs, such as the D4, are clearly aimed at the professional and enthusiast markets, with all the attendant features of modern D-SLRs, the Df is clearly a “classic” camera approach, intended for “purists.” That may be the reason why the Df offers no video capabilities, for example.

Edited by George Schaub  |  Jun 10, 2014  |  First Published: May 01, 2014  |  0 comments

The Nikon D5300 follows the Nikon D5200 and there is an important difference between the two. The D5300 has a new image sensor without a low-pass filter, which contributed to an excellent performance in our resolution tests.
The D5300 uses a display with a 3:2 aspect ratio, which shows the whole sensor image without black borders or frames. Compared to the Nikon D5200, the LCD screen is also larger, at 3.2”, and has a very high resolution of 1.04 million RGB dots. The monitor is fully articulated and makes for very comfortable shooting.

Edited by George Schaub  |  Mar 25, 2014  |  First Published: Feb 01, 2014  |  0 comments

The Canon EOS 70D is a 20MP APS-C-sized sensor camera that has a massive body with a large grip on its right-hand side that makes for very comfortable handling. It has a classic SLR design with an optical viewfinder with numerous function buttons, and a fully articulated large, touch-sensitive LCD screen on its back (it can be flipped up- and downward and turned to the side) that is very handy, especially in video recording mode.

Edited by George Schaub  |  Jan 10, 2014  |  First Published: Nov 01, 2013  |  0 comments

The Canon EOS Rebel T5i (700D) is the replacement of the EOS Rebel T4i but in many ways is quite similar to its forerunner. Just like the T4i it uses an 18MP APS-C-sized sensor, has a compact body, a swivel monitor, Full HD video recording, and numerous helpful functions for beginners.

Edited by George Schaub  |  Sep 24, 2013  |  0 comments

The Pentax K-50 is, in its basic specifications, identical with the company’s new K-500 model. Both cameras offer a 16MP sensor, a built-in stabilizer system (based on sensor shift technology), all standard exposure modes of a modern SLR system and a very large and bright optical SLR viewfinder. The optical viewfinder offers a 100 percent field of view, which is a very uncommon feature in this SLR class. The only difference between the K-50 and the K-500 is the sealedbody of the K-50. This allows the user to work with the K-50 even under challenging conditions, such as heavy rain.

Edited by George Schaub  |  Sep 17, 2013  |  First Published: Aug 01, 2013  |  3 comments

The Nikon D7100 is the newest of Nikon’s D-SLRs with a DX sensor (APS-C size). This is a new sensor without a low-pass filter, a very unique feature in this class because nearly all compact and SLR cameras use low-pass filter systems to avoid moiré and aliasing effects. The sensor has a resolution of 24MP (6000x4000 pixels). We did our tests with the kit version of the D7100, using the AF-S DX NIKKOR 18-105mm f/3.5-5.6G ED VR, said to be optimized for DX cameras.

Edited by George Schaub  |  Sep 13, 2013  |  First Published: Aug 01, 2013  |  0 comments

Every year member magazines from the Technical Image Press Association (TIPA) gather to consider and vote on the top products of the year in 40 categories, ranging from cameras to tripods to software and printers. This year’s selections represent technological sophistication along with features and functionality that make them leaders in their respective categories.

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