If you’ve ever lusted after a really fast lens—even faster than f/1.2—imagine how compelling the thought of an affordable f/0.95 lens might be. Well, buckle your gadget bags folks, because the Zhongyi Mitakon Speedmaster 25mm for Micro Four Thirds cameras is an f/0.95 that pops into the shopping cart for less than $400.
In the third in our series of video show reports from PhotoPlus Expo, Shutterbug sat down with Sigma USA’s Jack Howard who showed us the new 85m f/1.4 DG HSM Art lens, which has been getting tons of buzz from wedding, portrait, documentary and other photographers.
Nikon’s Lindsay Silverman gave us the scoop on two new Nikkor lenses that were making their debuts at the PhotoPlus Expo show in New York City last week: the AF-S Nikkor 70-200mm f/2.8E FL ED VR zoom and PC Nikkor 19mm f/4E ED tilt-shift lens.
Cosina has announced a new high-speed Nokton 58mm f/1.4 SL II S lens with a classic design and optical formula. Designed for users of Nikon F-Mount cameras, the lens features a built-in CPU and Ai-S compatibility.
In homage to a classic screw-mount lens Leica produced from 1955-1963, the company’s new ultra-compact Summaron-M 28mm f/5.6 wide-angle delivers premium optics and a gorgeous retro design for users of Leica M digital cameras.
Nikon just announced two new lenses for it’s FX-format (aka Full Frame) DSLRs: the AF-S Nikkor 70-200mm f/2.8E FL ED VR zoom and PC Nikkor 19mm f/4E ED tilt-shift lens.
I’ve shot thousands of pictures with hundreds of great lenses over the past 40+ years, but these seven have a special place in my heart. That’s because they capture beautiful images that have “the look”—an elusive quality that may be a combination of excellent detail and sharpness plus a natural roundness in their rendition. It’s not bokeh exactly—that refers to smooth transitions and shape retention in the out-of-focus areas of the image—although these lenses all have gorgeous bokeh as well.
We wrote about the new Tamron SP 150-600mm f/5-6.3 Di VC USD G2 (Model A022) lens when it was announced at the beginning of the month but it was only at the photokina show in Germany last week that we got to see this impressive superzoom in person. And man, is it big!
Photokina 2016 may have ended, but we have a couple more interesting lens introductions to share with you: Leica’s 50mm f/1.4 Summilux SL ASPH, and the Lensbaby Twist60 announced earlier in the U.S.
Venus Optics is a Chinese lens manufacturer that has been producing some unique and highly regarded lenses under its Laowa brand. But their new 24mm f/14 Relay 2X Macro lens, previewed at Photokina, may have changed the meaning of “unique” forever—at least as far as optics are concerned.
Part of the fun of the photokina show in Cologne, Germany this week is getting to actually touch and try much of the new camera gear that’s been announced in the past month.
Hasselblad kicked off the photokina 2016 show with a bang today, announcing two new snazzy-looking medium format cameras. The new Hasseblad V1D 4116 is just a “concept” camera, at this point, but it sure looks enticing. It’s an updated version of Hasselblad’s classic Hasselblad V camera, with a modular design and a 75-megapixel, square-format image sensor.
Fujifilm just created some major excitement at Photokina with the introduction of the 51.4-megapixel Fujifilm GFX medium format mirrorless camera and three lenses designed to handle future cameras with 100-megapixel resolution.
Today at Photokina Sigma added three new lenses to its Global Vision Line: the 85mm f/1.4 DG HSM Art, a 12-24mm f/4 DG HSM Art and a 500mm f/4 OS HSM Sport.
The big news from Olympus this morning was the introduction of their new flagship mirrorless camera, the OM-D EM-1 Mark II. But the company had more in store with the launch of the compact Pen E-PL8 mirrorless camera and three new lenses.