Lens News

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Dan Havlik  |  Nov 01, 2017

We took a closer look at the new Tamron 100-400 and shot a video showing off the highlights of this surprisingly lightweight and compact long zoomer. 

Joe Farace  |  Oct 31, 2017

Sigma’s 100-400mm f/5-6.3 DG OS HSM lens ($799) is part of their Contemporary series that the company says blends “refined optical design” with “compact and lightweight construction.” The lens is available for Canon, Nikon, or Sony DSLRs. Although as a DG lens it is designed for full-frame DSLRs, it can also be used with APS-C sensor cameras, where it produces an equivalent field of view of 150-600mm.

Ron Leach  |  Oct 31, 2017

We regularly post portrait tutorials, and they typically involve shooting and posing techniques, lighting guidelines, and image-editing tips. In the video below, you’ll get one pro’s take on the best focal length lens for creating pleasing results.

Ron Leach  |  Oct 26, 2017

This morning Tamron introduced the 100-400mm f/4.5-6.3 Di VC USD lens, a powerful ultra-telephoto zoom for Canon and Nikon full-frame DSLR cameras. Also known as Model A035, the new lens is expected to deliver Vibration Compensation (VC) up to four stops, as well as fast and precise autofocus.

Ron Leach  |  Oct 25, 2017

Amidst all the excitement at the PhotoPlus Expo show in New York today were notable new lens offerings from Olympus and Sony. This morning we covered the big Sony news, the introduction of the 42.4MP Full Frame A7R III mirrorless cameras, so let’s take a look at their new lenses, as well as those from Olympus.

Ron Leach  |  Oct 20, 2017

We’re always eager to receive the annual hot gear list from LensRentals, a top source for photographers looking to rent cameras, lenses, lighting gear and videography equipment. This year’s data arrived a bit earlier than usual, but we’re assured that what you see below is a definitive list of the most popular cameras and lenses handled by LenRentals in 2017.

Ron Leach  |  Oct 13, 2017

We regularly share helpful tutorials from portrait photographer Manny Ortiz. In this behind-the-scenes photoshoot, Ortiz reveals his two favorite lenses—a fast 55mm f/1.8 and a high-speed 85mm f/1.4. 

Ron Leach  |  Oct 12, 2017

Serious photography can be seriously expensive, especially for those who update their cameras often and insist on carrying a bag loaded with premium glass. But here’s a secret for photographers on a budget: For the same money (or less), you can often achieve far better results with a high-quality vintage lens, than by “saving money” on a modern mid-level or kit lens.

Ron Leach  |  Oct 12, 2017

This morning we posted a story suggesting that high-quality vintage lenses often outperform modern mid-level or kit lenses when used with adapters on the latest DSLRs. The video below illustrates a possible exception to the rule, in the form of Canon’s inexpensive and versatile EF 50mm f/1.8 STM.

Ron Leach  |  Sep 25, 2017

Today’s computer-designed lenses are a joy to use and typically deliver high resolution and great sharpness, contrast, and color rendition. But modern premium glass isn’t always needed to make beautiful images, as you can see in the quick video below.

Dan Havlik  |  Sep 12, 2017

Nikon launched an intriguing new lens this summer though you might have missed it. For whatever reason, the AF-P Nikkor 70-300mm F/4.5-5.6E ED VR, which was announced the second week of July, slipped under most photographers’ radar and that’s a shame. I recently had a chance to test out this surprisingly lightweight and compact wide-ranging zoom lens from Nikon while shooting with it from the field level press area at a Major League Baseball game and came away impressed.

Ron Leach  |  Sep 07, 2017

This morning Fujifilm introduced the latest in their line of ultra-compact mirrorless cameras, the 24.3MP X-E3 with a companion XF 80mm f/2.8 R LM OIS WR macro lens. Also unveiled was a GF 45mm f/2.8 R WR wide-angle lens for the company’s GFX mirrorless medium format camera. 

Ron Leach  |  Sep 05, 2017

We often turn to Weird Lens Guru Mathieu Stern for interesting tips on bargain vintage lenses that that can be adapted for use with today’s modern mirrorless digital cameras. Best yet, you can often pick up some awesome glass for chump change and the adapters are very inexpensive.

Shutterbug Staff  |  Aug 28, 2017

Canon just introduced a host of new glass tonight: the new Canon EF 85mm f/1.4L IS USM lens and three new Tilt-Shift macro lenses: the TS-E 50mm f/2.8L Macro lens, TS-E 90mm f/2.8L Macro lens and TS-E 135mm f/4L Macro lens.

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