Lens News

Tamron has a long history of producing versatile, do-everything lenses and the Tamron 35-150mm F/2.8-4 Di VC OSD (Model A043) continues with that heritage. I received the Canon EF-mount version of the lens for testing, but a Nikon F-mount version is also available at the same price. While designed for Canon’s full-frame EF-mount cameras, the Tamron 35-150mm lens can also be used with their APS-C models where it produces a field-of-view equivalent to 56-240mm.

Should you get an F/1.4 lens or save a little money and settle for the F/1.8 model? That's the question that photographer Pierre T. Lambert tries to settle in the below video where he tests to see if you can actually tell the difference between an image shot at F/1.4 vs F/1.8.

Canon has introduced its first telephoto zoom lens for its EOS R and EOS RP full-frame mirrorless cameras and it's a doozy: a RF 24-240mm F4-6.3 IS USM lens, which is equivalent to 10x of optical zoom.

There's a world of difference to how different prime lenses affect portrait photography. Earlier this week we shared a video comparing how four different primes handled portraits, and now here's one from Jessica Whitaker, this time showing how the 35mm vs 50mm vs 85mm stack up.

Laowa’s newly introduced 100mm macro lens offers 2:1 reproduction ratio and a fast f/2.8 aperture. The specifications for this manual focus lens are impressive—but does it deliver, and does it deserve its $449 price tag? We put a sample (in Nikon mount) through the paces and made a couple interesting discoveries.

Go long or go home? It's not always that simple when it comes to using telephoto lenses to get close to your subject. In fact, using longer lenses in photography can be harder than it looks.