Lens News

Perhaps you’ve just read our story on the 10 best vintage lenses you can buy right now, but are wondering how to use all this classic glass on your modern digital camera. Here are a few tips to get you started.

Pierre T. Lambert has a secret that every beginning photographer needs to know. That 18-55mm kit lens that came with your camera? It’s really pretty slow and mediocre and if you want to start taking better photos, you should get a fast, prime lens immediately.

Tamron said this morning it is developing three new lenses that will be available soon: two new lenses for full-frame DSLR cameras—the 35-150mm F/2.8-4 Di VC OSD (Model A043) zoom lens and the SP 35mm F/1.4 Di USD (Model F045) fixed focal lens; and a new high-speed ultra-wide-angle zoom lens for Sony E-mount full-frame mirrorless cameras—the 17-28mm F/2.8 Di III RXD (Model A046).

Admit it. You’ve always wanted a 70-200mm f/2.8 zoom lens. For many professional and enthusiastic amateur photographers, it’s the backbone of their lens arsenal. Here’s a great candidate if you’re ready to take the plunge.

Here’s a quick lens tip, which, if you don’t know it already, might just blow your mind. In the below video, photographer Peter McKinnon shows you how to turn any lens into a macro lens.

Nikon just unveiled the new Nikkor Z 24-70MM f/2.8 S lens, the latest S-Line lens for the Nikon Z Series full frame mirrorless cameras including the Z7 and Z6. The Nikkor Z 24-70mm f/2.8 S lens is a fast-aperture zoom lens that is designed for a variety of content creators thanks to its zoom range, fast aperture, edge-to-edge sharpness and compact/lightweight design, Nikon said.

Here’s a helpful video for any photographer out there who suffers from GAS, aka “Gear Acquisition Syndrome.” In the below clip, photographer Michael Andrew, aka Michael the Maven, tries to answer that eternal question photographers face: how many lenses is too many?