Lens News

There's a reason they call a 50mm lens the "nifty fifty." A 50 mil is just an incredibly versatile prime lens that's easy to use and, often, affordably priced.

With both Nikon and Canon switching out their DSLR markets for mirrorless platforms and offering up new lens mounts as a result, and with Sony and Fuji both developing great lenses for their platforms, a common question we get asked is about lens adapters. 

Tamron just announced the 18-300mm (27-450mm equivalent) zoom for Sony and Fujifilm cameras. It’s Tamron’s first lens in Fujifilm X-mount and their 15^th for Sony mirrorless (counting both full-frame and APS-C camera models). Measuring less than 5 inches long, focusing closer than 6 inches and selling for $699, there’s a lot to like. Here’s our hands-on review of the 18-300mm in Sony mount complete with several sample images.

We all fall into a creative rut on occasion, and that’s often because we take the same approach to whatever we shoot. For portraits we typically reach for a short telephoto, and a wide-angle lens is usually our choice for landscape photography.

Some landscape photographers always shoot with a wide-angle lens, while others occasionally turn to a telephoto. Some insist on using prime lenses, while others prefer the versatility of zooms.

Landscape and travel photographers often prefer to shoot with wide-angle lenses—either a fast prime or a more versatile short zoom. In this tutorial you’ll see why one pro takes the later approach and learn some of his tricks.

When heading out for a day of landscape photography, chances are you reach for a wide-angle lens—or perhaps one in the 70-200mm range. But if you want to create images with a unique look, it’s time to consider using a super-telephoto instead.