Lens News

Landscape shooters are known for carrying a lot of gear, and that typically includes a wide selection of filters. Today we’ll help lighten your load, by revealing three filters a top pro says “every photographer should own.”

All photographers want to coax every ounce of image quality and sharpness from whatever gear they own, and that’s particularly true when it comes to valuable glass.

French photographer Mathieu Stern is an interesting guy, and someone you might say is “a bit different.” We refer to him as our Weird Lens Guru because he specializes in peculiar vintage lenses, oddball accessories, and strange photo experiments.

What are the most important focal lengths for landscape photography? Pro landscape photographer Mark Denney has picked two of them and says, "they're not what you think."

Conventional wisdom has always been that zoom lenses can’t compete with fixed focal length glass for most forms of photography. So when a respected pro asks, “Are zoom lenses just better than primes,” we stop and pay attention.

Time to hit the Reset Button and put your notions of Image Quality on Pause. In our everyday lives as photographers we prize sharpness, saturation, acutance and absence of aberration when we idealize the images we want to capture. Now it’s time to recognize that images that are blurred, smeared, warped and otherwise traumatized can be beautiful.

Lensbaby lenses produce images that are intentionally unsharp, because optical aberrations can be beautiful. In a word, a Lensbaby turns blur into bliss.

The Tamron 28-75mm f/2.8 zoom for Sony E (Model A036) won the prestigious EISA Award for 2018-19 and is highly regarded as a fast, sharp option for Sony’s full-frame mirrorless cameras. Three years on, Tamron announces the G2 (second generation) Model A063 with the same zoom range and aperture.

What’s been improved? We look at the two zooms side-by-side with a critical eye.