The first thing most photographers do when out in the field shooting landscapes is to mount a wide-angle lens on their camera. But a lot more goes into making great photographs than choosing the right focal length.
If you’re a regular visitor to this page you’ve no doubt invested in the best cameras and accessories you can afford. So how do you protect all this valuable gear from getting scratched, damaged, or broken? Read on.
Landscape shooters are known for carrying a lot of gear, and that typically includes a wide selection of filters. Today we’ll help lighten your load, by revealing three filters a top pro says “every photographer should own.”
Selling your used equipment for the best price is easier and safer than you thought, provided that you follow these tips and deal with the right buyer. So if you’re considering weeding out a few of your seldom-used lenses or the cameras you’ve outgrown, have an itch to move up to mirrorless or maybe 4K video capability, or just want some cash, this story about MPB is for you.
All photographers want to coax every ounce of image quality and sharpness from whatever gear they own, and that’s particularly true when it comes to valuable glass.
If the headline above strikes you as a bit crazy, join the club. We were more than a bit skeptical when we stumbled upon this quick tutorial because of the conventional wisdom that using a lens hood is one of the easiest ways to improve outdoor images.
French photographer Mathieu Stern is an interesting guy, and someone you might say is “a bit different.” We refer to him as our Weird Lens Guru because he specializes in peculiar vintage lenses, oddball accessories, and strange photo experiments.
Since you're a photographer, we're sure you've always wondered how to use various household items as a camera lens. For instance, instead of your fancy zoom, maybe a potato could be a camera lens? Or how about putting a toilet paper roll on front of your $5000 camera and using that as a lens?
What are the most important focal lengths for landscape photography? Pro landscape photographer Mark Denney has picked two of them and says, "they're not what you think."
There’s much more to selecting a lens than focal length, maximum aperture, AF vs MF, and whether you’re looking for a prime lens or a zoom. In fact, depending upon your style of photography and the emotion you want to convey, an economical lens may be a better choice than high-end glass that’s far more costly.
Conventional wisdom has always been that zoom lenses can’t compete with fixed focal length glass for most forms of photography. So when a respected pro asks, “Are zoom lenses just better than primes,” we stop and pay attention.
Since street photographers are always debating which lens is best to capture candid scenes and portraits, Pierre T. Lambert decided to put a few to the test. In the below video Lambert compares the Sony 14mm f/1.8 Vs. 35mm f/1.4 Vs. 85mm f/1.8 to see which comes out on top for street photography.
Time to hit the Reset Button and put your notions of Image Quality on Pause. In our everyday lives as photographers we prize sharpness, saturation, acutance and absence of aberration when we idealize the images we want to capture. Now it’s time to recognize that images that are blurred, smeared, warped and otherwise traumatized can be beautiful.
Lensbaby lenses produce images that are intentionally unsharp, because optical aberrations can be beautiful. In a word, a Lensbaby turns blur into bliss.
NY pro David Bergman regularly responds to queries from fans, and his responses often result in very helpful tutorials. Today’s question is a common one that you may have asked yourself: ”On cameras that you can switch between full-frame and APS-C crop modes, is it the same as using a longer lens.”
The Tamron 28-75mm f/2.8 zoom for Sony E (Model A036) won the prestigious EISA Award for 2018-19 and is highly regarded as a fast, sharp option for Sony’s full-frame mirrorless cameras. Three years on, Tamron announces the G2 (second generation) Model A063 with the same zoom range and aperture.
What’s been improved? We look at the two zooms side-by-side with a critical eye.