The Tamron 28-75mm f/2.8 zoom for Sony E (Model A036) won the prestigious EISA Award for 2018-19 and is highly regarded as a fast, sharp option for Sony’s full-frame mirrorless cameras. Three years on, Tamron announces the G2 (second generation) Model A063 with the same zoom range and aperture.
What’s been improved? We look at the two zooms side-by-side with a critical eye.
Have you ever returned from a shoot, thinking you captured a bunch of great shots, only to be disappointed when you review the images on a computer? Well, join the club, because this happens to the best of us on occasion.
Would you like to try your hand at close-up photography but can’t afford an expensive macro lens? Well consider this: An affordable set of extension tubes will turn just about any lens you own into a close-focusing macro lens.
There's a reason they call a 50mm lens the "nifty fifty." A 50 mil is just an incredibly versatile prime lens that's easy to use and, often, affordably priced.
Whether you’re shooting portraits or other outdoor scenes with a prominent foregoing object, you can draw attention to the main subject by minimizing depth-of-field. This technique can also add an artistic flair to your images.
With both Nikon and Canon switching out their DSLR markets for mirrorless platforms and offering up new lens mounts as a result, and with Sony and Fuji both developing great lenses for their platforms, a common question we get asked is about lens adapters.
For those on a budget it’s tempting to purchase an inexpensive 2X teleconverter to double the focal length of a lens you already own, instead of spending big bucks on a powerful super-telephoto zoom. But does this really make sense in terms of image quality, or are you better off just cropping your photos?
Tamron just announced the 18-300mm (27-450mm equivalent) zoom for Sony and Fujifilm cameras. It’s Tamron’s first lens in Fujifilm X-mount and their 15th for Sony mirrorless (counting both full-frame and APS-C camera models). Measuring less than 5 inches long, focusing closer than 6 inches and selling for $699, there’s a lot to like. Here’s our hands-on review of the 18-300mm in Sony mount complete with several sample images.
By now you probably know that the current trend in camera technology is strongly in favor of mirrorless models. In fact, apart from Pentax, all manufacturers are avoiding new DSLR models while continually upgrading their lineup of mirrorless cameras and lenses.
We all fall into a creative rut on occasion, and that’s often because we take the same approach to whatever we shoot. For portraits we typically reach for a short telephoto, and a wide-angle lens is usually our choice for landscape photography.
Which lens is better for portraits, a 35mm or 50mm prime lens? That's a question many photographers ask and one that Mitch Lally attempts to answer in the below lens comparison portrait test.
Some landscape photographers always shoot with a wide-angle lens, while others occasionally turn to a telephoto. Some insist on using prime lenses, while others prefer the versatility of zooms.
My 35mm f/2.8 Tokina AT-X M35 PRO DX Macro was discontinued in 2010, but I’ve always liked it because it’s small, it focuses quickly and it’s extremely sharp. It’s for Nikon cameras with APS-C size sensors and was a constant companion for my now-retired 12-megapixel Nikon D90. So I decided to see how it performed on my full-frame Nikon Df. Man, did I get a surprise!
Landscape and travel photographers often prefer to shoot with wide-angle lenses—either a fast prime or a more versatile short zoom. In this tutorial you’ll see why one pro takes the later approach and learn some of his tricks.
Photographers often spend big bucks on prime lenses with fast maximum apertures for a reason. But if you can’t afford premium glass, the video below is for you.