Sports Photography How To

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Jack Neubart  |  Sep 20, 2013  |  First Published: Aug 01, 2013  | 

“I have a mantra that I live by,” states San Diego-based Tim Tadder. “I believe that I work with the best clients in the world, and that they demand the best out of me. If the job calls for equipment I don’t have, I’ll make sure that I have it available so that I’m delivering the best product I can.”

Jay McCabe  |  Mar 15, 2013  |  First Published: Feb 01, 2013  | 

Bill Pekala, head of Nikon Professional Services, came to the US Open at the Billie Jean King National Tennis Center in Flushing, New York, last August to run the NPS operation at the matches. Sports events can be the ultimate proving ground for camera gear, and one of NPS’s primary roles is providing their member professional photographers with the assurance of dedicated on-site support.

Barry Tanenbaum  |  Nov 21, 2012  |  First Published: Oct 01, 2012  | 

Who: Robert Beck, staff photographer for Sports Illustrated.
What: Infrared (IR) photography.
When: “The editors give me some leeway,” Robert says, “but I’m not going to be using it for a decisive putt.”
Where: Golf courses all over the world.
Why: Although the job calls for capture of the peak moment, the turning point, the key play, the tense concentration, the moment when the athlete’s body language gives it all away, there’s always the professional and personal challenge to do something different.
How: With a Nikon D700 modified for infrared photography.

Jack Neubart  |  Nov 26, 2012  |  First Published: Oct 01, 2012  | 

“I started in my father’s darkroom, retouching negatives at 5 years old,” recalls New York City-based photographer Paul Aresu. “My father was a wedding photographer, with 10 studios and maybe 50 photographers working under him.” In his late teens, Aresu was already shooting weddings for his dad. “It grew from there.” He achieved a BFA from New York’s School of Visual Arts and went on to assist Pete Turner and Tom Arma for several years. “I learned a lot about the business from them.”

Mike Stensvold  |  Sep 01, 2005  | 

Photographing action is quite challenging, but can also be very rewarding. The keys to success are knowing your camera, knowing your subject...and LOTS of practice. You have to be able to set focus and exposure quickly (or monitor them quickly, if using an automatic camera). In short, you can't be fumbling around trying to figure out how to apply exposure compensation or...

Lynne Eodice  |  May 01, 2005  | 

All photos © Sarah Silver

 

With a client list that includes Abercrombie & Fitch Quarterly, Hasselblad, L'oreal, Marshall Fields & Co., Nokia, and Beauty.com, Sarah Silver has achieved great success for a young photographer. Her images have appeared in Harper's Bazaar, Cosmopolitan, New York Times, InStyle, Elle, Surface and the Italian and French...

Mike Stensvold  |  Mar 01, 2005  | 

Autofocusing is one of the best things that's ever happened to the SLR camera. I didn't think so while testing early examples when the AF SLR era began back in 1985, but a lot of progress has happened in the ensuing two decades. Today's AF SLR cameras, film and digital, will focus more quickly and accurately than most photographers can. Naturally, the higher-end...

Lynne Eodice  |  Jul 01, 2004  | 

There are different ways to reveal motion in a photo--you can freeze the action, blur it, or pan along with it. (You can even fake it by holding a Cokin Super-Speed filter in front of your compact camera's lens.) The next time you're taking pictures of a child's soccer game or horses running across a field, you may...

Lynne Eodice  |  Apr 01, 2004  | 

All Photos by Peter McGowan

 

Taken from the viewpoint of one who clearly loves the outdoors, Peter McGowan's images of water sports draw the viewer in and make you feel the excitement of the open sea.

 

Lynne Eodice  |  Dec 01, 2003  | 

 

 

 

 

Tips from a photography director.

Have you ever wanted to shoot sports, particularly surfing images? Photographing high action isn't as easy as it looks, according to Larry "Flame" Moore, director of photography at Surfing magazine, a publication that keeps its pulse on the latest events in the surfing world.

Lynne Eodice  |  Dec 01, 2003  | 

All Photos © Bryan Lynden

 

Whether this diverse photographer is shooting sporting events, concerts, nature, fine art, or commercial images, Bryan Linden strives to share his passion for photography with others. And, as one who's worked in the digital medium since 1993, he enjoys helping other photographers make their transition from film to digital capture.

Lynne Eodice  |  Sep 01, 2003  | 

All photos by Walter Iooss

 

I've been fortunate," Walter Iooss Jr. concedes. "It's been a good life--I'm not going to complain about it." As a photographer for Sports Illustrated for over 40 years, Iooss professes that he'll continue to work for this magazine "till the end." Since the early 1960s, he's shot...

Lynne Eodice  |  Sep 01, 2003  | 

All Photos by Robert Kerian

 

Robert Kerian's photography is all about the thrill of auto racing or the freedom of being on the open road. A relative newcomer to the world of professional photography, he says, "I've been shooting on my own for about three years." But this hasn't stopped him from getting such influential clients as Mercedes Benz...

The Editors  |  Aug 01, 2003  | 

 

 

 

Tips and ideas to improve your action photos

You need two things to get good action photos: some basic action-shooting skills, and some knowledge of the activity you're photographing. The skills include panning, peak action, follow-focusing, prefocusing and developing a sense of timing. The...

Lynne Eodice  |  Apr 01, 2002  | 

 

 

 

Capturing Sports Action

If you love shooting sports—whether it's a children's Little League or professional Major League game—timing is everything. Grabbing the shot at just the right moment takes a lot of practice, patience, and film (or a large-capacity memory card). You can do...

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