Software Reviews

Relax; no one is trying to convince you to switch your photo software. We found five fun and powerful digital image editors that range in price from FREE to $99. One of them might help you produce something entirely new. So even if you already have a favorite, you’ll be glad you took a look at these creative options.

If you’re long on artistic ambition but short on psychomotor skills (i.e., hand-eye coordination) like I am, SnapArt 3 from Alien Skin may liberate the Rembrandt hidden in you.

Tiffen’s Dfx 3.0 offers photographers software that can make their images stand out from the crowd. The bundle is a digital emulation of 2000 of the company’s glass filters that for convenience uses the same names of the company’s Soft/FX or Pro-Mist filters, so those who’ve shot with their filters in the past know exactly what to expect when applying their digital equivalents. For those who haven’t, rest assured that the company who made their name in filters knows their stuff. As a bonus, the software also includes effects created by lenses, lab processes, film grain, color correction, plus natural light effects.

I must confess that previous versions of Tiffen’s Dfx Digital Filter Suite, while interesting, did not make the final cut of power tools in my personal digital toolbox. All that’s changed in 3.0. It takes all of the good stuff from the previous versions, blends in new options, and wraps it around an interface that, while still containing a few less-than-elegant elements, retains its individuality and provides for smooth workflow.

The Technical Image Press Association (TIPA) member magazines recently convened for their General Assembly to vote for the best photo and imaging products launched by the industry in the last 12 months. The voting took place during the General Assembly that was held in spring 2016 in San Francisco, California.

The most important tip I would like to share about travel photography is never buy a new camera or lens before traveling to Bhutan or even Carhenge. The next most essential travel photography secret is that using your equipment has to be instinctive; when a photo op presents itself you may only have a few seconds to get a shot. There’s no time to think about what menu to use or how to turn on continuous AF, or what exposure mode you’re in. Using your camera has to be instinctive; you should see—or even anticipate—then click the shutter. It’ll make travel more fun, too.

The moon was full last week, and two lunatic things happened to friends of mine. One got a bad case of ransomware on her Mac (yes, that’s Mac as in MacBook Air). The other had a microSD card self-destruct in his Android cell phone. Bad things happen in threes and, oh yes, I hit a curb and blew out a tire.

The difference was this: I had a spare in my trunk. I didn’t wait until the curb bit me to prepare for the disaster. My two friends? Well…