Software Reviews

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George Schaub  |  Jul 05, 2011  | 

For the past few months I have been slowly cataloging prints I’ve made over the past years. This entails signing, dating and numbering the prints and then making an Index. I decided the easiest way to maintain and expand the list as I continued cataloging would be a blog. That was only the beginning of the project, it turns out.

Jon Sienkiewicz  |  Jan 22, 2021  | 

Boris FX Optics 2021 is a gourmet buffet of creative effects Photoshop plug-ins that span the entire spectrum from caviar to corndogs, from ketchup meatloaf to filet mignon with shaved truffles. In other words, these dynamic, fast-operating filters do the normal mundane operations like color correction—and also do highly imaginative manipulations that will dazzle you. There are 160 plug-in filters and each has dozens of presets—and more importantly, each preset has dozens of adjustable parameters. Additionally, Boris FX Optics 2021 can be used as a standalone special effects editor. All at an amazing price, too.

Jack Neubart  |  Feb 15, 2018  | 

Capture One Pro is a top-echelon Raw image processor and editor, courtesy of the people behind Phase One cameras and backs. For this software review, I tried Capture One Pro, which is now on Version 11, on images shot with various cameras, ranging from Nikon to Canon to Phase One.

Jack Neubart  |  Sep 10, 2013  |  First Published: Aug 01, 2013  | 

Capture One Pro stands as the Raw converter and digital asset manager of choice among many pro photographers, notably those using Phase One backs. But this software also supports many, many other cameras, with profiles for over 250 models plus a wide range of lenses. Version 7 (V7) has some new features of note, so I checked it out to see if an upgrade from 6 is advisable, and if it might tempt users of Adobe Lightroom/ACR. For this test I ran Capture One Pro 7 on a 27” iMac under OS X 10.8 Mountain Lion, with 8GB of RAM.

Jon Sienkiewicz  |  Aug 24, 2017  | 

If you’ve ever had the itch to paint—or to turn one of your digital images into a great looking painting without taking up a brush—then Corel Painter Essentials 5 may be just the ticket. 

John Brandon  |  Jun 28, 2011  |  First Published: May 01, 2011  | 

For years, anyone serious about photography has viewed Corel Paint Shop Pro (PSP) as the low cost alternative to Adobe Photoshop. Originally developed by a tiny company in Eden Prairie, Minnesota, Paint Shop has grown up into a full-featured photo workflow tool with a built-in photo organizer that includes tagging options and fast previewing, an advanced image editor, and handy integration with Flickr and Facebook.

 

For $70, PaintShop Photo Pro X3 Ultimate is a smart addition to a virtual photo toolbox. A few performance problems and some slightly questionable editing capabilities puts PSP in the uncomfortable position of still being in the tall shadow of Adobe. That said, if you want to skip the $700 purchase price, PSP is on the right track.

Jon Sienkiewicz  |  Feb 07, 2014  |  First Published: Jan 01, 2014  | 

It all began back in 1990 with a shareware program called Paint Shop. Debuting the same year as Adobe PhotoShop 1.0, comparison to that legendary product has been inescapable. Paint Shop, known as PaintShop Pro X6 Ultimate in its current incarnation, has always been associated with three characteristics: extreme affordability, sufficient power for most photo enthusiasts, and Windows-only compatibility. PaintShop Pro has continued to evolve and improve, and today offers many significant enhancements, including the ability to run smoothly on Macs using a Windows emulation program.

George Schaub  |  Oct 01, 2010  | 

The idea of loading an image and pushing a button and seeing what happens may be anathema to some photographers, but for certain images where you might want an extra-special touch done easy it might just do the trick.

Howard Millard  |  Mar 01, 2010  | 

For portrait, wedding, landscape, and fine art photographers, Corel’s new Painter 11 excels when you want to emulate traditional art media from your images, including oil paint on canvas, pastels on textured art paper, woodcut, silkscreen, watercolor, and more.

Jon Canfield  |  May 26, 2015  | 

Sometimes a straight photograph isn’t the goal when we capture images. Thanks to a number of programs, you can take your photograph beyond the ordinary and turn it into a work of art with a few clicks of the mouse. One such program is Topaz Simplify (www.topazlabs.com, $39.99). Running standalone or as a plug-in for Adobe Photoshop and Lightroom or Apple’s Aperture, Simplify has a number of presets ranging from cartoon look to wood carvings to help you get started. Additionally, if you create your own look, you can save it as a preset and share those presets with other users.

George Schaub  |  Sep 05, 2012  |  First Published: Aug 01, 2012  | 

The question is—does anybody really know what a given image would look like if they shot it on Kodachrome 25, or Fuji Acros, or some obscure color negative film that even in film’s heyday was little used or appreciated? Perhaps the more pertinent question is—how many people have made photographs using film? But film references are what a number of so-called film emulation software programs use for describing presets that can be applied to a digital image. Half academic and half nostalgic, the programs use film brand names to describe saturation, contrast, color nuance, and grain structure variations that are then applied to an image. Perhaps using film names is better than poetic fantasy terms, like “misty blue dawn,” but then again entirely subjective descriptors, rather than supposedly clinical ones used in these software programs, might be just as handy for today’s photography crowd. In any case, I recently tested one such program, DxO’s FilmPack 3.1, to see if it offered up creative variations that could be used as is or as foundation images when interpreting subjects and scenes.

 

Jack Neubart  |  Jul 19, 2012  |  First Published: Jun 01, 2012  | 

DxO Optics Pro Version 7 is a Raw converter for Mac and Microsoft Windows with some nifty tricks up its sleeve. It offers its own brand of nondestructive image editing, with tonal, exposure, geometric, and optical corrections that make it stand apart from the crowd. As was true of Version 6.6, Optics Pro 7 supports the company’s new FilmPack 3 film emulator plug-in (see sidebar below). We will have a more complete review of the film emulator in a future issue.

 

Optics Pro Version 7 is a dramatic departure from earlier releases. The Select pane is gone, so you no longer have to deal with tedious Projects (unless you want to). Now you go straight to work after opening a folder. Double-click on an image and that takes you right to the nondestructive editing phase, in Customize. Beyond this point the Mac and Windows versions part ways in one key respect: the Windows version runs faster than the Mac version, which continues to be laborious.

Jack Neubart  |  Dec 12, 2014  | 

I’ve worked with DxO's OpticsPro imaging software for several years and have watched this program evolve and make great strides as a Raw image converter. What the new DxO OpticsPro 10 version of the software brings to the table is a cadre of new features and improvements. But are these enough to catapult this software into the top tier, or is it still playing catch-up?

Jon Sienkiewicz  |  Oct 23, 2020  | 

DxO just released PhotoLab 4, a major update of their innovative photo-editing software. This latest version features DxO DeepPRIME, a game-changing technology you’re going to be hearing about over and over from now on. DxO DeepPRIME is a groundbreaking demosaicing and denoising engine based on artificial intelligence and trained with deep learning. And I'm not kidding when I say it will make old Raw files from your 10+ years old camera look like they were shot with the best and latest camera model on the market.

Jon Sienkiewicz  |  Sep 25, 2014  | 

Adobe announced Photoshop Elements 13 and Premiere Elements 13. Both have cool new features. If you’re a user of version 12, should you upgrade? The answer is: it all depends. Here’s the advice I give my friends.

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