Lens News

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Jon Sienkiewicz  |  Jun 11, 2020  |  0 comments

Portraits, close-ups and numerous other creative compositions—the Lensbaby Velvet 85 does it all. Here’s a thorough review and several examples shot with this exciting lens.

George Schaub  |  Sep 15, 2011  |  First Published: Aug 01, 2011  |  0 comments

Having shot with numerous Lensbaby products over the past years I’ve almost grown accustomed to their ingenious approach to image-making tools and the equally ingenious way in which they approach product design. I do have to admit that one area in which I took less advantage than I might have was in aperture control and how that affected depth of field in my Lensbaby shots, more from laziness or simply forgetting about changing the aperture inserts as I got involved in the shoot. (For those who have not shot with Lensbaby optics you lift in and drop out, via supplied magnetic wand, the various aperture rings corresponding to the diameter of the desired aperture for the optic in use.) Now, this impediment to getting the most from the optics (admittedly, again, my own) is removed with their latest product, the Sweet 35 Optic.

Ron Leach  |  Jun 06, 2016  |  0 comments

Scientists at Harvard’s John A. Paulson School of Engineering and Applied Sciences (SEAS) are working on a high-efficiency, ultra-thin single planar lens that could revolutionize photography by replacing the multi-element curved lenses used for cameras, smartphones and telescopes. 

Jack Neubart  |  Jul 01, 2009  |  0 comments

There’s an old saying that putting a new lens on your camera is like putting on a fresh pair of eyes. The latest lenses increasingly offer the ability to shoot in lower light without having to raise the ISO beyond quality limits, thanks to wider maximum apertures; shoot wider angles of view with APS-Csensor-size cameras; and allow for perspective control right in the camera.

 

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Peter K. Burian  |  Jun 01, 2006  |  0 comments

Every year the PMA Show becomes increasingly digital in its scope, with fewer exhibitors of "traditional" products. The 2006 show confirmed this trend but surprisingly, most of the new lenses (of familiar brands) are of the multi-platform type: suitable for 35mm cameras and digital SLRs with small (APS-C size) or full-frame sensors. That may not prove to be a...

Roger W. Hicks & Frances E. Schultz  |  Jan 01, 2011  |  0 comments

One of the great things about photokina is that you find a lot of “straws in the wind”: not necessarily major introductions from major manufacturers, but intriguing indicators of which way the wind is blowing.

Ron Leach  |  Jan 12, 2018  |  0 comments

It’s been awhile since we’ve featured the work of French landscape pro Serge Ramelli, and this new tutorial is a good one. In just 12 minutes Ramelli demonstrates three Lightroom techniques for correcting photos with lens distortion and skewed perspective.

Cynthia Boylan  |  Apr 30, 2015  |  0 comments

Lomo introduced the retro-style but new Lomo LC-A Minitar-1 Art Lens this morning. This unique lens features the original optics from the Lomo LC-A and is compatible with many analogue and digital cameras.

Ron Leach  |  May 05, 2017  |  0 comments

Lomography’s new Neptune Convertible Art Lens System offers photographers a lightweight, modular approach to shooting, with a universal base unit that mounts to both film and digital cameras and three interchangeable front lens elements.

Joe Farace  |  Jul 26, 2016  |  0 comments

We all know nature and wildlife photographers need long focal length lenses but they’re not the only ones who need a longer-than-normal lens. While the only wildlife I have photographed are the mule deer who treat my backyard like it’s their backyard, I’ve photographed a racing car from time to time and that’s when a telephoto or long zoom lens comes to the rescue.

Text and photography by Mike Stensvold  |  Jun 01, 2005  |  First Published: Jan 01, 2005  |  0 comments

Long lenses are wonderful photographic tools. Their longer-than-"normal" focal lengths magnify everything, allowing you to get "close-ups" of subjects you can't (or don't want to) approach closely. The shorter long lenses (those in the 85--120mm range, for 35mm cameras) are ideal for portraits, because they produce a good head size at a...

Stan Trzoniec  |  Aug 01, 2006  |  0 comments

My first macro lens was the popular Nikon 60mm Micro-Nikkor. Good move, I thought, as the 60mm focal length could double as an all-purpose lens for a variety of assignments. Trouble is, when I started to get into more and more 1:1 (life-size) work, I only had 21/2" of working space between the front of the lens and my subject. The 105mm was next, sharp as a tack but again...

Dan Havlik  |  Apr 19, 2018  |  0 comments

Our favorite weird lens guru Mathieu Stern has found and used one of his rarest lenses yet: the Helios-65. This lens is so rare that there are no available mounts on the market to adapt it for use on an existing camera.

Ron Leach  |  Apr 17, 2017  |  0 comments

Canon has two innovative lenses that incorporate built-in LED “Macro Lites” on either side of the front element, the EF-M 28mm f/3.5 Macro IS STM for M-Series mirrorless cameras, and the EF-S 35mm Macro IS STM for Canon DSLRs. In the video below, you’ll see what you can accomplish by using these lenses instead of a conventional on-camera flash.

Ron Leach  |  Nov 28, 2017  |  0 comments

There are an abundance of inexpensive adapters available that enable photographers to use vintage lenses on modern DSLRs and mirrorless cameras, and it’s often possible to pick up a premium legacy lens for far less than the cost of a current entry-level or mid-priced lens.

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