Travel photographer Pierre T. Lambert has been on worldwide photo tour, shooting images and sharing how-to videos about his experiences. During his travels, he’s mainly been using two lenses for his Sony mirrorless camera: a 16-35mm and 70-200mm f/2.8.
What's the ultimate lens for street photography? What's the worst lens? Could the 24-70mm F/2.8 be both good and bad for shooting street? All these questions (and more) are answered in the below video from photographer Pierre T. Lambert.
Which lens is better for portraits, a 35mm or 50mm prime lens? That's a question many photographers ask and one that Mitch Lally attempts to answer in the below lens comparison portrait test.
If a patent published by Canon last week is any indication, the company is exploring the possibility of using diffractive optics to create an EF 1000mm f/5.6 DO super telephoto lens that may be smaller and lighter than could be created otherwise.
Here’s a helpful video for any photographer out there who suffers from GAS, aka “Gear Acquisition Syndrome.” In the below clip, photographer Michael Andrew, aka Michael the Maven, tries to answer that eternal question photographers face: how many lenses is too many?
The Olympus M.Zuiko ED 300mm f/4 IS Pro telephoto you see above wouldn’t be considered particularly big for a DSLR lens, but on a micro-four-thirds camera (with its 600mm 35mm equivalent) it’s an entirely different story. But what if you could get a 300-500mm f/2.8-4.0 zoom for your MFT system, with a whopping 600mm-1000mm equivalent in 35mm terms?
What is the best prime lens for photography? According to photographer and YouTube star Peter McKinnon, it's the Canon RF 50mm f/1.2L USM and in the below video he tells you why.
Are there three essential lenses that every serious photographer should have in his or her kit bag? Photographer Peter McKinnon thinks so and in the below video he discusses what he calls “the holy trinity of lenses.”
Macro season is in full swing, with colorful flowers, interesting insects, and other creepy-crawlies just about everywhere you look, so if you still haven’t dusted off your trusty close-up lens, now is the time.
Time to hit the Reset Button and put your notions of Image Quality on Pause. In our everyday lives as photographers we prize sharpness, saturation, acutance and absence of aberration when we idealize the images we want to capture. Now it’s time to recognize that images that are blurred, smeared, warped and otherwise traumatized can be beautiful.
Lensbaby lenses produce images that are intentionally unsharp, because optical aberrations can be beautiful. In a word, a Lensbaby turns blur into bliss.
For those keeping score, Nikon has produced a ton of lenses over the years. To be more precise, the company just announced that the total production of Nikkor lenses for interchangeable lens cameras has now reached the 90 million mark.
Kenko Tokina announced last night that it will be releasing the Tokina atx-m 85mm f/1.8 FE lens for full-frame Sony E-mount mirrorless cameras, such as the A7R IV and A7 III cameras.
Kenko Tokina has introduced the new Hoya HD3 series of pro photographic filters. The HD3 UV and Circular Polarizer filters are designed to give photographers the ability to capture high-quality images in extreme settings without loss of color balance, contrast, or clarity due to adverse environmental conditions.
It's not too late to update your New Year's Resolutions, and there's a good one to add to the list: Don't make the same common photography mistakes that you did in the past. That way you'll become a much better photographer in 2024 and beyond.
Laowa’s newly introduced 100mm macro lens offers 2:1 reproduction ratio and a fast f/2.8 aperture. The specifications for this manual focus lens are impressive—but does it deliver, and does it deserve its $449 price tag? We put a sample (in Nikon mount) through the paces and made a couple interesting discoveries.