Lens News

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Ron Leach  |  Jun 26, 2017  |  0 comments

The first thing many photographers do after investing in a new lens is to screw on a UV or haze filter. The idea is that these filters protect the front element of your lens from dirt and impact damage while improving contrast and eliminating atmospheric haze.

Ron Leach  |  Jun 09, 2016  |  0 comments

After seeing yesterday’s post about a new 1000mm telephoto lens Canon has in development, reader Jim Headley let us know he has a rare Birns and Sawyer Omnitar 1000mm f/4.5 telephoto for sale. The one-of-a-kind lens was commissioned by NASA in 1964 through Birns and Sawyer in Los Angeles and built by Astra in Germany.

The Editors  |  Jan 05, 2017  |  1 comments

Now that 2016 is done and dusted, we’ve had a chance to look back at all the cameras and lenses we reviewed this past year and have chosen ten of our absolute favorites. 

Peter K. Burian  |  Jan 01, 2009  |  0 comments

With the growing popularity of D-SLR cameras with sensors of various sizes, most of the manufacturers are working to expand their line of lenses. As expected, many of the latest products are “digital only”: designed for the majority of D-SLRs with the APS-C or Four Thirds size sensor. But (as specified in the text), some are multi-platform products suitable for all 35mm and digital...

The Editors  |  Jan 05, 2018  |  7 comments

Another year has come and gone, which means it’s time for Shutterbug to once again pick our favorite cameras and lenses of the past 12 months. With so much great photo gear to choose from in 2017, it was a difficult task. The below list though is a good summation of the cameras and lenses Shutterbug’s editors and writers most enjoyed shooting with last year.

The Editors  |  Jan 31, 2019  |  0 comments

Yes, we’re posting our annual favorite cameras and lenses awards of 2018 with only a day left in January 2019, but that just means determining the best photo gear for last year was harder than usual. And it was, especially with the raft of exciting new full frame mirrorless cameras that hit the market in the second half of last year.

The Editors  |  Jul 17, 2018  |  0 comments

Amazon Prime members – and you know who you are – you have until Wednesday at 2:59 am ET (or 11:59pm Tuesday PT) to take advantage of all the great photography gear deals out there for Amazon Prime Day.

Joe Farace  |  Oct 31, 2017  |  0 comments

Sigma’s 100-400mm f/5-6.3 DG OS HSM lens ($799) is part of their Contemporary series that the company says blends “refined optical design” with “compact and lightweight construction.” The lens is available for Canon, Nikon, or Sony DSLRs. Although as a DG lens it is designed for full-frame DSLRs, it can also be used with APS-C sensor cameras, where it produces an equivalent field of view of 150-600mm.

Jon Sienkiewicz  |  Feb 09, 2017  |  1 comments

If you’re into high quality glass, this is the kind of lens you can get lost in. Build quality is exceptional, performance is outstanding and…I’m getting ahead of myself, but you’ll see the world in a whole new way when you use this lens.

George Schaub  |  May 11, 2017  |  0 comments

When Sigma introduced their new super-wide zoom in late 2016 I was eager to give it a try. Among their Art lens offerings, the Sigma 12-24mm f/4 DG HSM lens ($1,599, MSRP) serves as an upgrade to their 12-24mm f/4.5-5.6 (still available at an MSRP of $949) with a constant f/4 aperture; a nine-bladed diaphragm; FLD glass elements; an updated HSM (Hyper Sonic Motor) that uses 1.3x the torque for fast and smooth autofocus operation; 16 elements in 11 groups construction; and what Sigma claims is “the largest aspherical element in the industry” to minimize distortion, ghosting, and flare. The angle of view ranges from 84 to 122 degrees, with mount compatibility for Canon, Nikon, and Sigma DSLRs.

Jon Sienkiewicz  |  Jun 14, 2018  |  0 comments

The specifications are impressive, but can a super-wideangle zoom with a super-fast f/2.8 aperture deliver the results pros and ardent amateurs demand?

Howard Millard  |  Aug 24, 2015  |  0 comments

If you spend a lot of time photographing wildlife, sports, aircraft in flight (or even UFO’s) I'm sure you've longed for a lens with extreme telephoto reach. Sigma now offers a tough, quality 150-600mm f/5-6.3 DG OS HSM Sports lens that can fulfill the wishes of many nature and action shooters. In addition to the ultra long reach, the fact that the lens is a zoom makes it easy to frame the precise composition you want at a wide variety of distances from the subject—and for subjects in a variety of sizes.

 

Jack Neubart  |  Sep 03, 2013  |  First Published: Aug 01, 2013  |  1 comments

While the Sigma 150mm f/2.8 lens has been out for a good while we decided to take a closer look at one of the most interesting pro-oriented products in their lineup. One of the key selling points in this lens is built-in optical image stabilization (“OS” in Sigma-speak) to aid in achieving camera-shake-free, handheld exposures. Granted, image stabilization in a macro lens is not the be-all and end-all of successful close-ups, though it sure gives added insurance. And because the Sigma 150mm OS macro is optimized for full-frame D-SLRs, it allows for use at the stated focal length with such cameras and provides even greater effective focal length with APS-C-type SLRs.

Joe Farace  |  Apr 15, 2014  |  First Published: Mar 01, 2014  |  0 comments

Sigma’s 18-35mm f/1.8 DC HSM is part of their DC series of lenses designed for APS-C-sized sensors so the imaging circle is matched to the size of the sensor. For this assignment, I used a Canon EOS 60D with a 22.3x14.9mm sensor, producing an equivalent angle of view of a 28-56mm lens. Shooters of Nikon, Pentax, Sigma, and Sony cameras, the other mounts for which the lens is available, will achieve an angle of view equivalent to 27-52mm. Unlike other lens manufacturers, Sigma priced the different mounts the same ($799) so don’t feel you’re going to be paying a premium for your camera choice. Bucking a trend with camera manufacturers’ lenses, the Sigma 18-35mm f/1.8 DC HSM includes a lens hood at no extra charge.

Jack Neubart  |  Jan 06, 2016  |  0 comments

Call them what you will – ultra-wides or super-wides – I love ‘em. By covering a breathtaking expanse, these types of extreme wide-angle lenses are not only capable of capturing most landscapes, they also help sweep you into that landscape, making you feel a part of the scene in the process.

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