Lens News

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Jon Sienkiewicz  |  Jun 25, 2014  |  0 comments

Beauty is as beauty does. A Leica M with a 50mm APO Summicron attached is the iconic archetype of modern digital cameras with retro design. Using it is a prodigious experience comparable to, let’s say, playing a concert Steinway grand piano, or maybe setting the hands on a Patek Philippe timepiece. I’m only guessing here, ‘cause I’ve done neither. But I did use a Leica M and 50mm APO Summicron for a week. Did they perform? Read on…

Jon Sienkiewicz  |  Jun 10, 2016  |  0 comments

The big news about the Leica M-D (Typ 262) is what it doesn’t have. It does not have autofocus. It does not provide through-the-lens viewing. And it’s not compatible with any zoom lens. 

Ron Leach  |  Nov 29, 2017  |  0 comments

This morning Leica unveiled what they call “a revolution in portrait photography,” in the form of a high-speed Noctilux-M 75mm f/1.25 ASPH lens, featuring a fast maximum aperture and the promise of exceptional image quality, unique bokeh, and a price to match.

Dan Havlik  |  Sep 25, 2018  |  0 comments

Leica, Panasonic and Sigma announced today at the photokina show in Germany that they are forming the “L-Mount Alliance” to try to create a new lens mount standard for full frame mirrorless cameras.

Ron Leach  |  Oct 20, 2016  |  1 comments

In homage to a classic screw-mount lens Leica produced from 1955-1963, the company’s new ultra-compact Summaron-M 28mm f/5.6 wide-angle delivers premium optics and a gorgeous retro design for users of Leica M digital cameras.

Joe Farace  |  Dec 01, 2009  |  0 comments

In my heart I know that few readers can afford these kinds of expensive lenses, but there are always those who can and for the rest of us, it’s something to dream about.

Roger W. Hicks  |  Oct 01, 2005  |  0 comments

What do you want from a 75mm f/2 lens? Whatever it is, the new APO-Summicron-M Aspheric almost certainly delivers it--except, it must be said, low cost. Perfection, or as close as modern lens design can come to it, doesn't come cheap.

For reportage, it is superb: fast, compact, and convenient. Of course, you don't normally need or expect ultimate...

Roger W. Hicks & Frances E. Schultz  |  Nov 01, 2008  |  0 comments

If you own and use an M-series Leica, a Zeiss Ikon, or a bayonet-mount Voigtländer Bessa, Leica’s 16-18-21mm Tri-Elmar is so staggeringly desirable that it is almost easier to list the reasons for not buying one than to list its advantages—though these are easy enough to list, too. It is compact, sweet handling, sharp, contrasty, rangefinder-coupled, unbelievably convenient, and...

Ron Leach  |  May 01, 2017  |  0 comments

Focal length is a simple but extremely important photographic concept, and in this quick video you’ll learn all you need to know to make the most of the lenses you have as well as those you acquire in the future.

Cynthia Boylan  |  Jun 24, 2015  |  0 comments

Every photographer knows that it can often be difficult to quickly change lenses safely when you’re on location or capturing images in a city or in the wilderness. The Lens Flipper in a unique device that takes the stress out of the process. It is an easy to use double-sided locking lens cap with its own strap.

Ron Leach  |  Jan 30, 2017  |  0 comments

We typically turn to lens guru Mathieu Stern for tips on cheap, vintage lenses that can be adapted for use with today’s modern digital cameras. But in the helpful video below, Stern provides a simple solution for the often-vexing problem of mold and fungus that is often found inside older lenses.

Joe Farace  |  Mar 14, 2017  |  0 comments

The late Mr. Newton was certainly onto something. I believe the overwhelming desire of most portrait photographers is to please the client, with seduction, amusement, and entertainment far from their minds. Let me submit this idea: shoot what the client says they want and then shoot something challenging their assumptions. Most wedding clients tend to be traditional but even introducing black and white or infrared images can increase sales and show clients you’re thinking outside the veil.

Joe Farace  |  Dec 03, 2014  |  0 comments

Tamron is a pioneer in all-in-one, do-everything lenses. Their new 28-300mm f/3.5-6.3 Di PZD lens is designed for Canon, Nikon and Sony shooters and I tested the Canon EF version using an EOS 5D Mark I and an EOS 50D, which changes the lens’ angle-of-view to that of a 45-480mm lens.

Ron Leach  |  Dec 15, 2017  |  0 comments

High-performance zoom lenses with fast maximum apertures are powerful tools for everyday shooting, and in this battle of the mid-range zooms, you’ll see a comparison between two of the best: The Canon 24-70mm f/2.8L II USM, and Sigma’s 24-70mm f/2.8 DG OS HSM Art.

Seth Shostak  |  May 03, 2018  |  0 comments

It’s a commandment brought down from the mountain: spend less on the camera if necessary, but don’t skimp on the lenses.

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