Lens News

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Roger W. Hicks & Frances E. Schultz  |  Jan 01, 2011  |  0 comments

One of the great things about photokina is that you find a lot of “straws in the wind”: not necessarily major introductions from major manufacturers, but intriguing indicators of which way the wind is blowing.

Ron Leach  |  Jan 12, 2018  |  0 comments

It’s been awhile since we’ve featured the work of French landscape pro Serge Ramelli, and this new tutorial is a good one. In just 12 minutes Ramelli demonstrates three Lightroom techniques for correcting photos with lens distortion and skewed perspective.

Cynthia Boylan  |  Apr 30, 2015  |  0 comments

Lomo introduced the retro-style but new Lomo LC-A Minitar-1 Art Lens this morning. This unique lens features the original optics from the Lomo LC-A and is compatible with many analogue and digital cameras.

Ron Leach  |  May 05, 2017  |  0 comments

Lomography’s new Neptune Convertible Art Lens System offers photographers a lightweight, modular approach to shooting, with a universal base unit that mounts to both film and digital cameras and three interchangeable front lens elements.

Joe Farace  |  Jul 26, 2016  |  0 comments

We all know nature and wildlife photographers need long focal length lenses but they’re not the only ones who need a longer-than-normal lens. While the only wildlife I have photographed are the mule deer who treat my backyard like it’s their backyard, I’ve photographed a racing car from time to time and that’s when a telephoto or long zoom lens comes to the rescue.

Text and photography by Mike Stensvold  |  Jun 01, 2005  |  First Published: Jan 01, 2005  |  0 comments

Long lenses are wonderful photographic tools. Their longer-than-"normal" focal lengths magnify everything, allowing you to get "close-ups" of subjects you can't (or don't want to) approach closely. The shorter long lenses (those in the 85--120mm range, for 35mm cameras) are ideal for portraits, because they produce a good head size at a...

Stan Trzoniec  |  Aug 01, 2006  |  0 comments

My first macro lens was the popular Nikon 60mm Micro-Nikkor. Good move, I thought, as the 60mm focal length could double as an all-purpose lens for a variety of assignments. Trouble is, when I started to get into more and more 1:1 (life-size) work, I only had 21/2" of working space between the front of the lens and my subject. The 105mm was next, sharp as a tack but again...

Dan Havlik  |  Apr 19, 2018  |  0 comments

Our favorite weird lens guru Mathieu Stern has found and used one of his rarest lenses yet: the Helios-65. This lens is so rare that there are no available mounts on the market to adapt it for use on an existing camera.

Ron Leach  |  Apr 17, 2017  |  0 comments

Canon has two innovative lenses that incorporate built-in LED “Macro Lites” on either side of the front element, the EF-M 28mm f/3.5 Macro IS STM for M-Series mirrorless cameras, and the EF-S 35mm Macro IS STM for Canon DSLRs. In the video below, you’ll see what you can accomplish by using these lenses instead of a conventional on-camera flash.

Ron Leach  |  Nov 28, 2017  |  0 comments

There are an abundance of inexpensive adapters available that enable photographers to use vintage lenses on modern DSLRs and mirrorless cameras, and it’s often possible to pick up a premium legacy lens for far less than the cost of a current entry-level or mid-priced lens.

Joe Farace  |  Aug 01, 2007  |  0 comments

At PMA 2007 Lensbabies introduced the medium format version of its third-generation selective focus lens for Mamiya 645 and Pentax 67 cameras. That's right kiddies, it's a new lens that's engineered for use with medium format film (remember that stuff?) cameras.

The optic in the Medium Format Lensbaby 3G produces the same effects as the optic in...

Joe Farace  |  Jun 28, 2016  |  0 comments

When people asked legendary editor Herbert Keppler why he sometimes wrote about cameras costing more than the average photographer could afford, he told me it was because of the Maserati factor. “Most people,” he said, “can’t afford a Maserati but like reading about them.” And I get that. My personal dream car is a 1961 Maserati 3500 GT, which sells for north of $450,000. Fortunately, medium format cameras, while expensive, cost less than that.

Jon Sienkiewicz  |  Sep 19, 2019  |  0 comments

This lens has me going in circles. I spent weeks looking for a well-rounded person to photograph. Every image I captured was pointless. Okay—enough of the circle jokes. Time to get a round to the review.

Ron Leach  |  May 30, 2016  |  1 comments

Flash and accessory manufacturer Meike has unveiled four new manual-focus lenses for Nikon, Canon, Sony, Fujifilm, Olympus and Panasonic mirrorless cameras with APS-C or smaller sensors. The new lenses are the first foray in this category for Meike, and are available on Amazon.

Ron Leach  |  Jul 14, 2016  |  0 comments

The new Trimagon 95mm f/2.6 portrait lens from Meyer-Optik Goerlitz is aimed at discriminating photographers who value optimum image quality, distinctive bokeh and superb build quality. It’s available now on the company’s website in mounts for Canon, Nikon, Fuji X, Sony E, Leica M & MFT.

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