Lens News

Sort By: Post DateTitle Publish Date
Stan Trzoniec  |  May 16, 2012  |  First Published: Apr 01, 2012  |  0 comments

There are two general classifications of lenses that define how you use them in the field—zooms and single focal length, the former being a variable focal length lens that has many convenient advantages, and the latter being a single focal length that, in the group we’re covering here, is what’s known as a “fast” lens. Fast doesn’t mean that it focuses quicker than its zoom cousins, though it might—it usually means that it offers a wide maximum aperture, anywhere from f/1.2 to f/2.8, and that aperture stays put, unlike some zooms where the aperture varies by going narrower as you zoom into longer focal lengths. And to help refine the group we’re covering here we’re also topping out the focal length at 50mm, which makes these lenses prime for street and low-light photography, candid and photojournalism work.

The Editors  |  Oct 24, 2015  |  0 comments

At the PhotoPlus Expo 2015 show in New York City this week, we met up with Billy Luong from Fujifilm who showed us all the key features of the brand new Fujinon XF 35mm F/2 WR lens in this short take video.

Jon Sienkiewicz  |  Feb 16, 2017  |  0 comments

It was portrait shooter’s paradise with two new Sony lenses this week. The 100mm STF is a veritable bokeh machine, while the FE 85mm f/1.8 is a budget-friendly, professional quality portrait lens. Sony invited a small group of editors to a private studio and assured us that we were the first journalists in the world to shoot with this new glass.

Jack Neubart  |  Aug 01, 2010  |  0 comments

Fisheye optics are an unusual beast. The bulbous nature of the front element is one characteristic trademark, but the unique view this lens affords us is what makes it truly appealing—and at the same time challenging to work with.

My fisheye lenses have literally widened my view of the world around me and given me a new perspective on my photography. Admittedly, some...

Ron Leach  |  Nov 22, 2022  |  0 comments

If you’re in the market for an ultra-wide lens you’ve probably noticed they’re available in two basic configurations; fisheye and rectilinear. So what’s he difference, and which type best suits your needs?

Ron Leach  |  Dec 13, 2023  |  0 comments

If you've been following our image-processing tutorials you likely understand that this task often comprises a number of small, simple enhancements. But when taken as a whole, these seemingly minor adjustments can have a huge effect on the look of your work.

Ron Leach  |  Dec 21, 2022  |  0 comments

It’s impossible to capture great images if your photos are consistently unsharp. There are several fixable issues that can result in soft photos, from faulty technique, incorrect camera settings, gear malfunction and more.

Ron Leach  |  Oct 16, 2023  |  0 comments

If you're a Shutterbug reader you likely own a few lenses, or at least a couple zooms offering a variety of focal lengths. But do you really understand how the focal length you choose impacts more than just the magnification of a subject?

Ron Leach  |  Mar 30, 2016  |  0 comments

Using filters with ultrawide lenses can often be a difficult proposition but Fotodiox has just launched a nifty solution. Called the Wonderpana FreeArc XL, the innovative filter system enables Canon shooters to use NDs, polarizers and other filters on the ultrawide Canon 11–24mm lens.

Roger W. Hicks & Frances E. Schultz  |  Aug 01, 2008  |  0 comments

Understatement almost always speaks louder than overstatement; or if not louder, then generally with more authority. The four new Leica Summarits, for M-series Leicas, Zeiss Ikons, and Voigtländer Bessas, are about as far from ostentatious as you can get; they are merely first-class tools for the photographer who knows what he or she is doing.

Neither the...

Ron Leach  |  May 04, 2016  |  0 comments

Here’s a little something for those of you who can’t afford the new $6000 Leica M–D: Four quirky lenses you can get for under 30 bucks from Weird Lens Guru Mathieu Stern, whose passion is discovering odd optics you can adapt to your mirrorless camera to capture both still images and video. In this video Stern describes a quartet of lenses you can get for less than the cost of two decent cocktails in Paris.

Ron Leach  |  Jun 19, 2017  |  0 comments

A homemade paper lens hood may not be an ideal replacement for the plastic hood that came with your lens, but it will definitely improve image quality in a pinch if you lost a hood and you’re waiting for the replacement to arrive in the mail.

Cynthia Boylan  |  Apr 16, 2015  |  0 comments

Fujifilm just introduced the new Fujinon XF16mm F1.4 R WR, a weather-resistant, fixed focal length lens (24mm in 35mm format equivalent) for its X-series mirrorless cameras. The F1.4 maximum aperture in the XF16mm is designed to provide high image quality in low-light conditions, and beautiful bokeh-rich macro photography with a minimum working distance of less than six inches for a variety of shooting possibilities.

Shutterbug Staff  |  Oct 21, 2015  |  0 comments

Fujifilm just announced the Fujinon XF 35mm F/2 WR lens and XF 1.4x TC WR teleconverter. Both new optics will be on display at PhotoPlus Expo in New York City this week where visitors will be able to “kick the tires” on the new glass with a free loan program during the show

Cynthia Boylan  |  Nov 20, 2014  |  0 comments

Fujifilm has introduced two new macro extension tubes for its line of X-Series interchangeable lens cameras and a launch date for its major firmware update and PC tethered shooting software HS-V5 for the FUJIFILM X-T1 (Graphite Silver) and X-T1 (Black) cameras. The updates offering additional features and enhanced controls will also be made available for the Fujifilm X-E2, X-E1, X-Pro1and X30.

Pages

X