Lighting How To

You bought your DSLR or high-end compact camera to shoot by available light without flash. The latest digital cameras, for the most part, are capable of producing exceptional results at high ISO settings under very dim conditions. But there are times when a little flash makes all the difference in the world. 

There I was, 20 years old behind the sideline barricade of an arena football game clutching to my now outdated Canon EOS 20D with a 200mm lens slapped on it. I raced back and forth behind the separating wall with a cluster of other photographers—feverishly snapping off images as the players sprinted up and down the field and crashed into one another and off the barriers. It was my first sporting photo assignment.

Shutterbug reader Larry Young has managed to freeze a moment in time and transform a drop of water into an alien universe all from the comfort of his garage. So, how did he do it?

Electronic flash is a versatile photographic tool. From tiny units built into cameras to multi-head studio flash systems with separate power supplies, electronic flash is popular with photographers from snapshooter through pro.

Here are a few handy tips to help you get better photos with flash.

Successfully capturing dancers with grace, style, and a certain sensibility for how they move takes a discerning and artistic eye. Equally, it takes an appreciation and understanding of how dancers do what they do to be able to capture just the right moment. And all that defines the photography and lighting techniques of Lois Greenfield.

Ray Demski captured this dramatic image sequence of Olympic Beach Volleyball gold medalist Jonas Reckermann in the Canary Islands for Red Bull. “I wanted to show the entire movement of Jonas Reckermann’s jump serve in a single image,” Demski told Shutterbug.

The first time I met Craig La Mere was at an ice cream shop in Brunswick, Maine, at about 11 p.m. Really. It was the night before the Maine Professional Photographers Association conference was going to kick off. I was there as a print judge, La Mere as a speaker. I recognized him from his Moz (his studio name) logo hat, although he didn’t know who this stranger was who was accosting him.