Lighting How To

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Ron Leach  |  Mar 14, 2017  |  0 comments

Commercial photographer J.P. Morgan has over two decades of studio experience, as well as a knack for helping others shoot like a pro. In the video below, Morgan uses his unique teaching style to help you better understand lighting by photographing a ball, cube, and cylinder in one properly lit image.

Ron Leach  |  Oct 27, 2017  |  0 comments

On-camera flash tends to get a bum rap, especially for portrait photography. But if you want to shoot stunning people pictures at night, unencumbered by flash brackets, light modifiers, or other flash attachments, all you have to do is watch the quick tutorial below. 

Jim Zuckerman  |  Mar 27, 2015  |  0 comments
Shadows are an integral part of light, and that means they are an integral part of photography. Everything casts a shadow, however subtle it may be, in virtually all types of lighting conditions. Even a small insect casts a shadow in diffused light. For example, look at the shadows under the legs of the cicada (#1). This was taken with diffused window light.
Jim Zuckerman  |  Nov 20, 2015  |  0 comments
In nature, lighting can make the difference between an okay photo and an amazing shot. Light can even become the subject and can affect composition, exposure, color, focus, feel and mood. This is why most nature photographers work around light, letting it determine when and where they work. In this chapter I’ll talk about the importance of shooting at the right time of day, how the direction of light affects subject matter and how weather plays an essential part.
Barry Tanenbaum  |  Jul 25, 2012  |  First Published: Jun 01, 2012  |  17 comments

The intriguing thing about lightpainting is you never know exactly what you’re going to get. And whatever you get, you won’t get it again. That’s part of the technique’s appeal: you’re creating a one-of-a-kind photograph.

 

Simply, a lightpainting photo is an image made with a handheld, constant light source in a dark room or environment. The camera’s sensor captures only what you choose to illuminate. Lightpainting images can range from relatively simple to fairly complicated. Striking photos can be created indoors with nothing more than a still life subject, a tabletop to put it on, and a small LED penlight to light it. Or you can think big: how about a mega-powerful spotlight illuminating prairie land in the Grand Tetons or a mesa in Monument Valley?

Steve Bedell  |  Oct 11, 2017  |  1 comments

I’ve known John Hartman for many years. He is regarded in the industry as not only an outstanding photographer but also one of the hardest working and most successful photographers in the portrait world.

Jack Neubart  |  Sep 27, 2016  |  0 comments

Joe McNally learned the value of supplementing available light with flash early on in his career as a photojournalist. Currently a Nikon Ambassador who works mainly as a commercial/editorial portrait photographer, McNally has become a staunch advocate for the use of Nikon Speedlights on location, often using these small flashes off camera in multiple lighting setups. McNally even mixes his Speedlights with studio strobes on occasion when the situation warrants.

Ron Leach  |  Oct 31, 2017  |  0 comments

Yesterday we demonstrated how to make better outdoor portraits by balancing ambient light with flash. Today’s lighting tutorial takes a different approach, explaining how to shoot indoor group portraits with a simple on-camera flash technique.

Joe Farace  |  Oct 06, 2015  |  1 comments

Studio lighting hardware is going through the biggest change—a paradigm shift, really—since the flashbulb was invented in 1929. There are many trends and fads with LED’s popularity seemingly having equal parts of both. LED lighting also appeals to DSLR and mirrorless camera shooters who want to capture stills and video.

Jack Neubart  |  May 10, 2016  |  0 comments

Jim Harmer didn’t start out as a travel and nature photographer. He was in law school when the photography bug bit him, and, before he knew it, he was traveling the world, capturing moments in time with his camera.

Steve Bedell  |  Oct 24, 2014  |  0 comments

Profoto B1 lights are the first studio lights to feature built-in TTL. They also have their own battery and controller so you can go on location and just pop up a light and start shooting. As of this writing they are available only for Canon, but by the time you read this the Nikon version should be available as well. To me, this is tailor-made for location shooting, so that’s where I did my tests.

Barry Tanenbaum  |  Apr 29, 2016  |  0 comments

BMX rider Daniel Coriz comes in at speed from the right side, launches himself up 10 feet, touches both tires, pulls the handlebars to pop a wheelie off the wall, then turns the bike for a clean exit. He lands a foot in front of adventure sports photographer Michael Clark, who’s been hand-holding his camera, tracking and firing to capture every turn and twist of the trick.

Ron Leach  |  Apr 17, 2017  |  0 comments

Canon has two innovative lenses that incorporate built-in LED “Macro Lites” on either side of the front element, the EF-M 28mm f/3.5 Macro IS STM for M-Series mirrorless cameras, and the EF-S 35mm Macro IS STM for Canon DSLRs. In the video below, you’ll see what you can accomplish by using these lenses instead of a conventional on-camera flash.

Jim Zuckerman  |  Feb 18, 2015  |  0 comments
I think it would be helpful to you if I explained how I handled different kinds of low light photographic situations. Apply my approach to your own images and make note of the technical solutions for each subject and scene. As photographers we are constantly challenged with shooting in circumstances where the light is not sufficient to get what we really want—sharp pictures, effective depth of field, minimal noise and a good exposure. We often have to make compromises but our goal is to get the best images we can under often trying conditions. In this chapter I’ll be sharing my thinking process in dealing with tough subjects in a variety of circumstances.
Jim Zuckerman  |  Nov 20, 2015  |  0 comments

Low light photography presents many challenges, but like any challenging situation it also opens up opportunities to create unique images. Think outside the box and you will be surprised at the kind of images you can produce. The techniques I describe below will get you started. Try each one and see why there is no limit to what you can create with some imagination and effort, and have some fun in the bargain.

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