Hi everybody! I’m very excited to be launching a new Q&A column here in Shutterbug—a magazine I’ve been reading, and been a fan of, for so many years—so it’s truly an honor to be here with you. I invite you to send in your questions to editorial@shutterbug.com, and I’ll do my best to answer them in Ask a Pro. OK, let’s jump right to it.
The skies have been a source of fascination for humankind since our earliest days. But only in the past 100 years or so has photography provided tools to enable people to capture, view, and enjoy the astonishing images astronomers were privileged to see in their elaborate telescopes.
In many ways, Florida seems like a thoroughly modern state. New developments and towering skyscrapers dot the urban contemporary landscape. Tourism display racks contain dozens of the latest amusement and attraction brochures. Each year, millions of visitors descend upon Florida to experience the beaches, theme parks, major cities, and golf courses.
It’s common to see blinking buttons and scrolling banners and other animated graphics on websites that look pretty much the same as those on every other website. I want to show you how you can do something different with animation: blur an image, then use animation to grab your viewer’s attention by bringing the blurred photo back into focus.
A full 15 years have passed since the first commercially viable autofocus SLR was introduced (the Maxxum 7000) and the technology has been improved significantly since then. Even so, some photographers consider AF suitable only for snapshooting.
It should come as no surprise to you to discover that there are few--maybe no--real secrets in photography. Instead, what you find are informed opinions based on experience blended with some stylistic preferences. The recipe for producing...
I don’t have to light up rooms or freeze fast action very often—travel photography doesn’t usually call for that, and, besides, I really prefer to shoot in natural light. Fortunately, most of the time I can, but there are instances when a flash will make the difference in a picture by narrowing the scene’s contrast range, making it possible for the camera’s sensor to capture the details in shadow and highlight areas. Often flash is the only way for me to make a picture, as I don’t have the luxury of coming back when the light is better.
"Geez, Tim, your photo gear alone is heavier than my entire backpack!" This was a fellow backpacker I met in Glacier National Park. She was exaggerating...I hope. But it is certainly true that adding a lot of photography equipment to a loaded camping backpack adds significant weight.
Most people find the bones of animals fascinating. Nature photographers are usually drawn to them like a magnet, and when they are in a particularly beautiful environment, they make captivating subjects. Too often, though, bones are scattered in an unattractive way or they are laying in dirt or underbrush that isn’t especially appealing. In that case, it’s a simple matter of arranging the various elements so they are more pleasing.
In the last several years, the digital revolution has completely changed how photo books and albums are created...and change has been for the better in every respect. It's out with the old--covers without images, prints painstakingly glued in or slipped into boring 4x6" sleeves, improvised captioning (often by hand), heavy pages (often with unappealing acetate...
Natural History
When Steve Gottlieb took this picture in 1985 he’d been practicing law for 10 years. Photography was his hobby, and his hometown, Washington, D.C., was his favorite subject.
“My look is all about capturing a natural quality in the person I’m portraying,” Bil Zelman observes. “I find that strobe is very distracting for people.” That doesn’t mean that Zelman entirely shuns strobe. On the contrary, he’ll use it, but more often than not chooses available light to imbue the shot with the quality he’s after. As we’ll...
Eric Luden is a former executive at Ilford Photo, a noted commercial and fine art photographer, and the founder of Digital Silver Imaging, a New England lab that works exclusively in black and white. During the 1990s, he served as a consultant with Eastman Kodak’s black-and-white division before joining Ilford, where he worked for over 12 years. In 2006, he became the VP of North American...
Twenty years in business together, the team of Bohm-Marrazzo (Montclair, New Jersey-- www.bohm-marrazzo.com) comes well equipped to tackle the challenge of photographing kids and animals for their advertising clients. Experience has taught them to incorporate these highly animated subjects into the picture to make an...