Don Dixon (www.dixonfilm.com) has always impressed me as the consummate professional. A contributor to two of my books, Studio Lighting Solutions and Location Lighting Solutions (Amphoto), he continues to produce a body of work that stands head and shoulders above many when it comes to originality. His digital composites never cease to amaze...
It’s easy to create a very sharp, realistic looking double matte to give your online photos an artistic presentation. All it takes is some very basic Photoshop skills and less than 10 minutes.
While most of Tom Bol’s outdoor and adventure images begin with specific assignments or great scenic opportunities, there are a good number that begin with Tom asking himself, “What if…?”
Stuck in traffic one day on Sunset Boulevard, Patrick Ecclesine got an idea. Thinking about the street—“twenty-four miles from the barrio to the beach,” he writes at his website (www.ecclesine.com), “through some of the poorest neighborhoods in the city to some of the richest neighborhoods in the world”—two...
There I was, 20 years old behind the sideline barricade of an arena football game clutching to my now outdated Canon EOS 20D with a 200mm lens slapped on it. I raced back and forth behind the separating wall with a cluster of other photographers—feverishly snapping off images as the players sprinted up and down the field and crashed into one another and off the barriers. It was my first sporting photo assignment.
It seems easy to create a black and white from a digital image. At its most basic level all that is required is selecting “Convert to Grayscale,” which is found in almost every image-editing program on the market.
Now we come to how exposure and creative photography go hand in hand.
Why would you need to change the aperture or shutter speed under different lighting conditions? Why would you want to use a fast shutter speed for one shot and a slow one for another? Why change apertures or ISO?
That goes to the heart of the photographic exposure system and is one of the most...
When scene contrast is high there may be a danger of overexposure, particularly when you do not take care to read the highlight values to keep them well within the dynamic range capability of the sensor. When overexposure is extreme you lose detail in the subject, cause the image to look harsh, and may eliminate the possibility of making a good print from the photo, despite your best processing...
Exposure systems in digital cameras are highly sophisticated components that can analyze light, contrast, color and all the aspects of a photo instantly. Yet with all the automation and computerization there’s still the need to understand how to get the most from all the available options, to know when to choose a particular mode or metering pattern, when you can rely on automation and when you need to step in to get the best exposure possible. This set of tips deals with the creative use of the various Exposure modes, metering patterns, bracketing features and more.
Ron Magill is a trained zoologist and the communications director of the Miami-Dade Zoological Park and Gardens—Zoo Miami for short—and if you think that gives him an advantage when it comes to taking outstanding wildlife images, you’re right. But don’t turn the page. What’s needed to get a share of the wildlife “Wow!” factor is technique, access, and information that’s available to all. You will also need dedication and persistence. Above all, be sure to pack your patience along with your camera and lenses.
First off, a brief description of what Facebook is, just in case you’re one of the few people on the planet who is not already a member. Facebook (www.facebook.com) is defined as a social-networking site. It was originally designed by founder Mark Zuckerberg while he was at Harvard University as a way for Harvard students to communicate...
As the last days of summer give way to frosty nights and crisp mornings, the world is transformed into a fiery splendor. In most parts of the US and Canada, crimson maples, golden poplars or aspen, and red dogwoods dominate the landscape. This is a...
After 30 years of making a living as a professional photographer I reached another milestone this past July—I traveled with my 17-year-old son Justin around the entire state of Oregon, our goal being to create an in-depth documentary of this beautiful state. We had never before traveled together solely as a photo team. This trip served as another milestone for me—it would be my first photo trip with my new Canon digital camera, having finally said goodbye to my beloved manual Nikon SLRs and Fujichrome slide film.