Pro Techniques

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Joel Beemer  |  Dec 11, 2012  |  1 comments

t was when my knees began creaking that I came to realize it was time to stop hauling around a monorail 4x5” camera system in the field. Something smaller and lighter was needed.

Joe Farace  |  Apr 01, 2010  |  0 comments

Despite lens makers’ ads to the contrary, photographers don’t always want or need tack-sharp photographs, especially for wedding or bridal portraits. The use of creative or selective blur when applied in the digital darkroom to an otherwise ordinary photograph can create a mood or look that fits an impression of the original image more than its reality, but sometimes the distinction...

Dick Stanley  |  Mar 01, 2007  |  0 comments

In 30 years of taking photographs I have always been more or less indifferent to the camera I use. Various instamatics have been my mainstay, and sometimes I end up using a disposable camera. I have nothing against a good camera: I own one (with only a 135mm lens), and sometimes borrow others. The indifference to the camera comes from the fact that the images that attract me are...

Jeff Wignall  |  Jun 11, 2013  |  First Published: May 01, 2013  |  0 comments

In a business that thrives on intensely refined specialties, Newport, Rhode Island-based shooter Matthew Cohen has managed to find success in what has to be one of the ultimate photographic niches: nautical adventure photography. Cohen is one of a handful of photographers worldwide who earns much of his living adventuring on the high seas and capturing those exploits with his camera.

Barry Tanenbaum  |  Feb 02, 2016  |  0 comments

We were going over the photos for this story when photographer Lucas Gilman said something I didn’t entirely agree with. He was talking about making an image in which a bird came into the frame just as a surfer was making his move on a wave. “Cameras are so good now, anybody can take the exact same pictures I can,” he said, “so what I do is look for and take advantage of subtleties that others overlook. That way I separate myself from everyone else who can buy a new camera and make great pictures.”

Jody Gomez  |  Feb 01, 2009  |  0 comments

The photographic career of Jody Gomez started off simply enough, as a spectator parent when her son began riding steers. Frustrated by the poor quality of the pictures snapped and sold by another parent, Gomez began taking her own photographs, starting off with an entry-level 35mm Canon Rebel. In short order, Gomez was installed as the official photographer for the California Junior Bull Riders...

Rosalind Smith  |  Aug 01, 2008  |  0 comments

Life isn't easy on the campaign trail and photojournalist David Burnett has just returned his rental car, home after a hectic five days covering the Hillary Clinton campaign in New Hampshire. It had not been a simple journey. Burnett started in Iowa where Clinton had previously been campaigning, then traveled to New Hampshire.

"As for the shoot...

Lorraine A. DarConte  |  May 02, 2012  |  First Published: Mar 01, 2012  |  2 comments
The majority of articles written (and classes taken) about wedding photography focus on taking better pictures of the bride and groom. By now, every photographer knows at least 20 poses they can compose in 5 minutes or less, plus several clever ways to make a plus-size bride look slimmer and her mother younger. But what about the rest of the wedding, such as taking better cake-cutting, bouquet-tossing, first-dancing, or champagne-toasting photos? It is at the reception where a photographer’s technical—and anticipatory—skills are most likely to come into play. Working in banquet rooms with poor lighting and questionable architecture are just two of the many challenges photographers face. With that in mind we talked with three top pros, Lisa Lefkowitz (www.lisalefkowitz.com), Cliff Mautner (www.cmphotography.com), and Kate McElwee (www.katemcelweephotography.com), who offer their experience in helping you make great wedding reception shots.
Howard Millard  |  Sep 30, 2014  |  0 comments

Are you someone who appreciates the richtones, colors and textures of 19th and 20th century alternative photo processes? With onOne Software’s Perfect B&W (www.ononesoftware.com), you can imbue your own images with these classic looks, and you won’t have to spend days in the darkroom to do it. Options include Platinum and Palladium, the warm beige tones and mottled surface of Calotype, the blue hues of Cyanotype, the buff tones of an Albumen print, the velvety reds of a warm Carbon print, even the look of a Tintype and many more.

Joe Routon  |  Jul 09, 2013  |  First Published: Jun 01, 2013  |  1 comments

After a grueling three-day walk, an elderly farmer, hobbling with the aid of two gnarly walking sticks, finally arrived at the hospital in Ometepec. The long distance and oppressive Mexican heat were not his only obstacles—the insidious cataracts that were slowly robbing him of his vision made his trek a precarious journey. A young mother, who had been sightless for several years, gave birth to a child. She had nursed her, raised her, and loved her, without ever seeing her face.

Steve Bedell  |  Oct 01, 2010  |  0 comments

I first met Eddie Tapp when I attended the Professional Photographers of America Judges Workshop in Atlanta in 1997. Flash forward to today when film is a niche in photography, and photographers around the world recognize Tapp as one of the premiere Photoshop/digital imaging experts in the world. He lectures and consults to individuals and corporations around the world and can be found presenting...

Chris Maher and Larry Berman  |  Sep 01, 2006  |  0 comments

As a young photographer, Eric Meola's first job after college was assisting Pete Turner. He got the job through the same passionate perseverance that has driven him in countless successful assignments. It helped him create a unique visual style that has carried throughout his entire career.

Shutterbug: After about 18 months of assisting Pete...

Suzanne Driscoll  |  Sep 26, 2011  |  First Published: Aug 01, 2011  |  0 comments
Is it possible to communicate through photography the energy as well as the quiet moments of rock ’n’ roll? These photos, selected by Graham Nash for the recent Taking Aim: Unforgettable Rock ’n’ Roll Photographs exhibit at the George Eastman House, answer with a resounding “yes!” Nash, of The Hollies and Crosby, Stills and Nash fame, started taking pictures long before he became famous as a musician, and few may be aware of his talents as a curator, collector, and photographer.
Barry Tanenbaum  |  Jul 01, 2010  |  0 comments

The thing you’ve got to watch out for is the pilot who gets a little too into the photography.

It’s not a common occurrence, to be sure, but…“I had a pilot who almost killed me,” says Cameron Davidson, who spends a good portion of his time in the air shooting for clients and his own projects. “I have this strict rule:...

Peter K. Burian  |  Apr 01, 2001  |  0 comments

In most parts of North America, March signifies the beginning of spring, but it's the April showers that bring the best flowers. By the end of this month, gardens all around us will be lavished with vibrant colors making a highly appealing...

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