News

We're all at the mercy of Mother Nature When shooting in the field, and that leaves us three options when arriving at a beautiful location and are faced with flat, uninspiring light. We can sit around and wait until conditions improve, give up and return another day, or capture the best images possible and enhance them during the editing process when we return home.

Let's say you capture a nice image, and you want to bring out a bit more detail during the editing process. It doesn't matter whether the photo is a portrait, macro shot, a landscape scene, or something else. What's your strategy?

Last week we featured a tutorial explaining why your hand-held photos may be unsharp, with techniques you can employ in the field to fix the problem. That lesson turned out to be quite popular, as expected, because the goal of most photographers is fast and precise focus.

Long Exposure Noise Reduction is very helpful feature available in most modern digital cameras, including interchangeable lens models and many full-featured compacts. But as you'll see in the following tutorial from the Photo Genius YouTube channel, leaving this setting turned on by default will hold you back in certain situations.

A common mistake by outdoor photographers when shooting on the street or in the field is to begin popping off photos upon arriving at a destination for fear of losing a fleeting moment or great light. The problem with this common approach is that it often results in common images.

So you just spent a day photographing birds or other forms of wildlife and returned home expecting to be impressed by the images you made. But low and behold, the photos you see on the computer aren't nearly as compelling as you thought.

One of the biggest mistakes photographers make when processing photos is limiting their edits to global adjustments. In other words, all of their enhancements apply to the image as a whole—regardless of brightness and color differences through the scene.