Software Reviews

Judging by the popularity of facial retouching software, there seem to be a lot of people out there who want to make their subjects look like they just arrived off a private jet from Monte Carlo. And they want to do it fast, and not get bogged down with little technicalities like learning how to use Photoshop. So, is it possible to just press a button and instantly have a complexion that looks like J.Lo after an hour in the makeup chair? Well, that’s what we’re here to find out, so let’s take a look.

First, let’s take a look at what we have. Perfect Portrait is one of six products that combined give you onOne Software’s Perfect Photo Suite 6. You can buy the whole bundle or you can buy just the individual products that you like. And while I’m not going to address the other products here, let me just add kudos to onOne for using the same interface for each product, something you’d think would be automatic with software suites but sadly is not.

Photographers, especially those dealing with large numbers of images, are always looking for ways to speed up the workflow and spend less time in front of a computer and more time behind a camera. Applications like Lightroom have improved the process tremendously, making cataloging and image adjustments easier and faster than before. If you have adjustments that you apply frequently, you can use presets to make it a single-click process, applying a number of adjustments in one operation.

Kevin Kubota has been providing presets and tools for both Photoshop and Lightroom users for quite a while now, and one of his products is a combination of a package of presets for Lightroom and a mini keyboard from RPG Keys that looks much like a numeric keypad on your keyboard. Available as a bundle for $349, or as a rental for $19.95 per month after a $49 setup fee, you get over 100 presets that do everything from black-and-white conversions to skin tone enhancements (and a number of interesting edge effects).

With each successive release of ACDSee Pro, the photo management suite adds ever-more-powerful features. In this review I hope to help you decide whether or not its features match up with your own workflow, meet your needs, or even improve on existing features to enhance your photographic creations.

In my own workflow, the new version, ACDSee Pro 5, smoothed over a few rough edges in the editing process and made my management chores a bit less time-consuming. The release is not so groundbreaking that it might make you consider abandoning Adobe Lightroom or Apple Aperture altogether, but there are some pro-level additions that are definitely worth considering. The program never crashed and operated quickly for just about any task on a standard desktop PC. Note I said PC—there is no Mac version available or considered at this point.

Color Efex Pro 4 is Nik Software’s (www.niksoftware.com) latest version of its digital photographic filter plug-ins for retouching and creative enhancements. It is Mac OS and Windows compatible and installs as a 32-bit and 64-bit plug-in for Adobe Photoshop CS4 or later, Lightroom 2.6 or later, Photoshop Elements 8 or later, or Apple Aperture 2.1.4 or later. The installer searches for all of the hosts that are on your computer and if you already have Photoshop, Lightroom, and Aperture installed, as I do, it will install Color Efex Pro 4 for all of the host applications.

What’s New
One of the biggest improvements in Color Efex Pro 4 is the ability to use Filter Combinations that let you stack multiple filters, adjust each one’s opacity, and make selective adjustments to get the desired look. Each filter contains single-click starting points, making it possible to explore different options. Shades of Emeril Lagasse, there are Filter Recipes that let you customize and share filter combinations with others. Bam! Reminiscent of HDR Efex Pro, the 10 recipes that are part of the package are a quick way to get started using Color Efex Pro 4 and more are available for download on Nik Software’s website.

Adobe Photoshop Elements 10 caters to the entry-level crowd, but is imbued with several professional-level tools. Even when a feature is not really intended for serious photographers, there is a goldmine of functionality that could save countless hours. The app is celebrating 10 years on the market. Adobe has slowly revised the workflow, and it’s getting much better.

In this version, you’ll first see a start-up screen with two buttons, one for organizing photos and one for editing. It makes more sense to click the button to organize images first, especially if you’re not even sure which images need editing.

When you do, one of the first prompts you’ll see asks how you normally import photos. That’s handy, because even the most experienced pro has to get photos off the camera somehow. You might typically load images onto a network drive, or prefer loading directly off the camera. (An option to scan images seems woefully dated these days.) Whatever option you choose, you can always go back and select a different import default. For now, it just means, when you start Elements 10, the app will automatically look for that specific source.

Like most professional portrait photographers, I use Photoshop every day. Yet, because Adobe Photoshop is such a powerful program with so many tools available, it also comes with a significant learning curve. And when it comes to facial retouching, there are several tasks involved that do not always make Photoshop the best choice for everyone, especially those who want to do the job and move on.

Photo/Graphic Edges (PGE) from Auto FX Software has been with us for many years and the company recently released their latest version, 7.0, Platinum Edition ($249, stand-alone and plug-in; $129, upgrade for owners of Version 5 or 6). The interface is identical to that used by all Auto FX Photoshop plug-ins. If you already use another Auto FX plug-in, such as Mystical Lighting or Mystical Focus, learning to use PGE should be easy. Even if you’re not familiar with Auto FX products, you’ll likely find the interface to be very straightforward and uncluttered, with plenty of room to work on your images.