Pro Techniques

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Jon Sienkiewicz  |  May 01, 2010  | 

Many of the cameras used by Shutterbug readers use SD memory cards. SD stands for Secure Digital, and it’s the most popular type of media for digital imaging. SD has been around for so long that people use this identifier generically, and refer to all variations simply as “SD.” This practice can lead to problems. There are a couple of new kids on the block, and you should know...

Lorraine A. DarConte  |  Apr 01, 2010  | 

There was a time when all wedding photography was pretty much the same. Well-trained photographers worked from “shot lists” and used high-end, medium format equipment. They took wedding portraits (many in-studio) whose hallmarks included great color, sharp details, beautiful lighting, and well-posed subjects. Wedding albums were filled with 8x10”, 8x8”, and 5x7”...

Joe Farace  |  Apr 01, 2010  | 

Despite lens makers’ ads to the contrary, photographers don’t always want or need tack-sharp photographs, especially for wedding or bridal portraits. The use of creative or selective blur when applied in the digital darkroom to an otherwise ordinary photograph can create a mood or look that fits an impression of the original image more than its reality, but sometimes the distinction...

Steve Bedell  |  Apr 01, 2010  | 

If you are a wedding photographer, you already know what I’m about to tell you. The advent of inexpensive digital cameras that can produce amazingly good photos has shaken up the wedding market. With that and other matters in mind, I interviewed four of the top wedding photographers in the US and asked them some hard questions about where the wedding market might be headed. Our top shooters...

Jack Neubart  |  Apr 01, 2010  | 

Chris Vincent knows how to make a splashy shot for his clients. When it comes to liquids—pours, spills, splashes, and explosions—Chris Vincent (www.cvincent.com) has done it. That and the more sedate still life studies where all is quiet and calm.

I met Vincent years back when he was...

Roger W. Hicks  |  Mar 01, 2010  | 

There are plenty of reasons to eschew perfect sharpness. A classic application was to suppress lines and wrinkles, or just for a light, airy mood: as Tallulah Bankhead once said, “They used to photograph Shirley Temple through gauze. They should photograph me through linoleum.” Another reason is to create the sense of something half-remembered, imperfectly limned in the picture as in...

Maynard Switzer  |  Mar 01, 2010  | 

One of the things I always try to do when I’m planning a trip is check out the events calendars of the cities and towns I’ll be visiting to see what sort of festivals might be taking place. Sometimes I’ll even rearrange my schedule to make sure I hit those places at the right time; that’s how important it is for me to take advantage of these photo opportunities. Images of...

Jon Sienkiewicz  |  Feb 01, 2010  | 

For all practical purposes, you can narrow your film scanning options down to four choices. There are three types of scanners: drum, flat-bed, and dedicated film scanner. The fourth alternative is to have your film scanned by a professional lab.

Chris Maher and Larry Berman  |  Feb 01, 2010  | 

David Hume Kennerly has led an amazing career as a photojournalist. In 1968 he photographed Robert Kennedy at the California presidential primary moments before he was gunned down at the Ambassador Hotel.

Ted Kawalerski  |  Feb 01, 2010  | 

When I began this project—what has since evolved into something much more than I originally imagined—it was a hobby.

Jack Neubart  |  Feb 01, 2010  | 

“Magic hour is a time that I always strive for and work around,” observes Memphis-based architectural photographer Jeffrey Jacobs (www.jeffreyjacobsphoto.com). “I arrive at the location before sunset (or before sunrise, as the situation warrants). After 10am, depending on the time of year, the usable light is pretty...

Roger W. Hicks  |  Jan 01, 2010  | 

We have all had the experience of looking at old photographs that transport us back to a different age, whether it is 20 years ago, or 120. It can be very tempting to try to recreate a vintage look, whether for a particular emotional effect or simply because we can. But what are the actual differences, and how can we recreate them?

There are at least 10 answers or groups of answers...

Maynard Switzer  |  Jan 01, 2010  | 

My route to travel photography was not direct, but looking back, I realize the direction was set fairly early.

While attending the Art Center College of Design in Pasadena, California, I got a chance to spend a semester break photographing in Arkansas at the oldest bluegrass festival in the US. I never forgot how much I’d enjoyed photographing the festival and the local...

Jon Sienkiewicz  |  Dec 01, 2009  | 

The guy at the camera store told you that a filter is “cheap insurance against fingerprints and expensive repairs” but was he really looking out for your best interests?

Jack Neubart  |  Nov 01, 2009  | 

Shooting professionally since the 1970s, San Diego-based Marshall Harrington (www.marshallharrington.com) has employed various processes and techniques, film and digital, that give him a competitive edge. In my book, Location Lighting Solutions (Amphoto), Harrington described his work as “visual semiotics,” explaining...

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