Pro Techniques

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George Schaub  |  May 28, 2014  | 

The image color of even a conventional black and white silver print is rarely black, white and grayscale shades. It may be warm (golden) or cold (blue) neutral or toned (sepia, magenta). Over many years print makers and chemists developed paper and developer combinations, as well as after-printing toners, to add additional color to monochrome silver prints. For example, using a warm-tone paper such as Agfa Portriga and a warm-tone enhancing developer, such as Selectol Soft, could alter image color. This yielded brownish blacks and creamy whites. A cold-tone paper could be developed in Dektol and after fixing toned in a mild dilution of rapid selenium toner for added “snap”, resulting in a “harder” bright white/deep black effect.

Barry Tanenbaum  |  Aug 01, 2006  | 

In the early 1980s, when he was just starting out as a commercial and advertising photographer, Rob Atkins took a few trips to the Southwest. "I went to photograph the great natural wonders," Rob says, "like the Grand Canyon and Monument Valley." But as he traveled to those and other destinations, something else caught his eye. "So often, out in the...

Barry Tanenbaum  |  Oct 01, 1999  | 

They recognize him, the eagles.
Not all of them, of course, but enough of them so that he can get close...and
closer still. "I learned that eagles can recognize a face for
over 20 years," John Pezzenti,J...

Steve Bedell  |  Mar 01, 2004  | 

Now that digital is no longer new, a few rules of the road have been established that most folks would agree yield better quality results. Of course, you might find that bending the rules might be fun, and that there's still lots to learn. But these...

Jon Sienkiewicz  |  Jun 21, 2024  | 

Ever wish you could wave a magic mouse and edit a large batch of Raw images in Lightroom Classic—in your own personal style—in just a minute or two? Meet Neurapix AI

Jon Sienkiewicz  |  Feb 22, 2024  | 

OWC has expanded their end-to-end ecosystem of professional storage solutions by adding three new items of vital interest to content creators, moviemakers and photographers in general. Their latest innovation is their Atlas USB4 CFexpress Type B 4.0 Memory Card Reader. Here's the total rundown. If you want to speed up your workflow and improve data safekeeping, you need to read this.

Jon Sienkiewicz  |  Oct 03, 2023  | 

3 Legged Thing just introduced their 2023 lineup of monopods, and Shutterbug had a chance to evaluate the model of our choice several weeks in advance. Here's why the 3 Legged Thing "Taylor 2.0" works for us.

Alicia Fox  |  Aug 01, 2011  |  First Published: Jun 01, 2011  | 
Travel and photography are two intertwined subjects for me. Ever since I first had the freedom to travel, at age 18, I have been exploring the world, absorbing and photographing the unique cultures I encounter. I have developed a love for environmental portraits. In this style of photography I can capture not only the character of a person, but also the world in which they live.
Jon Sienkiewicz  |  Jun 20, 2023  | 

3 Legged Thing (3LT) just announced Freya, an L-bracket designed to fit the popular Fujifilm X-T5 specifically, and Shutterbug received a sample to evaluate several weeks before launch date. Here's our rundown.

Roger W. Hicks  |  Sep 01, 2010  | 

The original reason for tripods was very simple. Exposures were so long that there was no alternative: no one could hold a camera still for many minutes at a time. The same remained true even when exposures dropped to a few minutes, and then to a few seconds. To this day, therefore, most people think of long exposures as the only reason for using a tripod. But there is a lot more to it than this.

David Schloss  |  Feb 27, 2024  | 

Turning your photos into artwork as a high-quality wall print, a custom leather-bound photo book, or a massive metallic wall hanging is a great way to really showcase photography and make it stand out from the swipe, swipe, swipe world of mobile photography.

Stan Trzoniec  |  Aug 06, 2013  |  First Published: Jul 01, 2013  | 
It’s been said that no matter how long the lens is, it’s never enough. While budget, carrying convenience, and how often you might use a long lens will determine your choices, once out in the field you’ll quickly see that they’re hard to beat for wildlife, birds, special effects, and landscape work. In this article I’ll cover some things to consider when thinking about which long lens is best for you, show some examples of both fixed and variable focal length lenses, and also share some of the work I’ve done with these impressive optical tools. When I say long I mean long, and here I’ll limit my discussion to lenses that can reach out to 200mm, and beyond, focal length.
David B. Brooks  |  Oct 01, 2008  | 

I began as a photographer back in 1952 while in the US Air Force during the Korean conflict. After being assigned to duty in Anchorage, Alaska, I found myself in an environment of great natural beauty, so taking pictures was both logical and a much better option than drinking beer and playing cards in the canteen. The first happy accident in my life as a photographer came as a...

RJ Wiley  |  Apr 01, 2009  | 

The Audubon Corkscrew Swamp Sanctuary in Southwest Florida has been left virtually untouched by man, except for the construction of one of the world’s most beautiful boardwalks that wanders through the heart of this ancient bald cypress swamp. In July 2007, the discovery of a ghost orchid at Corkscrew was very big news. Ghost orchids are rare; it’s estimated there are only 1000...

Kenneth J. Stein Ph. D.  |  Aug 01, 2003  | 

A Macro Photography Primer

In photography courses that I have taught, it has been common for people to tell me about their "Macro" function on their 35-70mm or 70-210mm lens. Although these lenses are adequate for some...

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