Joe Farace

Joe Farace  |  Oct 23, 2015

The trend of using continuous light sources for portraiture that I saw at last year’s WPPI show continues unabated with Westcott’s Two-Light Daylight D5 Softbox Kit being the latest offering. The kit uses fluorescent bulbs as a light source, although that word barely appears in Westcott’s early press material for the kit. Part of the reason may be that when it comes to photographs of people, fluorescent has a negative connotation but nothing could be further from the truth.

Joe Farace  |  Oct 06, 2015

Studio lighting hardware is going through the biggest change—a paradigm shift, really—since the flashbulb was invented in 1929. There are many trends and fads with LED’s popularity seemingly having equal parts of both. LED lighting also appeals to DSLR and mirrorless camera shooters who want to capture stills and video.

Joe Farace  |  Oct 02, 2015

The Federal Aviation Administration (FAA) officially refers to quadcopters as Unmanned Aerial Vehicles (UAV) but they obviously have more in common with the kind of hobbyist’s radio-controlled aircraft that have been around since I was a member of the Poly Aeroneers in high school. Yet tech blogs and social media endlessly refer to quadcopters as “drones” when the only thing a General Atomics MQ-1 Predator and a DJI Phantom 1 have in common is that they’re capable of flight. But they’re not without some controversy.

Joe Farace  |  Sep 28, 2015
Using filters to directly capture infrared images has never been easier, but not all digital cameras have this ability and some have only a limited capability. If your camera doesn’t work with IR filters and your budget doesn’t permit converting your SLR for infrared-only capture, maybe it’s time to consider converting some of your existing RGB images into an IR “look” using emulation software.
Joe Farace  |  Sep 01, 2015

If there’s a more challenging photographic discipline than wildlife photography, I don’t know what it is. It requires heavy and expensive long focal length lenses, a sturdy tripod, and the physical prowess to schlep all this gear through physically demanding environments. If you’re thinking “that’s not you, Joe,” you are correctamundo so I asked a few friends for advice on telephoto lenses and this is what they told me.

Joe Farace  |  Aug 12, 2015

This month marks the anniversary of a column that began in Shutterbug magazine in 1999 as Website of the Month and along the way evolved into Web Profiles. We’ve now moved the column exclusively online and I continue to seek out seek out new websites, to boldly go…sorry, I got carried away.

Joe Farace  |  Jul 31, 2015

Everybody makes prints from their digital image files—everybody. It may just be cranking out a few photo prints from a birthday party on a kiosk at Walgreens, or wedding photographers having full albums printed at commercial labs, but contrary to some pundits who claim digital has destroyed the need for a physical print, they are still being made and enjoyed. As Mark Twain once said, “Facts are stubborn, but statistics are more pliable.”

Joe Farace  |  Jul 17, 2015

Portrait photographers get to practice their craft with an amazing selection of different light sources, including everything from hot and cold continuous lighting to power pack-and-head and monolight flash systems to speedlights. Each has its own unique advantages and disadvantages depending on the kind of work you do but when it comes to flash, I’ve always been partial to monolights because of their built-in power supply. I’ve had a monolight fail on a job before but because the other monolights on hand had their own power supply, I was able to complete the assignment.

Joe Farace  |  Jul 03, 2015

May was National Photo Month, the former home of Take Your Camera to Work Day, and the month I was born, so you might say it’s a month for celebrating the art and science of making images, no matter what that medium—film or digital—may be. This month’s column features images from the U.S.A., Canada, and Slovakia, and each website and photographer showcases the joy of image making with the ability to share their work with like-minded individuals around the world, which is the main reason why photography is the universal language.

Joe Farace  |  Jun 26, 2015

It seems as if there’s a camera bag for everyone but one thing is certain—I’m sure it’s true for you as well—I’ve got more camera bags than I need! We’re constantly tempted by bags combining functionality with style, from surplus military bags beloved by hipsters to the $2,000 Ghurka Rangefinder No. 57 bag to toss onto your Bentley’s back seat. Todd Hutchings, a commercial photographer on the Monterey Peninsula, introduced me to his use of sports bags to carry equipment because they disguise the bag’s purpose from thieves.

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